VALUTAZIONE IMDb
6,4/10
5200
LA TUA VALUTAZIONE
Uno scrittore di stand up affronta le complessità della vita con suo padre mentre è co-genitore di suo figlio autistico con la sua ex moglie. È alle prese con gli ostacoli mentre bilancia le... Leggi tuttoUno scrittore di stand up affronta le complessità della vita con suo padre mentre è co-genitore di suo figlio autistico con la sua ex moglie. È alle prese con gli ostacoli mentre bilancia le responsabilità familiari e la sua carriera.Uno scrittore di stand up affronta le complessità della vita con suo padre mentre è co-genitore di suo figlio autistico con la sua ex moglie. È alle prese con gli ostacoli mentre bilancia le responsabilità familiari e la sua carriera.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 4 candidature totali
Meg Hennessy
- Jackie
- (as Megan Henness)
Recensioni in evidenza
I was pleasantly surprised to find actual comedians here. I actually watch Emma Willmann's stuff, and it seems like she even wrote her own material here. The movie convincingly portrays its themes, highlighting the struggles of parenting, especially in the context of divorce and a child with mental health issues. We also see the valid reasons behind the parents' disagreements. They both wanted what was best.
The film exceeded my expectations. The conflicts felt realistic, and the acting was good, particularly from William A. Fitzgerald in his first movie role. He was so good that I hope he doesn't get typecast like the dude from The Good Doctor. Overall, the cast did well. Robert De Niro's introduction was funny, and he had some great moments. He's excellent at playing father roles, as I noticed in Silver Linings Playbook.
The humor was well-balanced, with the best laughs coming from moments outside the stand-up comedy bits. I'm glad the movie didn't overdo the jokes, even though one of the main characters is a comedian. It balances out with the dramatic moments without overshadowing them.
While the movie didn't leave a lasting impact, I still think it's worth watching. It was a pleasant surprise since I expected it to be overly sentimental, but it turned out much better. One of the cool things about mystery movie screenings is discovering unexpectedly good films, even if they're not ones I was eagerly anticipating. I'm a bit conflicted about giving it 3 or 3½ stars.
The film exceeded my expectations. The conflicts felt realistic, and the acting was good, particularly from William A. Fitzgerald in his first movie role. He was so good that I hope he doesn't get typecast like the dude from The Good Doctor. Overall, the cast did well. Robert De Niro's introduction was funny, and he had some great moments. He's excellent at playing father roles, as I noticed in Silver Linings Playbook.
The humor was well-balanced, with the best laughs coming from moments outside the stand-up comedy bits. I'm glad the movie didn't overdo the jokes, even though one of the main characters is a comedian. It balances out with the dramatic moments without overshadowing them.
While the movie didn't leave a lasting impact, I still think it's worth watching. It was a pleasant surprise since I expected it to be overly sentimental, but it turned out much better. One of the cool things about mystery movie screenings is discovering unexpectedly good films, even if they're not ones I was eagerly anticipating. I'm a bit conflicted about giving it 3 or 3½ stars.
He's read the New York Times since he was 5 and can eat only with plastic silverware. That's Ezra, the film is Ezra, and Ezra is autistic. This new melodrama from Hollywood, directed by Tony Goldwyn, is a tearjerker in its best form: so likeable is dad, Max (Bobby Cannavale in his career high), so fetchingly gruff his grandpa (Robert De Niro), so loveable Ezra (William A. Fitzgerald) that you root for them from the first frame to the last.
Max doesn't want Ezra to be put in a special school, so in his usually off-kilter way, he kidnaps Ezra to take him to California away from the cold-hearted child services and to appear as a comedian on the Jimmy Kimmel show. Despite the challenge of an Amber Alert, the fugitives manage to make the odyssey with grandpa's help and that of the endearing mother (Rose Byrne), divorced from Max but loving both Ezra and him. That she accepts the authorities' decision to drug Ezra and place him in a special school stretches credibility given the questionable authorities.
Although some of these situations seem like setups for pulling at the heart, the film peppers each with a reality that proclaims how we could easily be in the same situation. Max often acts like a child, while the child acts like an adult. When Max attacks the principal, the script seems unreal.
However, the film successfully shows not only the rough side, but also the charming side of autism, much as Rainman did. In other words, humanity outweighs film formula.
Life constantly gives Max chances while he tends to blow the opportunities. While being a stand-up comedian who earns a gig on Kimmel, he has some of the worst jokes ever, such as finding his inner child who happens to have a gun.
One of the memorable segments is De Niro showing his considerable chops when he apologizes to Max for being an emotionally distant father. It's the old Travis first-rate acting even when it feels like writer Tony Spiridakis is forcing the moment and its emotion.
The movie Ezra is a stellar summer outing with excellent acting and caution about being a parent and bringing up an autistic child. The imperfections are negligible when you consider its strengths.
