Maamannan

Maamannan started off with commendable first half followed by average second half . Plot and its depth in first half with character establishment was on the spot , especially interval block was total banger and literal high point of the whole movie . Second half mostly lacked in depth & high point and literally failed to create impact as first half did . In fact if we saw previous works of Mari Selvaraj climax portion or post climax create great impact upon audience , but here he missed that trick . Vadivelu just nailed it in his performance , real comeback of this man but totally in different Avatar . Fahad Faasil as antagonist was different vibe , even though if he plays simple villain role he somehow maintain the tension around his character . Udhay and Keerthi did their job well . Asusual Mari Selvaraj as director did great in his crafting , on other side well supported by Theni Eswar's camera work . AR Rahman once again delivered mind blowing background scores and songs .

Overall , despite some flaws and let down in second half its totally worth and watchable flick . Keep your expectations down .

The film, directed by a visionary with an impressive track record and featuring a stellar cast, generated enormous anticipation, and it certainly did not disappoint. While the story may have had some predictable elements, it was the director's skill in crafting an exceptional screenplay that truly stood out. The emotional scenes were breathtaking, evoking a profound sense of connection with the characters.

Vadivelu's performance was nothing short of impressive, showcasing his versatility as an actor. Fahad Fazil, Udayanithi, and Keerthi Suresh also delivered outstanding performances, adding depth and authenticity to their respective roles. The chemistry among the cast was palpable, enhancing the overall impact of the film.

A. R. Rahman's musical genius shone through once again, with his marvelous compositions and captivating background scores perfectly complementing the narrative. The soundtrack was a true auditory delight, enhancing the viewing experience to another level.

Contrary to preconceived notions, this film is not just another tale of caste-related issues. It presents a unique perspective on how society can be misled by powerful individuals. However, it is worth noting that certain scenes might be distressing for younger audiences, so parental guidance is advised.

Although the predictability of the story prevents me from giving it a perfect rating, the film's overall excellence far outweighs this minor flaw. "Title of the Film" is an absolute masterpiece that will leave a lasting impression on its viewers. It is a must-watch for cinephiles and anyone seeking an unforgettable cinematic experience.

Maamannan is 2023 release Tamil movie with established actors, director and music composer.

The castings, music, storyline all very good. Watch the movie as it is without mixing it with political opinions. The way the animals portraying the social status also very apt. Some scenes are really mentally disturbing. It proves the director did his job competently. Each actors done their characters very well. Certain actors didn't have much screen presence nor dialogues but they contribute their part well even some solely with eye contact. As a whole, it's a very good movie from the whole team. Hope people enjoy the movie and understand the social message.

Mari Selvaraj is refining his stance on caste politics through his movies. Karnan and Maamannan did not come close to Pariyerum Perumal in regards to the number of days the movie stayed with me after the watch. However, from a scale perspective, the later movies are much bigger and impressive from a grandeur standpoint.

Fahad Fazil is back! Very much a director's actor, Mari has utilized the actor very well for a very convincing portrayal of the upper caste protagonist.

A R Rahman did great work in the movie. Unlike Malaykunju where Rahman's symphonies were not aligning with the rustic backdrop, Rahman has been able to align his work with the movie very well on this one. Some of the songs are very touching. Background music is the king in many scenes.

Great dialogue less aura from Udhayanidhi Stalin, seasoned performance from Vadivelu.

First half script and delivery was top notch. Lot of action (and violence) with matching background scores bring out the stance/spirit/emotion that the movie is taking.

Feels like Mari is deeply bothered by the caste based injustices, and is trying to discover and present his perspectives through his movies.

This political drama has a gripping first half, where the director effectively conveys his pain through certain scenes. While some scenes successfully deliver the intended message, many others fall short. The movie is a mix of raw and commercial elements, which I found somewhat unsettling. It didn't evoke strong emotions in me, such as making me cry or burst into laughter, or fueling a sense of vengeance against the villain. It is common to compare older movies with current ones, and in the case of "Karnan," there were moments that evoked rage, especially the police station scene. However, in this movie, I felt a lack of connection. It was meant to be a potential cult classic, but with a few issues, it might lose its place in that esteemed position. It's not the worst movie, but it falls short of achieving cult classic status from my perspective as a movie viewer. The director had already set a high benchmark, which this movie failed to meet.

On the other hand, the movie has received numerous positive aspects, ranging from the performances of Vadivelu, Fafa, and Keerthi, who all deliver their career-best performances. The landscape shots are beautifully showcased, capturing scenic locations like Yercaud, hilltops, and night shots. The camera work is impressive, and as expected, the music by ARR (A. R. Rahman) demonstrates his exceptional quality. The layered editing is also a significant plus point. With a more gripping and grounded second half, this movie could have reached greater heights. The interval and climax sequences have their own peak moments, showcasing the director's bold attempt. It's a remarkable film to conclude Udhay's career.