Admya Bhalla and director Akshat Ajay Sharma collaborated on the film, and it commendably avoids delving into the sensitive topic of eunuch rights or portraying them as helpless. It treats its characters with care while delivering a potent message against those who pose a threat.
However, the frequent shifts between the past and present weaken the story. The film starts with a flurry of events and names, making it challenging to follow. Viewers must commit to memory, but as the plot unfolds, the characters gradually become more recognizable.
Just as the story gains momentum, it meanders among inconsequential characters. The narrative advances for several months leading up to the climax, yet it fails to explore the significant transformation of Bone as he establishes his own party.
This leaves numerous unanswered questions in the film's conclusion, as the editing lacks cohesion. Nonetheless, the film excels in depicting the beautifully portrayed love story between Irrfan and Haddi.
Nawazuddin Siddiqui, known for his experimental roles, continues to impress with his portrayal of a transgender woman, demonstrating a deep understanding of her mannerisms and speech.
The emotional impact when Haddi's family reacts to Pramod's death through clapping is both poignant and heart-wrenching. Saurabh Sachdeva's performance as Inder feels authentic from the very beginning.
Anurag Kashyap falls short in his negative role, with repetitive facial expressions throughout. Ila Arun as Revathi Amma and Mohammad Zeeshan Ayub as Irrfan have limited screen time and incomplete character development. The song "Beparda" aptly suits the film's context.
