VALUTAZIONE IMDb
4,9/10
56.581
LA TUA VALUTAZIONE
Dopo aver perso il lavoro e aver scoperto che suo marito la tradisce, una donna parte per un viaggio insieme all'irriverente nonna alcolista.Dopo aver perso il lavoro e aver scoperto che suo marito la tradisce, una donna parte per un viaggio insieme all'irriverente nonna alcolista.Dopo aver perso il lavoro e aver scoperto che suo marito la tradisce, una donna parte per un viaggio insieme all'irriverente nonna alcolista.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 7 candidature totali
4,956.5K
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Recensioni in evidenza
This script needed some major work
I've been a huge supporter of comedic actress Melissa McCarthy so far, but this may be the break. I'll probably give her more chances, but this one's a bit of a flop. It's mostly due to the script, but it was written by McCarthy and her husband Ben Falcone (who also directed). They really needed some help with their script. Frankly, the movie is largely plot less, never getting its story off the ground, and, worst of all, it's laughless. Identity Thief had a pretty awful script, too, but at least it brought the funny. The biggest problem here is that the story, as they have written it, should have been a dramedy. Instead, McCarthy and Falcone are not brave enough to embrace the dramatic aspects of the script. They're dead-set on making a stupid, slapstick, R-rated comedy, and they aren't going to let the audience feel any genuine emotion. Tammy begins with the protagonist (McCarthy) getting fired from her crappy, fast-food job only to go home and find her husband cheating on her. She walks a few houses down to her mom's house, swearing she's going to just leave. Her alcoholic grandmother (Susan Sarandon) is sick of it at her daughter's house, too, so she decides to bankroll the operation. This movie would suck a whole lot more without Sarandon. She's actually quite excellent, and has some complexities (she's a major alcoholic, for one). What this movie needed to be about was the two of these people bonding. It has a certain charm when the two women are interacting. The problem is, neither of them is given enough background to characterize them. Every time they seem to be getting somewhere with either of the characters, like I said before, it feels like they get too afraid the audience might start to feel an emotion so they have Melissa McCarthy crash her jetski or something. And, again, like I said before, some of this crappiness in the script could have been alleviated if the film were just ever funny. There's one sequence, where McCarthy has to rob a fast food restaurant, which provides some laughs, but the entire sequence was played in the trailer. Since it was the only really funny sequence, I can't blame them. McCarthy's brazenness was funny in her last two movies, but she kind of cranks the obnoxiousness up to eleven, particularly near the beginning. Oh, and then there's the love interest, Mark Duplass. Man, are they ever unsure that they should allow him to have a romantic relationship with the overweight protagonist. Duplass himself always has a look on his face which says, "This is to fund my next mumblecore project," and the character only seems to exist to stand there and tell McCarthy that she's okay. He's very much equivalent to the personality-less, female love interests in every other movie that's been released this summer, except they seem to not be able to bring themselves to let the two form a romantic relationship on screen.
Loud and obnoxious? Yes, but also sweet
Another reviewer did write that as his summary and I would agree with that. You don't have to love Melissa (not only main role, but also script writing duties apparently as IMDb states), but if you hate her, this movie is not for you. It's a character that has a basic concept she has played in other movies too. So you'll know if you like that or not. But you get an added Susan Sarandon to that (amongst other really good actors).
Putting this group together was genius and everyone is pulling their weight. You still have to be able to like the humor/jokes they are spitting, otherwise you'll be left empty. The movie is predictable even if at first it seems not to have a goal it wants to reach. It still has quite some passages that could be better and not everything is completely convincing. But the movie itself is a nice watch overall
Putting this group together was genius and everyone is pulling their weight. You still have to be able to like the humor/jokes they are spitting, otherwise you'll be left empty. The movie is predictable even if at first it seems not to have a goal it wants to reach. It still has quite some passages that could be better and not everything is completely convincing. But the movie itself is a nice watch overall
Maybe she should have stayed home.
Melissa McCarthy has risen to the forefront of female cinema comics, and I want to believe she deserves her place. Is she a better comedienne than Tina Fey, Amy Pohler, or Jenny Slate? No. She has secured her place ever since Bridesmaids as a potty-mouthed plus size who throws her weight and mouth around the screen like a weapon threatening anyone who thinks she is not comical.
