Thale

Thale is visually stunning, interesting in mythology and well - played movie. Yes, the story is poor and screenplay has some holes, design of "hurdles" is quite upsetting (the CGI is done well, but they look really strange), but this has an mysterious atmosphere, supplemented by shots of beautiful nature and melancholic music. Short footage is good move how to cover few deficiencies of screenplay, but maybe, it should have been 10 minutes longer...

Over an above, the character of Thale was played very suggestively by beautiful Silje Reinåmo, and the characters of "two friends" are quite nice.

Thale is strange fantasy, but it has also some aspects of art movie (the way the shots are stylized, minimalistic acting, static camera, few actors...).

I'm certainly sure, that Thale will be forgotten, and that's really pity. It is because this movie is very unconventional, so it will barely engage the attention of masses, or at least some group of people - and maybe because you can't classify Thale into some universal film genre. It has some aspects of horror, fantasy, and also mystery drama. In addition, the low budget is obvious - but I don't think it is an negative in here.

Would I recommend this movie to someone?

Namely, if you expect much of horror/gore and action - forget it and better don't watch it. But if you like shots of beautiful nature accompanied by suggestive music, slow storyline, and you like the impressions more than action, maybe you will enjoy the Thale, as I did.

lots of sci-fi,s start slow,then pick up speed.This Nordic thriller starts off with a bang,and actually gets better.Being into folklore from anywhere,i had heard of this film,and after a bit of a wait,i got to check it out.I was very pleased.As many people here in the states may remember, a year ,or so ago,a movie sorta like this came out.Not even close.This story is a good one,with great acting,interesting plot,and fx. i love a good sci-fi,and on that note,i was happy,but this story is good,simple to follow,gripping,and well told(a very good "tail" )-all in all ,a solid 6-pop some corn,grab a cold drink,and just watch.Enjoy !

If you have read anything about the film, including the title of this review, or have seen any trailer, then you already know what the story is about. The film is quiet, haunting and has a quality of foreboding which is quite alluring. It is hardly a horror movie and I could only place it in the fantasy genre.

The plot revolves around huldra, seductive creatures from Nordic folklore that seem to be very beautiful women, but are actually forest creatures. As such, the choice of Silje Reinåmo was very wise; she is very pretty. The film feels almost like a filmed play. After all, there are only four actors in total and a voice.

Even if the lead character is supposedly the one driving the story, the movie being seen from his perspective, the one that really made the film feel real and interesting was, in acting and role, his friend, interpreted by Jon Sigve Skard. A phlegmatic character, he underlines the weirdness of the situation by acting totally cool, creating the appropriate contrast.

Over all it was a nice film, although the entirety of it was pretty much about the same thing and something that was already obvious from the beginning. The feel and the fairytale root of the movie are what makes it worth watching. Some people might get bored by it or enjoy its atmosphere, as I did.

very nice little sleeper of a film. The actress who plays the title character is simply beautiful. It's a understated bit of cinema, with some very nice shots. Beautiful landscapes and nice camera work.

I have a big issue with people comparing this to Troll Hunter. I get that they're both from Norway and focus on Norwegian folklore. However, to say that Troll Hunter is great and this is not is like saying apples are great while pears are not. You simply cannot compare the two.

I believe that Thale had roughly one third of Troll Hunters budget, yet its very beautiful. Again, if you're looking for bombast, Troll Hunter has that... but this is a quite good film.

It is safe to assume that Elvis and Leo do a job that few people could stomach. They clean up crime scenes. After the bodies have been removed, they clean up the pools of blood and bits of human remains that litter the scene. It's not a pleasant job but somebody's got to do it. Decked out in masks and bright yellow hazmat suits, they go about their business, picking up the pieces of someone else's inhumanity against his fellow man.

From the first moment, it becomes clear that Leo (Jon Sigve Skard) is easily equipped to handle this. Elvis (Erlend Nervold), who vomits profusely into a nearby bucket, seems less so. From this unappetizing scene, we get the feeling that Thale will be a movie about what these guys do for a living. Indeed, following their day to day routine might have been fascinating, but admittedly hard to stomach. Yet, we soon find that we're wrong. Thale is an odd, mysterious and somewhat beguiling supernatural thriller from Norway that is built on mood and atmosphere and suspense made up of things that we learn along the way. It is a relief to find a movie this quiet and moody when so many thrillers fall back on the standard of jack-in-the-box terror.

In a series of creepy images banded with effectively melancholy music, the next scene reveals quick-cut elements that we only understand later. Leo and Elvis find that their next job is to clean up a crime scene that reminds us, uncomfortably, of Buffalo Bill's lair in The Silence of the Lambs. Waiting for a professional team to show up, Elvis begins to poke around. Something in the way this house is laid out seems to be more than meets the eye. Leo urges him not to go snooping around, but Elvis' natural curiosity gets the better of him. A small cold filthy room reveals jars of liquids, strings of dim lights and a bathtub filled with milky water invites investigation, though a more cautious individual might have not have proceeded any further.

From this point, I may discuss certain plot points. So if you want to see the movie cold, you may want to stop here.

What he discovers isn't all that unusual. Beneath the milky water is a naked girl who seems to have been there for some time. She is alive, but terrified. She doesn't speak, but an old tape recorder reveals that her name is Thale (Silje Reinåmo). What Elvis comes to understand is that she is more than a victim. This room is more than a torture chamber, and her reasons for being in this location reveal that she is possibly not suppose to exist. Neither, by the way, is whatever is skulking around outside.

It would be cruel to reveal what happens next, but safe to say it isn't what we expect. This isn't one of those movie with screaming victims and cheapo shocks. It is the kind of movie where the thrills come from what the characters discover for themselves. Elvis and Leo have stumbled upon something that is possibly bigger than both of them. Holed up in that room with Thale, something else manifests itself, something else that isn't suppose to exist.

What is even more interesting is what we learn about Elvis and Leo along the way. In just a few tiny passages of dialogue, Elvis and Leo become full-blooded people, not just pawns to be chased around by a boogeyman. It is curious to see a supernatural thriller like this that takes a few seconds to give its characters a bit of dimension. They aren't fully-realizes souls but they have lives that we can imagine exist apart from their predicament.

Having recently sat through the halfwit (not to mention boring) nonsense of Fede Alvarez's remake of Evil Dead, this movie comes as a breath of fresh air. While it isn't a perfect film, Thale exudes a measure of tension and grounds its story in reality before revealing the supernatural forces that are present. This is the kind of movie that builds slowly, giving us time to discover things. It has the patience to reveal the story as it unfolds rather than explain everything all at once and then march us to an inevitable conclusion. It may not be to every taste. It moves slowly and has long passages where we wait for something to happen, but given the sad state of most other films in this genre, we welcome the chance to discover things for ourselves.

***1/2 (of four)