Una donna che con riluttanza diventa Dear Sugar; una redattrice editoriale di consigli, anonima e venerata, anche se la sua vita sta andando in pezzi.Una donna che con riluttanza diventa Dear Sugar; una redattrice editoriale di consigli, anonima e venerata, anche se la sua vita sta andando in pezzi.Una donna che con riluttanza diventa Dear Sugar; una redattrice editoriale di consigli, anonima e venerata, anche se la sua vita sta andando in pezzi.
- Candidato a 2 Primetime Emmy
- 1 vittoria e 15 candidature totali
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The start of this TV series is incredibly confusing, making it difficult to follow. The writing is poorly executed, and only those with an optimistic outlook might be able to endure it. However, there is a glimmer of hope that emerges later on as the writing improves slightly. Many discussions about the fragmented script are warranted, as there is a lack of likable characters in the show. It's challenging to form a connection with them, and when you do start to feel sorry for them, they disappoint you with their nonsensical actions that make you think they deserve their own consequences.
While the occasional use of an out-of-order narrative can be effective, in this case, it creates an unrealistic portrayal of the main character's mother. She is depicted as perfect, which could be interpreted as the protagonist's idealized memory rather than reality. Nevertheless, the entire story feels disjointed, with disconnected elements such as the brother, mother, father, and rebellious daughter. It simply fails to come together in a cohesive manner, leaving the audience feeling unfulfilled. It's a chaotic mess that relies too heavily on excessive swearing, sex, and unmet expectations.
While the occasional use of an out-of-order narrative can be effective, in this case, it creates an unrealistic portrayal of the main character's mother. She is depicted as perfect, which could be interpreted as the protagonist's idealized memory rather than reality. Nevertheless, the entire story feels disjointed, with disconnected elements such as the brother, mother, father, and rebellious daughter. It simply fails to come together in a cohesive manner, leaving the audience feeling unfulfilled. It's a chaotic mess that relies too heavily on excessive swearing, sex, and unmet expectations.
Cannot say enough about Kathryn Hahn. She is one of my favorite actresses from back when I first saw her on How To Lose a Guy in 10 Days. Amazing actress.
If you've lost your mom, this series might be tough emotionally. It was for me.
Merritt Wever's character made me want to be a better mother. She needs to be in more films! She was great in Nurse Jackie and fabulous in this.
Thoroughly enjoyed this series. It was thought provoking, heart wrenching, so many different emotions. It left me rethinking my own life and realizing I am not living my best life. Its difficult but if you want more only you can make it happen..
This is a must watch!
If you've lost your mom, this series might be tough emotionally. It was for me.
Merritt Wever's character made me want to be a better mother. She needs to be in more films! She was great in Nurse Jackie and fabulous in this.
Thoroughly enjoyed this series. It was thought provoking, heart wrenching, so many different emotions. It left me rethinking my own life and realizing I am not living my best life. Its difficult but if you want more only you can make it happen..
This is a must watch!
I really wanted to like this show, but it left me totally cold. First, while the characters go through major life events and *talk* like they're deep, they're actually all thinly written ciphers--after watching all 8 episodes I honestly wouldn't describe any of the characters as having a distinct personality. The main character spends half the series mourning her mother, but their relationship is so underwritten that it's hard to really feel the impact of her death other than that we're told it was devastating. The out of order nature of the flashbacks also makes the story hard to follow and left me ambivalent about what was happening. (How can you care about characters who suddenly appear out of nowhere? Or about a character's mistakes when the show skips right past the consequences? For example, why bother telling us about someone's heroin problem if we don't learn anything more about it?) Hahn is fine here, but I don't think she's doing anything particularly new and she's really not even doing that much--Sarah Pidgeon as the younger version of Hahn's character does most of the heavy lifting and while she's very good, good performances aren't enough to elevate what's actually pretty thinly written material. The last episode also hints at a major backstory that barely gets explained (and a result leaves Hahn's character looking crazy), the brother and sister have a weird incest-y vibe, and, though I adore Merrit Wever, she feels miscast and way too young to be playing the mother.
Imperfectly perfect series. Life is messy, life is hard, life is made of choices. Life is pain, life is love.
It was so, so, so beautifully acted. Kathryn Hahn and Sarah Pidgeon blew my breath away, they deliver flawless and unforgetablle performances.
Also, they really nailed with it with the sountrack.
What a ride. A whole lot of feels after finishing this series in a binge row. It will stay in my mind for a long time.
I still am left with a bunch of questions but I almost don't care. Some moments were flat, but I almost don't care. I almost want a second season and I almost don't want it.
It was so, so, so beautifully acted. Kathryn Hahn and Sarah Pidgeon blew my breath away, they deliver flawless and unforgetablle performances.
Also, they really nailed with it with the sountrack.
What a ride. A whole lot of feels after finishing this series in a binge row. It will stay in my mind for a long time.
I still am left with a bunch of questions but I almost don't care. Some moments were flat, but I almost don't care. I almost want a second season and I almost don't want it.
Hahn is a terrific actress, but she couldn't save this. This story had a lot of potential but the muddled narrative makes it difficult to keep up, relate to any of the characters or enjoy. Danny is the only character I liked, but in the end, I ended up feeling deceived by what he does in the last episode. The constant, constant flashbacks gave me a headache. It was difficult to keep up there as well.
Hahn has done another miniseries which is also unconventional, but you could so well relate to her character and the narrative. And I started watching this expecting the same. But it went nowhere near that. After a few episodes I had to skip by to get the gist.
Hahn has done another miniseries which is also unconventional, but you could so well relate to her character and the narrative. And I started watching this expecting the same. But it went nowhere near that. After a few episodes I had to skip by to get the gist.
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- ConnessioniFeatured in The 75th Primetime Emmy Awards (2024)
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- Tempo di esecuzione30 minuti
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