The Rooster

I thoroughly enjoyed this film written and directed by Mark Leonard Winter. An amazing performance by Phoenix Raei and Hugo Weaving. The film touches on mental health issues as well as the loneliness that many people face. To me It inspired many emotions which change throughout the film. The policeman played by Phoenix. Raei was outstanding and highlighted the stresses and mental issues that some police officer may be subject too. Hugo Weaving's performance was brilliant. I loved the film setting and the cinematography. The sound editing was amazing with a special mention to the excellent work by the foley artist whose work was outstanding.

"The Rooster," starring Hugo Weaving and directed by Mark Winter, is a cinematic gem that I was lucky enough to see it at MIFF. Hugo Weaving's performance is exceptional. He effortlessly embodies the complex character, bringing depth and authenticity to every scene. Mark Winter's direction is a revelation. He masterfully navigates the narrative, creating an atmosphere of suspense and intrigue that keeps you on the edge of your seat. The pacing is spot-on, and Winter's ability to capture the essence of each moment is truly remarkable. His visual style adds an extra layer of depth to the film, making it a visual treat.

The Rooster's screenplay is equally impressive. It weaves a compelling story filled with unexpected twists and turns, making it impossible to predict the outcome. The dialogues are sharp and thought-provoking, adding layers of complexity to the characters and their motivations. The cinematography was also a real standout for me!

"The Rooster" is an exquisitely crafted cinematic masterpiece that enthrals viewers with its exceptional performances, particularly the mesmerizing on-screen chemistry between the lead characters. Their interactions convey a depth of emotion that resonates throughout the film, making their journey feel authentic and relatable. The screenplay is artfully intertwined, exploring themes of love, trust, and vulnerability with nuance. Its director executes the vision precisely, utilising stunning cinematography that enhances the narrative. The film bravely and boldly ventures into the complexities of human fragility and apprehension, fearlessly laying bare the intricacies of our shared human experience, leaving a lasting impact on audiences.

I'm not a feminist and I believe men deserve to have their stories told but I found this to be a tedious journey trying to explore the minds of broken men. The exploration itself is at the pace of a snail, I found myself and my girlfriend looking at our phone because many of the scenes just were too quiet that nothing was really going on. I love quiet and poetic cinema and always applaud the use of restraint in storytelling, especially not to over-indulge with so many film-making trickery and camera angles.

This film did not tell a story well, instead it indulged itself with men behaving like boys and a chance for an esteem actor such as Hugo to have fun and act like a fractured, naughty little boy.

The other actor seemed to play it very calm, but I felt his presence was not quite there.

I didn't know what this film was about, maybe I wasn't paying attention, maybe it wasn't clear enough or maybe I'm just not intelligent enough.

It seems to be a theme in Australia where directors like to mimic other styles of Aussie storytelling, it's the tedious and horse-flogging style of really dragging it out.

As they say boys will be boys.

In dark, bleak but quietly classy Aussie drama "The Rooster" the troubled psyche of rural cop Phoenix Raei plunges when brain-damaged pal Rhys Mitchell kills himself out in the remote woods. Spiralling towards his own suicide in those same woods Raei meets reclusive hermit Hugo Weaving, and the two forge an unlikely relationship... with details emerging of Mitchell's death - and Weaving's disturbing past. Avoiding cliché in his debut, writer / director Mark Leonard Winter delivers more of a moody character-study (requiring excellent performances, that his leads deliver) than a gripping thriller, which won't be for all - but folk who for example liked "Pig", should love this one.