She's not always so, at least in Tammy, in which she plays an underachieving rebel losing her fast food job and taking to the road with her grandmother, Pearl (Susan Sarandon), to escape that job loss and the loss of her husband, Greg (Nat Faxon), to neighbor Missi (Toni Collette).
Thelma and Louise this Tammy is not: Besides the regularity of curse words (McCarthy is one of the writers) that substitute for wit, the insults to seniors and fast-food workers are gratuitous. Tammy's 38 days in jail are treated like a light diversion, not the result of a serious fast-food robbery. I must remember, however, not to apply standards of common sense to comedy.
So it seems the writers have a difficult time deciding what tone-- between the comedy about a rotund lady on the lam and the serious issue of alcoholism. It seems they wanted both hilarity and poignancy—mostly they have neither.
One need look only at much better writing in other contemporary buddy films like the Jump Streets, where Channing Tatum and Jonah Hill have lines that bite and soothe and a chemistry that Sarandon and McCarthy strive for but don't always achieve. Butch Cassidy and The Sundance Kid's chemistry and wit are superior, so too Sarandon and Davis in Thelma and Louise, and by the way, McCarthy and Bullock in Heat.
However, McCarthy suffers by comparison with heavyweights like Latifa, Kathy Bates, and maybe Roseanne Barr, who is a more direct comparison and at times better able to show range.
Susan Sarandon's portrayal of the alcoholic grandma is rarely humorous or poignant. Her flirting with a guy of a certain age is a good bit for her youthful old age, but the connection is forced under the umbrella of cute for an oldster.
Tammy is not a keeper in the buddy genre; perhaps McCarthy will engage Bullock again for a better brand of banter.
She's not always so, at least in Tammy, in which she plays an underachieving rebel losing her fast food job and taking to the road with her grandmother, Pearl (Susan Sarandon), to escape that job loss and the loss of her husband, Greg (Nat Faxon), to neighbor Missi (Toni Collette).
Thelma and Louise this Tammy is not: Besides the regularity of curse words (McCarthy is one of the writers) that substitute for wit, the insults to seniors and fast-food workers are gratuitous. Tammy's 38 days in jail are treated like a light diversion, not the result of a serious fast-food robbery. I must remember, however, not to apply standards of common sense to comedy.
So it seems the writers have a difficult time deciding what tone-- between the comedy about a rotund lady on the lam and the serious issue of alcoholism. It seems they wanted both hilarity and poignancy—mostly they have neither.
One need look only at much better writing in other contemporary buddy films like the Jump Streets, where Channing Tatum and Jonah Hill have lines that bite and soothe and a chemistry that Sarandon and McCarthy strive for but don't always achieve. Butch Cassidy and The Sundance Kid's chemistry and wit are superior, so too Sarandon and Davis in Thelma and Louise, and by the way, McCarthy and Bullock in Heat.
However, McCarthy suffers by comparison with heavyweights like Latifa, Kathy Bates, and maybe Roseanne Barr, who is a more direct comparison and at times better able to show range.
Susan Sarandon's portrayal of the alcoholic grandma is rarely humorous or poignant. Her flirting with a guy of a certain age is a good bit for her youthful old age, but the connection is forced under the umbrella of cute for an oldster.
Tammy is not a keeper in the buddy genre; perhaps McCarthy will engage Bullock again for a better brand of banter.
Another McCarthy Movie, With a few new Gimmicks
My second review focuses on the comedy of the weekend named Tammy. As I'm sure you have seen, Melissa McCarthy stars in this rambunctious tale where hilarious antics are sure to plague every second of this movie without any restraint from a censor bureau. From her track record though, we know that her movies have been pretty much the same basic structure, with only slight changes to her character and a different setting. Does Tammy fit into this mold, or is there something more in this film that makes it worthwhile. Read on to find out.
