Gyoseob

It's taken a while for this true story about the 2007 hostage crisis in Afghanistan to come to the screen but it was worth the wait. This movie isn't a non stop action thriller like Escape from Mogadishu. It deals realistically with the process of negotiation with the Taliban step by step with mistakes and all the back and forth dealings. This isn't boring - it's fascinating. The acting is fine. As the negotiator Hwang Jung Min is a superb actor totally convincing - check him out in Narco Saints. Hyun Bin looks sufficiently bronzed and bearded to play a Korean who has been there for a while and knows the ways of the country. Although he has one tense action sequence his character is not a superhero here and that's good. He screws up too. When it's a true story like this one you don't need unrealistic heroics. Need to understand missionaries were not welcome there because of the religious aspect but volunteers to help the people were.

Production is top notch with on location filming in Jordan and the hellish atmosphere of Afghanistan captured well. You can almost feel the heat and dust. The viewer is brought face to face with the Taliban and that's better than some of the Hollywood treatments of the subject which seem redacted and remote like Zero Dark 30. No torture here or focus on the killings. There is an overwhelming lesson here about not recklessly going into dangerous countries especially when warned. See all the trouble it caused.

...before giving up. I'm a big fan of Hyun Bin, but this script was tedious. And who were the idiot missionaries who thought it was a good idea to go into Afghanistan? I mean seriously. I get that the movie is based on a real-life incident, but all that effort to rescue people who should have known better. This is what I call a man movie. There are no female leads. It's men talking and fighting. If you are a man, you might like it. If you are a woman, maybe not.

Um, since when is there a word minimum for reviews? I'm just going to type here until I fill up the required characters. Almost done. Whew.

It's not necessary to have lots of action to make a movie a thriller, even though the genre is action-thriller. Before watching, expected lots of action. Even though not many action or fight scene was not involved, the movie made enormous tension throughout. The plot showed, the diplomatic, humanistic points and its clashes. How much trauma can make someone stuck in past is well depicted here. How a small personal debate and reporting can provoke someone or something or some group and what outcome it can bring, is also well depicted. How much courage it takes to go through a negotiation table and how to manage the tension throughout the negotiation is portrayed very cleverly.

This is a must watch for all to understand how the Convertion game is played upon Asians. From China to India converts are spreading the virus to infect other Asians.

The real players like America Europe Arab already inflected few Asians with religion and now these infected people are reaching out to others with greater risk The start is simple a group mission to convert Afgans to church gone wrong and missionary got trapped in a setup which is already converted long back and the price is to bring these missionary people back.

Long and short sequence how afgans wants to live life happily with or without America and how Koreans missionary are behaving American agents to convert people and got caught Well plan and played.

"The Point Men" unfolds as a riveting and expertly crafted hostage drama, casting an unflinching spotlight on the harrowing realities of a South Korean hostage crisis. In the grand tradition of South Korean cinema, renowned for its adeptness at translating real-life incidents into compelling, no-nonsense narratives, this film stands as a testament to the nation's prowess in storytelling. In a narrative parallel to its predecessor, "Escape from Mogadishu," the film seamlessly weaves urgency into its fabric, ensuring that the audience is gripped by the relentless pace of unfolding events.

A noteworthy strength of "The Point Men" lies in its screenplay, a captivating and realistic tapestry that avoids the pitfalls of forced storytelling. The film navigates the treacherous terrain of a hostage crisis with finesse, never succumbing to contrived plot devices. The infusion of humor, skillfully executed by Kang Ki-young, serves as an additional layer of authenticity, seamlessly integrating moments of levity amidst the gravity of the situation. While the absence of elaborate action set pieces may be perceived as a drawback by some, it is a conscious choice that bolsters the plausibility of the narrative. The filmmakers prioritize the integrity of the premise over gratuitous spectacle, a commendable decision that enhances the film's credibility.

In the realm of performances, "The Point Men" benefits immensely from the formidable talents of Hyun Bin and Hwang Jung-min. Although newcomers to my cinematic purview, their prowess as actors is immediately evident. Their portrayals are marked by authenticity and naturalism, adding a layer of gravitas to the unfolding drama. The chemistry between the leads enhances the film's emotional resonance, making their characters' struggles palpable to the audience. This synergy between compelling performances and a well-crafted narrative elevates the film beyond the trappings of a conventional hostage drama.

As a thrilling exploration of a genuine hostage crisis, "The Point Men" captivates audiences with its honesty and unwavering commitment to true storytelling. Those anticipating elaborate action sequences may find themselves disappointed, as the film deliberately eschews such embellishments in favor of a more grounded depiction of events. However, for aficionados of sincere and gripping narratives, this film emerges as a compelling addition to the genre. It's a testament to South Korean cinema's ability to delve into complex, real-world scenarios, presenting them with authenticity and an engrossing narrative that resonates long after the credits roll.