VALUTAZIONE IMDb
5,1/10
3357
LA TUA VALUTAZIONE
Affronterà le sfide che il mondo deve affrontare e si ispira all'iconica featurette di Chris Marker del 1962 La Jetée, su un viaggiatore del tempo che rischia la vita per cambiare il corso d... Leggi tuttoAffronterà le sfide che il mondo deve affrontare e si ispira all'iconica featurette di Chris Marker del 1962 La Jetée, su un viaggiatore del tempo che rischia la vita per cambiare il corso della storia e salvare il futuro dell'umanità.Affronterà le sfide che il mondo deve affrontare e si ispira all'iconica featurette di Chris Marker del 1962 La Jetée, su un viaggiatore del tempo che rischia la vita per cambiare il corso della storia e salvare il futuro dell'umanità.
- Premi
- 1 vittoria e 2 candidature totali
Narendra Modi
- Self
- (filmato d'archivio)
Mohammad Bin Salman
- Self
- (filmato d'archivio)
Maria Ressa
- Self
- (filmato d'archivio)
Recensioni in evidenza
Most dystopian tales are about a place that could never exist. They exist in the stories and draw parallels to our time or serve as metaphors for our struggles. This movie is not a documentary, but it uses documentary to explain how the future will be created by what is happening now and by what's happened in the last 2, 5, 20, and 30 years.
It doesn't offer hope or answers. Answers aren't that easy. Hope may be a fantasy. What if this is all happening and there's nothing we can do about it? Is it too late already? "If we do not act when we can will we fall off the cliff?"
Will voting change anything? Will not voting change anything? Will continuing to consume and benefit from technological comforts yield any different result than going back to a simpler life that is unconnected to information collection?
These are not equations answered in this movie. But they're questions I have because of it.
I'm sure there many people who think this film is leftist propaganda. These same people don't see how bad things are in this country and the world. They're ok with making American great again. I'm not sure we are ever going to be ok again, neither is this film.
This is not for everyone.
It doesn't offer hope or answers. Answers aren't that easy. Hope may be a fantasy. What if this is all happening and there's nothing we can do about it? Is it too late already? "If we do not act when we can will we fall off the cliff?"
Will voting change anything? Will not voting change anything? Will continuing to consume and benefit from technological comforts yield any different result than going back to a simpler life that is unconnected to information collection?
These are not equations answered in this movie. But they're questions I have because of it.
I'm sure there many people who think this film is leftist propaganda. These same people don't see how bad things are in this country and the world. They're ok with making American great again. I'm not sure we are ever going to be ok again, neither is this film.
This is not for everyone.
I almost skipped out on this movie after taking a glance at the lackluster reviews. But then I noticed a pattern: It really felt like a lot of the reviewers didn't even give the movie a chance before tuning out.
Samantha Morton truly shines in this film - she does a great job at conveying a staggering amount of emotion with her facial expressions alone. (Her character is mute.) The story is mainly told from her POV through narration that is both nostalgic and pensively depressing.
The movie paints a prescient and chilling vision of what our future could look like in the next ~50 years, given our current trajectory. Blending real-life archival footage and stark depictions of an authoritarian future, it offers a sobering reminder of how fragile our freedoms can be.
While the movie doesn't provide much hope or a clear way to fight back against 'the machine,' I felt this was intentional. The bleakness perfectly reflects the circumstances of the characters, leaving you with a haunting sense of inevitability.
It's not a light or hopeful film, but it's one that left an impression which will stick with me for a long time.
Samantha Morton truly shines in this film - she does a great job at conveying a staggering amount of emotion with her facial expressions alone. (Her character is mute.) The story is mainly told from her POV through narration that is both nostalgic and pensively depressing.
The movie paints a prescient and chilling vision of what our future could look like in the next ~50 years, given our current trajectory. Blending real-life archival footage and stark depictions of an authoritarian future, it offers a sobering reminder of how fragile our freedoms can be.
While the movie doesn't provide much hope or a clear way to fight back against 'the machine,' I felt this was intentional. The bleakness perfectly reflects the circumstances of the characters, leaving you with a haunting sense of inevitability.
It's not a light or hopeful film, but it's one that left an impression which will stick with me for a long time.
Let me start by saying that I agree with all of the politics, and all of the warnings in this movie.
Despite that, this is a terrible movie. There is no story, the characters are not developed, the plot is thin as wax paper, and I honestly don't think much effort was made for it to be otherwise. The film is a vehicle for delivering the political message.
For me, that's not good enough. Better to call it a documentary and to just explicitly make that argument.
The producers intersperse political history from 1980s-2024 to explain how the world tumbled into a fascist global system, where average people are serfs, and only a few wealthy people survive, on the backs of labor performed by robots and AI.
I agree. I agree. But a movie also has to be entertaining. This was slow, boring, depressing (as is the news today), and painful to watch.
Despite that, this is a terrible movie. There is no story, the characters are not developed, the plot is thin as wax paper, and I honestly don't think much effort was made for it to be otherwise. The film is a vehicle for delivering the political message.
For me, that's not good enough. Better to call it a documentary and to just explicitly make that argument.
The producers intersperse political history from 1980s-2024 to explain how the world tumbled into a fascist global system, where average people are serfs, and only a few wealthy people survive, on the backs of labor performed by robots and AI.
I agree. I agree. But a movie also has to be entertaining. This was slow, boring, depressing (as is the news today), and painful to watch.
Genre-bending. The same director as the Amy WInehouse documentary which I also loved. This director is refreshingly bold and inventive. He pushes you to confront the brutally realistic future scenario his film puts you in to warn you where we are headed if we stay complacent. It is a huge wake up call and a call to action. I was shook and found it so emotionally effective. It is a fresh concept that I think works though I know many people seem to hate that it blends genres. I really liked the blend. I found the use of archival to be perfectly executed and the acting by the lead actress was incredible. The film left me sad, angry, yet artistically inspired. I highly recommend.
The documentary parts and the fictional parts did not really link together well. Perhaps if the short running time had been extended a more involving narrative to connect the two could have been presented.
But it was well edited, with news footage included that is often censored from the mainstream media, making an uncomfortable watch for some. Whatever message you get is likely distorted by your own left/right biases, though its likely that those with right wing views will opt out after a few minutes, after all, there is much to think about here.
On the very day I watched this, the news was filled with out of control wildfires in California, mark Zuckerberg joining Elon Musk on his ' free unmoderated speech' crusade, The Trump proclaiming how he might invade Greenland, Canada, and Panama?
A few years back, crises would arise, take up all of the news, fade away, then everything back to normal. Its possible we might never see normal again?
But it was well edited, with news footage included that is often censored from the mainstream media, making an uncomfortable watch for some. Whatever message you get is likely distorted by your own left/right biases, though its likely that those with right wing views will opt out after a few minutes, after all, there is much to think about here.
On the very day I watched this, the news was filled with out of control wildfires in California, mark Zuckerberg joining Elon Musk on his ' free unmoderated speech' crusade, The Trump proclaiming how he might invade Greenland, Canada, and Panama?
A few years back, crises would arise, take up all of the news, fade away, then everything back to normal. Its possible we might never see normal again?
Lo sapevi?
- QuizFeatures a brief shot of Samantha Morton in the film 'Minority Report' during a flashback sequence.
- ConnessioniReferenced in Film Junk Podcast: Episode 985: Baby Invasion (2025)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 7125 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5078 USD
- 29 dic 2024
- Lordo in tutto il mondo
- 56.269 USD
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39:1
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