Uno sceneggiatore inizia una relazione amorosa con un misterioso vicino del suo condominio e ritrova i suoi genitori, morti anni prima, nella sua casa d'infanzia.Uno sceneggiatore inizia una relazione amorosa con un misterioso vicino del suo condominio e ritrova i suoi genitori, morti anni prima, nella sua casa d'infanzia.Uno sceneggiatore inizia una relazione amorosa con un misterioso vicino del suo condominio e ritrova i suoi genitori, morti anni prima, nella sua casa d'infanzia.
- Nominato ai 6 BAFTA Award
- 29 vittorie e 121 candidature totali
Cameron Ashplant
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Hussein Kutsi
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Gsus Lopez
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Jack Pallister
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Guy Robbins
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Darren Ryames
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Zachary Timmis
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Recensioni in evidenza
10dakjets
How on earth will I manage to find the right words to describe the cinematic experience this film gave me? (English is not my mother tongue) I still have to try.
I remember Liv Ullmann in a lecture talking about the film Persona. She said a movie doesn't have to explain everything to you. Give all answers. But instead give you something that you take with you and think about. Maybe after a while you think; aha, that's how it was! She also said that a film can change you, and give you new perspectives. I think that is a summary I can share with her about this special, beautiful and profound film.
For me, who also lost my parents at an early age, the film's message about loss and coming to terms with loss was right at the center of my heart. I have very rarely experienced such magnificent acting as Paul Mescena and Andrew Scott give us here. But I don't think the message would have been as real without Andrew Haigh's script and the lead actors. That these two actors and the film are not included in the Oscar nominations this year is shocking. They give it their all in this film, and take us viewers on a journey about alienation, loneliness and, not least, how to live on after great losses.
In addition to excellent acting, a strong message, Andrew Haigh has also provided excellent music, a journey back in time for me as a youth in the 80s. Rarely has the maligned pop music of this decade come into its own more than in this masterpiece.
I will never forget this film.
I remember Liv Ullmann in a lecture talking about the film Persona. She said a movie doesn't have to explain everything to you. Give all answers. But instead give you something that you take with you and think about. Maybe after a while you think; aha, that's how it was! She also said that a film can change you, and give you new perspectives. I think that is a summary I can share with her about this special, beautiful and profound film.
For me, who also lost my parents at an early age, the film's message about loss and coming to terms with loss was right at the center of my heart. I have very rarely experienced such magnificent acting as Paul Mescena and Andrew Scott give us here. But I don't think the message would have been as real without Andrew Haigh's script and the lead actors. That these two actors and the film are not included in the Oscar nominations this year is shocking. They give it their all in this film, and take us viewers on a journey about alienation, loneliness and, not least, how to live on after great losses.
In addition to excellent acting, a strong message, Andrew Haigh has also provided excellent music, a journey back in time for me as a youth in the 80s. Rarely has the maligned pop music of this decade come into its own more than in this masterpiece.
I will never forget this film.
I realised towards the end of this film that I was gasping for breath. I had to pause it several times just to catch up with all the feelings it was evoking.
Such a powerful and moving insight into self enforced loneliness and fantasising about what could have been. Themes of loss, love, memory, and time, handled and explored with such care. The intimacy captured so beautifully. I just know I'm going to be thinking about this film for the next few days, nothing has moved me like this in a long time.
Incredible performances from the two leads. Their ability to portray raw vulnerability left me dumbfounded at points.
Perfect soundtrack that complimented the sentiments of each scene. Just the right amount of tension and release. Beautifully balanced in terms of light and dark. A perfect film all round.
Such a powerful and moving insight into self enforced loneliness and fantasising about what could have been. Themes of loss, love, memory, and time, handled and explored with such care. The intimacy captured so beautifully. I just know I'm going to be thinking about this film for the next few days, nothing has moved me like this in a long time.
Incredible performances from the two leads. Their ability to portray raw vulnerability left me dumbfounded at points.