Seeing as Tammy is a comedy, let's start with the laughs this film has to offer. Tammy has a variety of comedy present in this film, all ridiculously silly and overacted as we tend to see in McCarthy's movies. From the very beginning, McCarthy plays her traditional character, hitting a deer in the first five minutes and coaching it through its recovery. You would think this set the stupid bar high, but it only gets stupider as one bad day starts an adventure full of cursing, insults, alcoholic stunts and awkward situations. Many of these scenes you have seen in the trailer, with a comedic kick happening moments after, which you most likely will predict. And through it all McCarthy does her same routine, screaming loudly and making over dramatic motions that take a long time to move on from. She is funny yes, but how much longer can I keep finding entertainment in the same character and laughs she provides. Yet for audience members like me, there are some other characters to help take the comedy reigns. Susan Sarandon playing a careless, alcoholic grandmother was very entertaining, her sarcasm and blunt delivery perfect to ground Tammy's vibrant nature, and provide a bit of a moral dilemma. Even better was Kathy Bates who was a blend of Tammy and Grandma Pearl, doing over the top stunts and yet very too the point with her lines. Often Bates character helped drive the story, helping develop characters with just a few catty phrases before calling in laughs.
Speaking of the dialogue, the writers did a nice job packing the script with a lot of diverse comedic styles. Screaming rants by Tammy are a mess of descriptions that lack any cohesive meaning, often just word vomiting all the thought in her head. Like most rated R movies, witty humor is replaced with curse laden one liners, that sometimes hit the mark and sometimes go soaring over head. Yet, there are some lines that had me laughing incredibly hard, in particular the description of Tammy to a bag of Cheetos and describing her life in a few comical means. Though for many audience members, it didn't matter what was said, for the generic comedy was gold in their eyes.
Story wise, it's simple, escaping a town full of bitter memories to go to Niagara falls to fulfill an old dream. Over the course of the movie, Tammy realizes the sources of her troubles come from within and instead of running she needs to face up to them. While retired, stale, and rather predictable, it is always nice to get a refresher in these life changing lessons, that can kick you hard enough to motivate you to implement them. Otherwise there are no twists, no real surprises, and really no dilemmas you haven't seen before. Such simplicity makes this a fun comedy, but again you can save yourself money and watch one of the other movies McCarthy has starred in.
There really isn't much else I can say about this movie, other than the camera work or sound quality are nicely done. The soundtrack is also filled with some rather good tunes, the opening song in particular made me bob in my seat. Overall Tammy is the same comedy you've seen again. Fans of this style will be rolling on the floor or screaming out loud, so these are the audience members I feel should see the movie. Otherwise skip the film and wait for it to come out on RedBox, unless you are looking for a way to beat the heat. Tammy is stupid, silly fun though, and certainly you will find some laughs and giggles in the writing.
Overall my scores for Tammy are:
Comedy: 5.5-6.0 Movie Overall: 5.0
Seeing as Tammy is a comedy, let's start with the laughs this film has to offer. Tammy has a variety of comedy present in this film, all ridiculously silly and overacted as we tend to see in McCarthy's movies. From the very beginning, McCarthy plays her traditional character, hitting a deer in the first five minutes and coaching it through its recovery. You would think this set the stupid bar high, but it only gets stupider as one bad day starts an adventure full of cursing, insults, alcoholic stunts and awkward situations. Many of these scenes you have seen in the trailer, with a comedic kick happening moments after, which you most likely will predict. And through it all McCarthy does her same routine, screaming loudly and making over dramatic motions that take a long time to move on from. She is funny yes, but how much longer can I keep finding entertainment in the same character and laughs she provides. Yet for audience members like me, there are some other characters to help take the comedy reigns. Susan Sarandon playing a careless, alcoholic grandmother was very entertaining, her sarcasm and blunt delivery perfect to ground Tammy's vibrant nature, and provide a bit of a moral dilemma. Even better was Kathy Bates who was a blend of Tammy and Grandma Pearl, doing over the top stunts and yet very too the point with her lines. Often Bates character helped drive the story, helping develop characters with just a few catty phrases before calling in laughs.
Speaking of the dialogue, the writers did a nice job packing the script with a lot of diverse comedic styles. Screaming rants by Tammy are a mess of descriptions that lack any cohesive meaning, often just word vomiting all the thought in her head. Like most rated R movies, witty humor is replaced with curse laden one liners, that sometimes hit the mark and sometimes go soaring over head. Yet, there are some lines that had me laughing incredibly hard, in particular the description of Tammy to a bag of Cheetos and describing her life in a few comical means. Though for many audience members, it didn't matter what was said, for the generic comedy was gold in their eyes.