Max doesn't want Ezra to be put in a special school, so in his usually off-kilter way, he kidnaps Ezra to take him to California away from the cold-hearted child services and to appear as a comedian on the Jimmy Kimmel show. Despite the challenge of an Amber Alert, the fugitives manage to make the odyssey with grandpa's help and that of the endearing mother (Rose Byrne), divorced from Max but loving both Ezra and him. That she accepts the authorities' decision to drug Ezra and place him in a special school stretches credibility given the questionable authorities.
Although some of these situations seem like setups for pulling at the heart, the film peppers each with a reality that proclaims how we could easily be in the same situation. Max often acts like a child, while the child acts like an adult. When Max attacks the principal, the script seems unreal.
However, the film successfully shows not only the rough side, but also the charming side of autism, much as Rainman did. In other words, humanity outweighs film formula.
Life constantly gives Max chances while he tends to blow the opportunities. While being a stand-up comedian who earns a gig on Kimmel, he has some of the worst jokes ever, such as finding his inner child who happens to have a gun.
One of the memorable segments is De Niro showing his considerable chops when he apologizes to Max for being an emotionally distant father. It's the old Travis first-rate acting even when it feels like writer Tony Spiridakis is forcing the moment and its emotion.
The movie Ezra is a stellar summer outing with excellent acting and caution about being a parent and bringing up an autistic child. The imperfections are negligible when you consider its strengths.
It must be challenging to tell a fictional story about a boy with autism and make it authentic. Director Tony Goldwyn and writer Tony Spiridakis (who drew on his own experience as a parent of a child with autism) have done that with Ezra. Max (Bobby Cannavale) is a standup comedian who struggles to raise his autistic son, Ezra (William A. Fitzgerald). Max has very different views with his ex-wife, Jenna (Rose Byrne), on parenting Ezra. Additionally, Max and his father (played by Robert De Niro) have a tense relationship. And when Ezra is placed in a "special" school, Max illegally takes Ezra on a road trip on his way to an audition for a comedy gig. And, of course, a great deal of drama ensues.
The family dynamics, the challenge of parenting a child with autism, and the demands of personal growth are explored with sensitivity and compassion. Many people have praised Ezra as an accurate portrayal of autism. The performance by the young Fitzgerald in his acting debut is stunningly good. Cannavale and De Niro are also excellent in their roles. It's great to see De Niro in one of his best performances for some time. And Rose Byrne does a good job as Ezra's mother, although her character does seem to be underutilised.
Goldwyn's direction balances emotional depth with personal story telling, but sometimes, some of the plot seems to be a bit extraneous to the central story. And the narrative occasionally ventures into cliche. But, overall, it's a warm and heartfelt story that moves along at a good pace, although the final act of the film does feel a bit drawn out.
There have been other movies similar to Ezra, such as The Peanut Butter Falcon. But what makes this one stand out is its feeling of authenticity. If you're interested in family dramas, and particularly if you are interested in neurodiversity, you will find this a compelling watch. Despite some of its narrative flaws, its sincerity and depth make this one worth checking out.
The family dynamics, the challenge of parenting a child with autism, and the demands of personal growth are explored with sensitivity and compassion. Many people have praised Ezra as an accurate portrayal of autism. The performance by the young Fitzgerald in his acting debut is stunningly good. Cannavale and De Niro are also excellent in their roles. It's great to see De Niro in one of his best performances for some time. And Rose Byrne does a good job as Ezra's mother, although her character does seem to be underutilised.
Goldwyn's direction balances emotional depth with personal story telling, but sometimes, some of the plot seems to be a bit extraneous to the central story. And the narrative occasionally ventures into cliche. But, overall, it's a warm and heartfelt story that moves along at a good pace, although the final act of the film does feel a bit drawn out.
There have been other movies similar to Ezra, such as The Peanut Butter Falcon. But what makes this one stand out is its feeling of authenticity. If you're interested in family dramas, and particularly if you are interested in neurodiversity, you will find this a compelling watch. Despite some of its narrative flaws, its sincerity and depth make this one worth checking out.
Sometimes people think I'm a fool for not answering them, but I do respond internally, often with quotes from my favorite books and movies... just like Ezra.
Ezra is a film that beautifully weaves together the story of three generations of autism within a single family. It's brought to life by the masterful direction of Tony Goldwyn, whose talent never fails to impress me, and written by Tony Spiridakis, who is himself a parent of an autistic child.
Tony Goldwyn has assembled an incredible cast. It was heartwarming to see him reunite with Whoopi Goldberg after "Ghost," along with the brilliant Vera Farmiga, Rainn Wilson, and the always-reliable Robert De Niro in supporting roles.
