The Bridge Curse: Ritual

I didn't realise that this was a sequel until I got to the end credits. I don't think I missed much in the first film and I don't think anyone will miss anything if you don't see this one. It really is a generic demon ghost zombie terrorising teeangers with an unimaginative story, unoriginal production design, forgettable music and sound design and worst of all a really unengaging cast. The acting is perfectly adequate but the characters are not interesting. The best bit about the film are the 'games' but there are only like 2 of these and a lot of filler. It's really not worth watching and not even good enough at being bad.

This movie definitely gets way too much hate. Firstly, it's definitely better than its predecessor by leaps and bounds. The visual effects are not great and the plot is pretty unoriginal to say the very least, but the acting is solid, the message is deeper than I expected from a film if this caliber, and it's pretty easy to follow.

If you're a fan of Taiwanese horror movies, you will definitely love this one for sure. Don't listen to the other reviews and check it out if you're on the fence. It's obviously nowhere near the best horror movies that's done out of Taiwan, but it's certainly a good one to be sure.

TIME WASTING...KHANKI MAGI MOVIE.... "Khankir Chele" (translating roughly to "The Whore's Son") is not a movie that tiptoes around sensitive issues. Directed by emerging filmmaker Shafiq Rahman, this intense social drama dives headfirst into the underbelly of society, exploring themes of identity, shame, stigma, and self-discovery. With a name as provocative as its premise, "Khankir Chele" sets out to disturb, engage, and ultimately challenge viewers to rethink the way we judge and marginalize others.

The story follows Rakib, a young man growing up in the slums of Dhaka, known mostly as "Khankir Chele" due to his mother's occupation as a sex worker. From his earliest days, Rakib is ridiculed, beaten, and ostracized, not for anything he has done, but simply because of who his mother is. Society stamps him as dirty, criminal, and unwanted before he ever gets a chance to speak for himself.

This story happens an year before the last film's events which itself juggled between two timelines. A sister is hellbent on freeing her brother who is now comatose after trying to experiment with the elevator game just so that he can fine tune his video game. The sister with her gang, goes back to the cursed building to know the facts for herself and is in for a rude Shock as the ghosts have made it into the real world through that game and aren't waiting for the leap year. With the help from a familiar face, will she be able to save her brother and end the curse on time, forms rest of the story.

The problem with this unexciting film, like it's predecessor is it's uninteresting story and the way they try to pack everything in the screenplay, crossing off every other template on the horror genre checklist. It gets tiresome too soon as much of the ghost scenes are heavily CGI driven and CGI not being good is just the bonus. Then, there are these underwritten characters providing nobody to root for and the fact the first film had a timeline of 2020, it is more or less easy to predict what exactly happened in 2019 without having to wait till the climax or mid credits scene. As there will be third film, if they atleast attempt to have an engaging screenplay to some extent then it'll be a miracle.

The film, from horror powerhouse Taiwan, starts with an interesting angle: students are working on an Augmented Reality video game based on a haunted, er, university. Said students (who are as dim-witted as most characters in this type of story) test out their game on location (why they need to test out the game when it's nearing completion rather than early on in the development process is unclear). The actual ghosts soon start layering with the AR gaming, which is an original approach and fairly interesting (what is really there and where??). We get a number of point of view shots from CCTV cameras and the gamers' equipment, and when handled well such subjective shots are always a great strategy to immerse viewers and turn up the horror quotient. Yet the film soon leaves that idea behind to focus on the real ghosts, which is a shame because everything becomes much more pedestrian at that point. Thankfully the visual dynamic is replaced by narrative ingenuity as a late twist shakes things up and saves the film... until a final revelation that's too rushed to have much impact (and perhaps the fact that I haven't seen the first film doesn't help). In the end the film is ok but clearly had potential for more.