Perfect soundtrack that complimented the sentiments of each scene. Just the right amount of tension and release. Beautifully balanced in terms of light and dark. A perfect film all round.
There are certain movies that are too heavy to objectively rate and look back on. For me, All of Us Strangers is that kind of film.
The story follows Adam, played by terrific Andrew Scott, who's in his forties, living alone in a freshly-built block in London, indulging himself in his loneliness. One night, he's visited by Harry, played by brilliant Paul Mescal, and the two start a relationship, in which both open up about their insecurities. It turns out, Adam's main source of anxiety is not being able to get over grief after his parents' death 30 years earlier.
Adam writes screenplays for movies, and it turns out, All of Us Strangers seems like one of his screenplays, because he regularly visits his parents. He talks with them about his everyday life, struggles, and what has changed in these 30 years.
Now, I'm lucky enough to have both parents alive and well. Still, due to how excellent the dialogue, narration, and acting is in All of Us Strangers, I was still devastated. I can't recall when was the last time I shed so many tears during a film.
Imagine a person so lost in grief and loneliness they talk to their dead family members and acting as if their fantasies were true. All of Us Strangers brings these kinds of images alive to a great effect. Fortunately, the movie is also more than only an emotional blow. It hardly loses its narration, even when the tempo accelerates in certain moments, and the border between what's real and fiction seems to vanish.
And the acting. I won't ever understand how Andrew Scott wasn't nominated for an award for his depiction of Adam. His range in this movie is just unmatched. A lot of positives can also be said about Paul Mescal, or Adam's parents, who are played by Claire Foy and Jamie Bell, but they're a background to Scott's brilliance on the screen.
It's tough to think of a story about grief and loneliness without emotional baggage. All of Us Strangers, despite its emotional overload, delivers a solid, stunning, and tough story about people who are lost. More importantly, it's a story about a lot of us, too afraid to talk about our inner battles, running away to imaginary scenarios. A truly superb film.
The story follows Adam, played by terrific Andrew Scott, who's in his forties, living alone in a freshly-built block in London, indulging himself in his loneliness. One night, he's visited by Harry, played by brilliant Paul Mescal, and the two start a relationship, in which both open up about their insecurities. It turns out, Adam's main source of anxiety is not being able to get over grief after his parents' death 30 years earlier.
Adam writes screenplays for movies, and it turns out, All of Us Strangers seems like one of his screenplays, because he regularly visits his parents. He talks with them about his everyday life, struggles, and what has changed in these 30 years.
Now, I'm lucky enough to have both parents alive and well. Still, due to how excellent the dialogue, narration, and acting is in All of Us Strangers, I was still devastated. I can't recall when was the last time I shed so many tears during a film.
Imagine a person so lost in grief and loneliness they talk to their dead family members and acting as if their fantasies were true. All of Us Strangers brings these kinds of images alive to a great effect. Fortunately, the movie is also more than only an emotional blow. It hardly loses its narration, even when the tempo accelerates in certain moments, and the border between what's real and fiction seems to vanish.
And the acting. I won't ever understand how Andrew Scott wasn't nominated for an award for his depiction of Adam. His range in this movie is just unmatched. A lot of positives can also be said about Paul Mescal, or Adam's parents, who are played by Claire Foy and Jamie Bell, but they're a background to Scott's brilliance on the screen.
It's tough to think of a story about grief and loneliness without emotional baggage. All of Us Strangers, despite its emotional overload, delivers a solid, stunning, and tough story about people who are lost. More importantly, it's a story about a lot of us, too afraid to talk about our inner battles, running away to imaginary scenarios. A truly superb film.
Ok, I feel like I have to go back and watch this one again already after reading some interpretations of the ending. I feel like a dolt for missing the clues leading to the twist, and I feel like I would appreciate the movie much more on a second viewing.
But even with that, this movie knocked the wind out of me. Or at least part of it did. There are really two stories playing out in this film. In one, a man is able through some unexplained bit of magical realism to return to his family home where his parents, who died when he was twelve, are alive. These scenes are painfully poignant, and Andrew Scott gives a masterclass of acting as a man who is also still in some ways a little boy. A couple of moments with his parents, played well by Jamie Bell and Claire Foy, had me and the rest of the theatre I was in openly weeping.
