Dream Scenario - Hai mai sognato quest'uomo?

After the first half hour of this movie, i thought it was going somewhere amazing, it was funny and clever and nic cage is just really good in the mane role.

But i don't think it did nt he 2nd half of the movie, it kind of faded out, and missed such a massive oppotunity.

It's still a good movie, but it completely went in a different direction in the last half hour than i thought it would. Which was just such a shame.

Such a missed oppotunity in my book, but still worth a watch. When the dreams turn darker i think there was such a great set up for a better last half hour or so. Shame.

Worth watching but didn't reach it's potential.

Dream Scenario is a really funny look at unexpected fame and how it's impossible to control how others interpret it. A be careful what you wish for story that's a lot stronger when primarily focusing on how fame changes a person than when it delves into cancel culture.

Uncomfortable with how his own image has been interpreted, Nicolas Cage is the ideal person for this. He plays the pitiful nature of Paul beautifully and brings none of the Cage rage he's synonymous with, in a nice change of pace. The film also feels aware of Cage's persona, understanding everything is funnier and weirder because it's Nic Cage specifically.

Kristoffer Borgli's direction really nails the dream sequences in particular. They're very surreal (obviously), brief and when they start to turn into nightmares they really don't hold back on the violence. It also has the second most hilariously awkward sex scene of recent memory, with Beau Is Afraid being number one which is so fitting since Ari Aster is a producer on this.

DREAM SCENARIO is a very interesting movie that could generate a lot of post-viewing discussion. It asks some interesting questions about celebrity & "cancel culture." It did occur to me afterwards that the movie is completely ridiculous and posits a scenario that is beyond impossible, and thus, spending a lot of time talking about its implications seems a bit silly. But, I err on the side of it being a worthwhile intellectual exercise. To say nothing of being a terrific showcase for Nicolas Cage.

Cage is Paul Matthews, an aging, balding (and apparently always cold because he wears gigantic, ill-fitting coats throughout the film) tenured professor at a modest college. His students pay little attention to him (even though, to be honest, it seems like he's a more interesting professor than many I experienced myself). He leads a frustrating professional life. Early in the film, he has lunch with an very distant colleague who is preparing to publish a paper that touches on subjects that Matthews worked on decades ago. He feels these topics still somehow belong to him, and wants some credit for the paper. He mentions that he's working on a book on the topic...but it turns out he hasn't actually started writing the thing. It's an idea he has and apparently has had for many years. He's a guy who imagines doing great or interesting things, but it will never happen for him. We meet his loving wife (Julianne Nicholson, always under-rated) and his doting daughters. From the viewer's perspective, he's a bit of schlub. An uninspiring instructor, eaten up by his own failures, and sadly unable to see that his great family really means he's got it pretty darn good. Nice house. Nice kids. Nice wife.

But he's a bit clueless. And when he suddenly starts appearing in the dreams of millions of people around the world, he becomes a clueless celebrity (or at least, cultural phenomena). His classroom is full of people who want a selfie with him. He's on the news. He's written about. He's beloved. And he's done nothing to deserve the positive accolades. For some strange reason, he is a background character in the dreams of millions of strangers. He just hovers there, really doing nothing. But just the fact that he's at the center of this weird thing makes him popular. And when talent agents come calling, he sees his opportunity to get a book deal.

But then, things go abruptly wrong, and he goes from saint to demon overnight. None of it is his fault, but he's suddenly a pariah. And he handles it very, very badly...putting at risk everything good in his life.

It's all so unfair. Paul did NOTHING to make these dreams happen. The "character" he is in the dreams bears no resemblance to his true persona. He is right to rail against his vilification. Yet his own unpleasant character traits tee us up to NOT sympathize with him. Does he have it coming? Did his own flaws somehow taint his benign dream persona? Why doesn't the public understand that the dream Paul and the real Paul have nothing to do with each other?

It's all very interesting, and Cage makes it all matter thanks to the best performance he's given in some time. With this movie and the excellent, over-looked PIG...Cage demonstrates his true acting chops. Yes, he's delightful in THE UNBEARABLE WEIGHT OF MASSIVE TALENT, but even in well-received films like THE COLOR OUT OF SPACE, his performances are over-the-top and even unhinged.

