La canzone del cuore

A nice and fun movie, you keep watching it and your smile never leaves you... The hero erkan excelled in performing his role and was affected by his features and expressions of his eyes when he was sad, happy or joking.

The sound effects, music and directing were wonderful, the bottom line is that it is a nice and cheerful work and you will not regret watching it.

I love this quirky, sweet movie. The setting is cool..... the small village in the mountains. The way they live in their tents/cars.

The story is very original. Good acting and filmmaking.

Actually The story was not so unique. We know well this story from another Turkish Cinema but nomadic contains would be success that film. I have to confess that this film take my a few tears. Yeah.

Amelie was such a lovely, delightful movie , Heartsong is even sweeter, more heart , more real life ,even less talking, more music. I never write a review and dont cry in movies easy , but this is another level real life bittersweet romance and told in an easy way with no pressure , just pure love and soul.

It actually shows a bit of real life of the roma back in the days , i guess 30.40 years ago.

The lead actors and especially the female actress act with such pure soul. I am surprised and happy , seeing such a lovely turkish movie.

Can i ask , why the reviews have to be a million characters long ?

Soner Caner's latest project, which I have been following since the movie "Rauf" and even took it a step further and reached the level of Stalker.

Soner Caner is a director with the mindset I love, each film is a different color, a different genre, but they all make you feel like they are a Soner Caner movie from the very first frame.

There is a similar viewing pleasure in Tolga Karacelik's movies.

It's hard to believe that "Mukavemet", one of the two movies I watched in 3 months, and this movie came out of the mind of the same person.

Gönül / Heartsong In Caner's mind, it's like taking a stroll in Southeast Anatolia with Emir Kusturica.

Again, Caner was not content with the fact that the names in his staff exist as celebrities, and he made them go to the limit as far as they could go both visually and in terms of performance.

Just like in the films Rauf and Mukavemet, Caner is successful in reminding the actor that he is an actor and a part of the story, which is the subject of the new Turkish cinema's most unsuccessful.

The sound engineering and cinematography of the film are also great.