Rocketman

It's going to get very mixed reviews. I predict many will love it, and many will revile it. I was caught somewhere in the middle. Without giving any actual spoilers away, consider this:

1. If you absolutely HATE musicals, save your money. This is the John/Taupin equivalent of a Rodgers & Hammerstein. It is not presented as a straightforward biopic in the same manner as BOHEMIAN RHAPSODY. 2. Much as I love Elton John, this "rock & roll fantasy" of his life treads a little too far into campy territory for me, with 2, maybe 3 very (thankfully) brief moments in the film that can only be described as cringeworthy. ("Oh, come on, guys--seriously?" moments.) There were times when I genuinely felt this was going to end up as the Ken Russell version of TOMMY for the new millennium. 3. Never, at any point in the film, is Paul Buckmaster mentioned or acknowledged. This infuriated me! For those who don't already know: in the early days of EJ's career, Paul was the orchestrator who provided EJ with the BEAUTIFUL, lush string accompaniments that added so much to EJ's early music (classic example: EJ's soundtrack to the 1971 French film, FRIENDS) and, IMHO, could have been a big player in his success as a burgeoning artist, firmly introducing/establishing The Elton John "Sound." He SHOULD have been a part of this film--even a small one, if deemed necessary--but for him to be utterly omitted from the story mystifies me. Maybe someone in the know can enlighten me on this.

These 3 things, however, are about my only problems with the film. Credit must be given where it's due:

1. Taron Egerton is actually pretty amazing. Some might see his acting as occasionally over the top, but frankly and for all we know, maybe EJ really did act that "extremely" at times, considering his anger issues. His singing, most of the time, is virtually spot-on, catching EJ's lilting singing style quite well. 2. The supporting cast: Jamie Bell (Bernie Taupin), Bryce Dallas Howard , Richard Madden (EJ's agent & self-centered 1st lover), Stephen Graham (Dick James), Tate Donovan (L.A.'s Troubador Club manager Doug Weston), Gemma Jones (Ivy, EJ's grandmother, I think...? Or friend of the family?) & Steven Mackintosh (EJ's cold, uncaring father)...and all others in the film, essentially faultless. ESPECIALLY Jamie's portrayal of Bernie. Wow. 3. You can't really find fault with the staging and choreography of the musical numbers. Very professionally done. 4. You will learn many things about EJ's life in this film that you may not have known before...I know I did. 5. Have a few Kleenexes handy. Enough said. 6. Don't leave right away after the credits roll.

So, is it worth seeing? My criticisms aside (and we all know what they say about opinions), it really comes down to this: if you're a fan--and especially a DEDICATED fan, like me, who's followed him from his humble beginnings in America in the summer of 1970--go see it. Decide for yourself if my gripes hold any water.

First things first, Elton John being one of the most famous artists in the world, with a career of about half a century and 300 million albums sold, a biopic was then more than legitimate and was even eagerly awaited. This film is conceived like a musical based on the songs and the life of Elton John, from the 50s to the early 80s, the selected songs being representative of the manifold events of his life, the ups (his life as an accomplished artist mainly) and the downs (his whole private life according to the movie), since his childhood during which he quickly turns out to be a natural born musician until his first sentimental disappointments and the first cures of detoxification (alcohol, drug, ... and tutti quanti). The movie ends with the punchy « I'm still standing », song written in 1983 after a bad patch and foreshadowing a frantic recovery of his life, the lyrics being written by his friend Bernie Taupin.

One of my favorite scenes among many others is the meeting at the Royal Academy of Music, with the third movement of the Sonata Piano No. 11 by Wolfgang Amadeus Mozart played twice. I do not know if it's true but, if so, this child is ingeniously bluffing!

The costumes are superb and the actors are fabulous. The realization is ingenious especially with the appropriate and relevant insertion of the songs in the film, like in a musical. As a synthesis: 7/8 of 10.

He was AMAZING in the spirit of an fabulous Elton John biopic musical.... and Jamie Bell was awesome.. as usual!

I have been waiting for weeks to the premier and Taron's performance blowed me away. I can't tell it was going for a movie about Elton John or going to a premier of a concert where Taron singing and performing and telling his life story from the screen (or from the stage cause it's a premier). His voice is precious, is emotional and is skillful. He got that powerful voice yet that soulful and soft that I am sure that he is the right person, the PERFECT person for those songs and for this film. Such a perfect actor, with a gifted voice. His acting was outstanding and his eyes told things. I can felt his thoughts and feelings, his sadness, disapointment, his emptyness. Just, breathtaking. And Jamie Bell did great, Richard Madden also, such a wonderful compilation of these three talented and professional actors. Love their charisma and their chemistry together. Thank you very much for a great movie. Really enjoyed it.

Not really sure where I sit with this one. A gripping tale of one of music's biggest icons. While Egerton shines as the glorious John, all the surrounding characters seemed to be simple generic caricatures of staples from this kind of stories. And the story blazes by, many of the acts with little explanation of motives. It follows the basic by the numbers of the musical biopic, never really seeming to let the weight of one single action hit with the viewer before moving onto the next tragic act. While the characters and story seemed to ring a bit formulaic and hollow, Egerton's performance is able to carry the gravitas. And the music, oh the music. John's catalog is beautifully strewn throughout the film in all its glory, though Taron's vocals struggle in parts and he is outsung by his supporting cast at points. And in the end, the conclusion and resolution come, yet once again seemingly easily and out of nowhere as had the conflict earlier in the film. A great story of a great artist that just seemed to miss on a few points for me. Did I enjoy the movie? Yes. It just seemed like a cliff notes version of what could have been a deeper and more compelling story.