Enjoyable...absolutely. But fine acting? No. He's always a bit broad in his performances, but DREAM SCENARIO harnesses his energy and spins Paul Matthews into a complex character we can understand and feel things about. The script is tight and energetic and clever and funny. The supporting cast (again, special kudos to Nicholson) is on the right wavelength. And the questions the film asks are very relevant in our time of social media, overnight sensations and overnight demonizations. It's a fun film on the surface, very much worth it for Cage's well-done work...but it also rewards some reflection and discussion. I heartily recommend it.

The first eighty percent of this film was excellent - it felt like the best Stephen King story that King didn't write. The slow destruction of the life of an ordinary man for reasons which were completely outside his control was well-conceived, well-plotted and well acted. Nicholas Cage's performance was pitch perfect.

To an extent, this film can be seen as a satirical condemnation of social media fame and cancel culture, though that's secondary to the theme of mounting paranoia - both from Prof Matthews and the wider world.

The fact that this film started out as a project of Ari Aster is no surprise, as it has much in common with Beau is Afraid - notably the hapless and powerless central character and some surreal and blackly comic moments.

Then, in the last fifteen minutes or so, the film loses its way. A new element is brought in which pretty much undermines what had gone before. The result wasn't bad, exactly, but seemed to belong in a different film. I think it would've been better if the film had had the courage of its convictions and followed Prof Matthews to his logical fate.

For all that, it's an interesting film, and I would urge you to see it.

I must say first that Dream Scenario is not at all what I expected it to be. After falling in love with writer/director Kristoffer Borgli's previous film Sick Of Myself, then exploring all of his recent short films on YouTube, I thought I had a grasp on what to expect from Dream Scenario, but I was off and that makes it a bit more challenging to form a solid opinion on. One thing is for certain though: regardless of how much you feel like you are enjoying the film as you are watching it, this is the kind of movie that will have you thinking and talking about it, trying to find all the analogies, for some time afterwards. Though my girlfriend left the theater a total of 4 times due to anxiety, she pulled even more apt metaphor out of it than I did when it was over - it gave us a lot to discuss, far more than the average movie.

The overall tone was way different than I was expecting. The trailer had me thinking this would be a quirky adventure into dreams and personalities, but Dream Scenario is FAR more horror-leaning than I'd imagined. Having seen Borgli's previous work in combination with the choice to have Nicolas Cage as the lead, this really threw me off. Once you get into it, it often feels like the work of Ari Aster, which made a lot more sense to me when the ending credits hit and I saw that Ari Aster had produced it. Apparently Aster was originally set to direct this film with Adam Sandler as the lead, but after Sick Of Myself did well, Aster pushed to get Borgli in the director's chair for A24. Overall, the movie has its signature Borgli moments but it definitely feels like a combination of Borgli, Aster, and A24 vibes rather than simply a Borgli piece.

There is not nearly as much comedy as I thought there would be, and most of it is very subdued. I felt like I was laughing more than anyone else in the theater, and it was not much, to be honest. Laughs are simply not one of the primary focuses of the film, in my opinion. And on the subject of atypical focuses, there are hardly fleshed-out characters in this movie at all - they are more like archetypes or vessels that allow the themes to be explored. The way Cage's character works is that he is an effective "every man" in the sense that he's not really likable, but also not especially unlikable - he could be just about any average person, and that's the point. The real "main character" is society and their response to what's happening in a collective manner.

While it's not the most riveting or throughly enjoyable film, it is incredibly original and does seem to have a lot to say underneath it's surface of "simplicity". I was expecting something in the realm of Charlie Kaufman, but what I got was perhaps something I can't compare to almost anything else. At one point in the film, there is a book that is released, and when it does the character who wrote it exclaims "It was supposed to be called Dream Scenario", then the publisher responds, "Is there something wrong with the new title, I Am Your Nightmare?". I feel like this is a fitting summary of my entire experience with this film. I'm not sure if that was all set up on purpose, as a "haha" at the viewer's expense, but knowing Borgli and his specific style of genius-level trolling, I'd say he knew exactly what he was doing.