The other story is the one that somehow went over my head, a romance Scott's character strikes up with a man living in his apartment building, played by Paul Mescal. I wasn't into this storyline as much, and would have been content if the entire film had just been about Scott seeking closure with his parents. But again, I also didn't catch on what was actually happening with the Paul Mescal storyline, so I wonder if I would like that part of the film more on a re-watch knowing what I know now.
If there's any justice in the world, Andrew Scott will receive some awards attention for this.
Grade: A.
But even with that, this movie knocked the wind out of me. Or at least part of it did. There are really two stories playing out in this film. In one, a man is able through some unexplained bit of magical realism to return to his family home where his parents, who died when he was twelve, are alive. These scenes are painfully poignant, and Andrew Scott gives a masterclass of acting as a man who is also still in some ways a little boy. A couple of moments with his parents, played well by Jamie Bell and Claire Foy, had me and the rest of the theatre I was in openly weeping.
The other story is the one that somehow went over my head, a romance Scott's character strikes up with a man living in his apartment building, played by Paul Mescal. I wasn't into this storyline as much, and would have been content if the entire film had just been about Scott seeking closure with his parents. But again, I also didn't catch on what was actually happening with the Paul Mescal storyline, so I wonder if I would like that part of the film more on a re-watch knowing what I know now.
If there's any justice in the world, Andrew Scott will receive some awards attention for this.
Grade: A.
I've been wanting to watch "All of Us Strangers" ever since I found out about this movie, and let me tell you, it didn't disappoint. This subtle masterpiece weaves a poignant tale of grief, loneliness, and love, leaving an indelible mark on the heart. The brilliant performances from the two main actors elevate the film to a level of emotional depth rarely seen.
The story unfolds as a masterclass in tragedy, exploring the intricate web of human connections and the profound impact of loss. The movie broke my heart into a million pieces tonight, evoking a range of emotions that lingered long after the credits rolled.
"All of Us Strangers" is more than a film; it's an experience that resonates with the rawness of life's complexities. The nuanced storytelling, coupled with stellar acting, makes it a must-watch. Highly recommended for those who appreciate films that delve into the intricacies of the human soul.
The story unfolds as a masterclass in tragedy, exploring the intricate web of human connections and the profound impact of loss. The movie broke my heart into a million pieces tonight, evoking a range of emotions that lingered long after the credits rolled.
"All of Us Strangers" is more than a film; it's an experience that resonates with the rawness of life's complexities. The nuanced storytelling, coupled with stellar acting, makes it a must-watch. Highly recommended for those who appreciate films that delve into the intricacies of the human soul.
Lo sapevi?
- QuizAndrew Haigh's childhood home served as the filming location for the house in which Adam finds his parents.
- BlooperAndrew Scott's character grew up in Croydon until the age of 12 with both parents having English accents, yet he speaks with an Irish (Dublin) accent.
It's explained in the film why Adam has an Irish accent. He went to live with his grandmother in Dublin at the age of 12 after his parents died in the car accident. He later moved to London as an adult.
- ConnessioniFeatured in The 7PM Project: Episodio datato 2 febbraio 2024 (2024)
- Colonne sonoreShe Who Dares (Big Band Original)
Performed by Colman Brothers
Written by Andrew Colman and Matthew Colman
Published by Cacophony Ltd.
Courtesy of Colman Brothers
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Todos somos extraños
- Luoghi delle riprese
- 151 Purley Downs Road, South Croydon, Croydon, Londra, Inghilterra, Regno Unito(Adam's parents' house)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 4.050.103 USD
- Fine settimana di apertura Stati Uniti e Canada
- 117.965 USD
- 24 dic 2023
- Lordo in tutto il mondo
- 20.226.058 USD
- Tempo di esecuzione
- 1h 45min(105 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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