Story wise, it's simple, escaping a town full of bitter memories to go to Niagara falls to fulfill an old dream. Over the course of the movie, Tammy realizes the sources of her troubles come from within and instead of running she needs to face up to them. While retired, stale, and rather predictable, it is always nice to get a refresher in these life changing lessons, that can kick you hard enough to motivate you to implement them. Otherwise there are no twists, no real surprises, and really no dilemmas you haven't seen before. Such simplicity makes this a fun comedy, but again you can save yourself money and watch one of the other movies McCarthy has starred in.
There really isn't much else I can say about this movie, other than the camera work or sound quality are nicely done. The soundtrack is also filled with some rather good tunes, the opening song in particular made me bob in my seat. Overall Tammy is the same comedy you've seen again. Fans of this style will be rolling on the floor or screaming out loud, so these are the audience members I feel should see the movie. Otherwise skip the film and wait for it to come out on RedBox, unless you are looking for a way to beat the heat. Tammy is stupid, silly fun though, and certainly you will find some laughs and giggles in the writing.
Overall my scores for Tammy are:
Comedy: 5.5-6.0 Movie Overall: 5.0
Oof
Melissa McCarthy has been making a pretty steady stream of films almost identical to this one, but where "Bridesmaids", "The Heat," and even "Identity Thief" succeeded, "Tammy" fell very short. "Tammy" is a movie about a middle-aged woman whose obnoxious personality has finally caught up to her. In the first five minutes of the film she has totaled her car, gotten fired from her job, and discovered her husband is having an affair. Her solution to this is to hit the road with her alcoholic grandmother and what follows is a cringe-worthy look at what happens when fictional crass and drunk people do whatever they want. A great idea right?
Wrong. I've always liked road-trip movies. I've always like road-trips. They bring out people's true characters, and what they're actually like when they've been alone in a car for a couple of hours. Yes, this can be pretty unpleasant when we're in the midst of it, but when we're allowed to sit back and watch, humanity becomes admirable when we can see what people are actually like with no boundaries, because the result is often good. If my opinion is asked for, that should be the goal of most films: to take a look at who we are.
So yes, I was looking forward to watching "Tammy" solely because of the fact that it's a road-trip movie. Unfortunately, this is not a road-trip movie. There are maybe three scenes in the entire film that take place in a car, and I'm pretty sure the only time we actually saw anyone driving on a highway was at the very start as Tammy was driving to work. It can be pretty hard to make a cross-country trip if you only drive through neighborhood streets, unless I'm reading the map upside- down.
"Tammy" had an outstanding cast, and it was largely wasted. Starring is of course Melissa McCarthy, playing the exact same character she always plays. That character has been very funny in the past, specifically large-screen debuting in "Bridesmaids", but here it just felt rehearsed. For what McCarthy called her passion project, I felt like she almost didn't even want to be there. Susan Sarandon co-stars as the grandmother, whose character must have been a grandmother at age thirty by the looks of it. In the outstanding (on paper) supporting cast we find Allison Janney, Kathy Bates, Sandra Oh, Mark Duplass, Nat Faxon, Sarah Baker, Toni Collette, and Dan Aykroyd. Bates and Baker specifically were very good, but were given way too little time on screen, and I was legitimately surprised Aykroyd and Colette even agreed to do this movie considering what they were given.
Director, supporting actor, co-writer, and husband to star Melissa McCarthy, Ben Falcone, attempted something different with his directorial debut, and that's where "Tammy" hurt more than anywhere else. What was advertised was an R-rated comedy, where you sit down to laugh at stupid people doing stupid things, and Falcone embraced that. Where he faulted was also trying to make this movie heartfelt with a good message behind it. What resulted was a 96 minute film where I didn't care for the characters or laugh a single time. I applaud Falcone for experimenting, but he should have realized that it didn't work and take advantage of the reshoot that they took to make some much needed changes.