But the true magic of the film lies in the performances of Bobby Cannavale, who proves what a remarkable actor he can be when given the chance, his real-life partner Rose Byrne, and the astonishing William Fitzgerald.
Director Tony Goldwyn insisted on casting an autistic actor to play Ezra, which was no easy feat, as Hollywood tends to shy away from decisions that increase legal liability. The film's co-producer, Alex Plank, is also on the autism spectrum. The goal was not only to make an authentic film but also to create an accessible film set for neurodivergent actors and crew members. Under Plank's guidance, everyone on set participated in autism training sessions throughout the production.
The film's cinematography, handled by Daniel Moder, is a visual treat with its story-driven use of color and camera work.
Unlike the usual (and frankly offensive/misleading) autism-centric films, "Ezra" takes a more accurate path, embracing neurodiversity, and has deepened my respect for Tony Goldwyn. The film avoids the common tropes and stereotypes associated with autism, instead offering a nuanced and authentic portrayal of the challenges and joys of living with autism. It celebrates the unique strengths and perspectives of neurodivergent individuals, while also acknowledging the difficulties they face in a world that often misunderstands and stigmatizes them.
In conclusion, "Ezra" is a heartwarming and thought-provoking film that sheds light on the complexities of autism with sensitivity and compassion. It is a must-see for anyone who wants to gain a deeper understanding of neurodiversity and the importance of acceptance and inclusion.
Ezra is a film that beautifully weaves together the story of three generations of autism within a single family. It's brought to life by the masterful direction of Tony Goldwyn, whose talent never fails to impress me, and written by Tony Spiridakis, who is himself a parent of an autistic child.
Tony Goldwyn has assembled an incredible cast. It was heartwarming to see him reunite with Whoopi Goldberg after "Ghost," along with the brilliant Vera Farmiga, Rainn Wilson, and the always-reliable Robert De Niro in supporting roles.
But the true magic of the film lies in the performances of Bobby Cannavale, who proves what a remarkable actor he can be when given the chance, his real-life partner Rose Byrne, and the astonishing William Fitzgerald.
Director Tony Goldwyn insisted on casting an autistic actor to play Ezra, which was no easy feat, as Hollywood tends to shy away from decisions that increase legal liability. The film's co-producer, Alex Plank, is also on the autism spectrum. The goal was not only to make an authentic film but also to create an accessible film set for neurodivergent actors and crew members. Under Plank's guidance, everyone on set participated in autism training sessions throughout the production.
The film's cinematography, handled by Daniel Moder, is a visual treat with its story-driven use of color and camera work.
Unlike the usual (and frankly offensive/misleading) autism-centric films, "Ezra" takes a more accurate path, embracing neurodiversity, and has deepened my respect for Tony Goldwyn. The film avoids the common tropes and stereotypes associated with autism, instead offering a nuanced and authentic portrayal of the challenges and joys of living with autism. It celebrates the unique strengths and perspectives of neurodivergent individuals, while also acknowledging the difficulties they face in a world that often misunderstands and stigmatizes them.
In conclusion, "Ezra" is a heartwarming and thought-provoking film that sheds light on the complexities of autism with sensitivity and compassion. It is a must-see for anyone who wants to gain a deeper understanding of neurodiversity and the importance of acceptance and inclusion.
I don't understand the ones that hated this to me it's one of the most heartwarming, quite relatable, and wonderful tearjerker; I'm probably one of few that cried a couple times during this. I have had stomach pain most the day but I love crying to movies I sympathize with and felt sad I don't have a great dad like Bobby Cannavale's character even Robert De Niro was magnificent in this!
I'm fine with being in the minority that loved this a lot to me anything about someone on the spectrum hits the spot and this is one of the best ones I've seen. I quote movies often, I've had meltdowns, I have sensory to certain foods, and I was forced into special needs classes at a young age. I genuinely hope Ezra gets appreciated truly deserves it.
I'm fine with being in the minority that loved this a lot to me anything about someone on the spectrum hits the spot and this is one of the best ones I've seen. I quote movies often, I've had meltdowns, I have sensory to certain foods, and I was forced into special needs classes at a young age. I genuinely hope Ezra gets appreciated truly deserves it.
Lo sapevi?
- QuizIn real life, Bobby Cannavale and Rose Byrne have been a couple since 2012.
- ConnessioniFeatured in The 7PM Project: Episodio datato 2 agosto 2024 (2024)
- Colonne sonoreHand of Bear
Written by Wally Anderson, Eric Garcia, Matthew Qualls and Tripp Shumake
Performed by The Heavy Eyes
Courtesy of Dirty Laundry Music, LLC
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.631.460 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.242.678 USD
- 2 giu 2024
- Lordo in tutto il mondo
- 4.696.480 USD
- Tempo di esecuzione
- 1h 41min(101 min)
- Colore
- Proporzioni
- 2.00 : 1
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