Fourth of July

I have have loved every piece of work by Louis but this film was not good. It was just unrealistic. I get what it was going for as far as the family dynamic but over the top. The fact that the dad wouldn't talk and just walked around looking stupid for far too much of the movie was infuriating. Like ok, we get it. He's having remorse and thinking about his own dad. Let's move on. It's like he has some kind of mental disability. Or as they say plenty in the movie, it's like he's a "retard" The main character's acting was really good but I can't name another solid performance. One movie that nailed this kind of family dynamic was silver linings playbook. This was definitely not that. I'm not even sure what story this movie was trying to tell.

You're better than this lou. Still got love For ya.

Thoughtful, believable study of a sensitive individual, now in adulthood, attempting to reconcile his resentments towards his parents and family while simultaneously being accepting of their (and his) faults and foibles. Exceptionally well-performed, realistically written, and directed with unerring good judgement. If you're looking for a comedy, beware, while there are a handful of smiles, this is a drama in the best sense of the word.

Made my day better, great movie. The critics hate C. K. But this was a genuinely good movie. Joe list had an excellent performance. Will get it and watch it again in my home cinema.

Joe List stars as Jeff, three years sober and potentially on the cusp of fatherhood. Jeff fears that he lacks the potential to be a good parent due to his own dysfunctional childhood. To overcome his anxiety at its source, he plans to confront his family of acerbic Bostonians regarding the perceived shortcomings of his own upbringing while at their annual family lakeside gathering in Maine.

First and foremost, the film is hilarious. The sold out crowd at tonight's world premiere at the Beacon Theatre in Manhattan was laughing from start to finish. Joe List is great, Robert Kelly steals every scene he's in, and Tara Pacheco provided some excellent subtle humor as the neutral observer. Nick Di Paolo and Louis do not disappoint either.

The cowriting of Joe List and Louis CK seemed to shine through in an introspective and cathartic way from both ends of the spectrum of fatherhood. On one side, trepidation regarding what may be, and on the other end, regret for what has been and can never be undone (portrayed phenomenally through the father character by Robert Walsh).

The casting was fantastic from top to bottom. My only small qualm with the film is that the exposition in the first act was a bit heavy handed. Not really distracting though.

See this movie in theatres if you have the opportunity, it was a great experience to be able to laugh with a crowd of strangers again.

Wow. The "pros" scorched this film. Why? Because they're woke drones. We can forgive any and all transgressions from the "right" crowd, but we are required to destroy anyone not in the tribe?

This is a beautiful little independent film, with excellent writing, directing, and soulful acting. It's worth every dime I paid to watch it. Ignore the woke pros.