I was very put off by "Tammy". I'm not a very big fan of the R- rated comedy genre in the first place, but I still laugh as the filmmakers blatantly attempt to elicit that reaction. Unfortunately, "Tammy" was not funny, and that can be a problem when that's the only reason somebody will go see this movie. So as I walked out of the theater I finally laughed as some bloopers began to play and my friend aptly stated: "Let's go. No need to watch the mistakes of the mistake."
I give "Tammy" a 5.2/10.
Wrong. I've always liked road-trip movies. I've always like road-trips. They bring out people's true characters, and what they're actually like when they've been alone in a car for a couple of hours. Yes, this can be pretty unpleasant when we're in the midst of it, but when we're allowed to sit back and watch, humanity becomes admirable when we can see what people are actually like with no boundaries, because the result is often good. If my opinion is asked for, that should be the goal of most films: to take a look at who we are.
So yes, I was looking forward to watching "Tammy" solely because of the fact that it's a road-trip movie. Unfortunately, this is not a road-trip movie. There are maybe three scenes in the entire film that take place in a car, and I'm pretty sure the only time we actually saw anyone driving on a highway was at the very start as Tammy was driving to work. It can be pretty hard to make a cross-country trip if you only drive through neighborhood streets, unless I'm reading the map upside- down.
"Tammy" had an outstanding cast, and it was largely wasted. Starring is of course Melissa McCarthy, playing the exact same character she always plays. That character has been very funny in the past, specifically large-screen debuting in "Bridesmaids", but here it just felt rehearsed. For what McCarthy called her passion project, I felt like she almost didn't even want to be there. Susan Sarandon co-stars as the grandmother, whose character must have been a grandmother at age thirty by the looks of it. In the outstanding (on paper) supporting cast we find Allison Janney, Kathy Bates, Sandra Oh, Mark Duplass, Nat Faxon, Sarah Baker, Toni Collette, and Dan Aykroyd. Bates and Baker specifically were very good, but were given way too little time on screen, and I was legitimately surprised Aykroyd and Colette even agreed to do this movie considering what they were given.
Director, supporting actor, co-writer, and husband to star Melissa McCarthy, Ben Falcone, attempted something different with his directorial debut, and that's where "Tammy" hurt more than anywhere else. What was advertised was an R-rated comedy, where you sit down to laugh at stupid people doing stupid things, and Falcone embraced that. Where he faulted was also trying to make this movie heartfelt with a good message behind it. What resulted was a 96 minute film where I didn't care for the characters or laugh a single time. I applaud Falcone for experimenting, but he should have realized that it didn't work and take advantage of the reshoot that they took to make some much needed changes.
I was very put off by "Tammy". I'm not a very big fan of the R- rated comedy genre in the first place, but I still laugh as the filmmakers blatantly attempt to elicit that reaction. Unfortunately, "Tammy" was not funny, and that can be a problem when that's the only reason somebody will go see this movie. So as I walked out of the theater I finally laughed as some bloopers began to play and my friend aptly stated: "Let's go. No need to watch the mistakes of the mistake."
I give "Tammy" a 5.2/10.
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Lo sapevi?
- QuizThe amount of money that Susan Sarandon says she has, $6700, is the same amount she had in Thelma and Louise.
- BlooperWhen Tammy goes back to rescue her grandmother from the nursing home, they are supposed to be in Illinois but all of the vehicles in the parking lot have Kentucky license plates.
- Citazioni
Tammy: That's not chicken. I don't know what it is, but it's not bird.
Keith Morgan: I can promise you that's 110% bird.
Tammy: Bird doesn't come out of a squeezy tube!
- Curiosità sui creditiThere is a blooper from the scene when Tammy gets fired a minute into the credits.
- Versioni alternativeThe Extended cut runs ~4 minutes longer.
- ConnessioniFeatured in Chelsea Lately: Cast (2014)
- Colonne sonoreYour Love
Written by John Spinks
Performed by The Outfield
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Nổi Loạn Cùng Tammy
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 84.525.432 USD
- Fine settimana di apertura Stati Uniti e Canada
- 21.577.049 USD
- 6 lug 2014
- Lordo in tutto il mondo
- 100.375.432 USD
- Tempo di esecuzione
- 1h 37min(97 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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