Titans: The Rise of Hollywood
- Serie TV
- 2022
Aggiungi una trama nella tua linguaThe story of immigrants who founded first Hollywood studios.The story of immigrants who founded first Hollywood studios.The story of immigrants who founded first Hollywood studios.
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As a life long cinephile I will watch anything related to the history of the movies.
For the most part, I enjoyed this, particularly the stuff with Carl Lemmle and Universal, but to not mention D. W. Griffith even once, (not even as of the four creators of United Artist) is just weird. Not to mention paring down the Warner Brothers from 4 to only 3.
I'm also not sure how "Tess of the Storm Country" (1922) could ever be considered the first feature film, when "Les Miserables", "Cabiria", and of Course, "Birth of A Nation" (1915) all precede it by many years.
But overall there is more good than bad and still worth a watch for film buffs.
For the most part, I enjoyed this, particularly the stuff with Carl Lemmle and Universal, but to not mention D. W. Griffith even once, (not even as of the four creators of United Artist) is just weird. Not to mention paring down the Warner Brothers from 4 to only 3.
I'm also not sure how "Tess of the Storm Country" (1922) could ever be considered the first feature film, when "Les Miserables", "Cabiria", and of Course, "Birth of A Nation" (1915) all precede it by many years.
But overall there is more good than bad and still worth a watch for film buffs.
We thought we knew a lot about the origins of movies, having watched the 13-episode series "Hollywood" narrated by James Mason. But each episode of "Titans", especially those covering the 1890s to mid-1910s, had us saying "I never knew that." By focusing on the business perspective--innovators who had a feeling that motion pictures could be big, but struggled to figure out how--the series explains how and why the innovations happened.
The docudrama is narrated as oral history by an older Adolf Zukor. The dynamics between the competitors/collaborators are often fascinating. The final episode or two, covering the end of the silent era, get bogged down by details about corporate wheeling and dealing, which can be hard to follow. Nevertheless, the earlier portions more than make up for it.
The docudrama is narrated as oral history by an older Adolf Zukor. The dynamics between the competitors/collaborators are often fascinating. The final episode or two, covering the end of the silent era, get bogged down by details about corporate wheeling and dealing, which can be hard to follow. Nevertheless, the earlier portions more than make up for it.
I was really worried when I started this that it would be cheesy and shallow. Now as many others said. The recreations were horrible and wooden. But especially the early episodes are very very interesting about the exchanges and how Edison had somehow created a monopoly. Edison was well known for suing the hell out of anyone that he thought was not paying him for his inventions. But luckily he over reached with the movies and ended up losing. The music was so bad through out especially the music for the introduction for each episode. But this is a definite watch for anyone that likes movies.
There were four Warner brothers, not three. Co-founder Albert is nowhere to be found or even mentioned. It's as if he didn't exist. Albert Warner headed all of Warner Bros. Distribution in New York with my grandfather Samuel Schneider (who was vice president and treasurer on the board). Albert and Sam were the first of the brothers to get into the movie business, before Harry and Jack joined them. A major mistake in this series.
United Artists was founded by four movie icons, not three. In addition to Mary Pickford, Douglas Fairbanks, and Charlie Chaplin, all shown in the series, they entirely left out D. W. Griffith. His career, impact, and legacy are completely gone. No "Birth of a Nation" or "Intolerance." None of his legendary work with Lillian Gish (who is also conspicuously absent). But to spend a good amount of time on the forming of United Artists and not even mention Griffith's name isn't just an error, it's revisionist history. It's just plain wrong.
The budget is low, except apparently for purchasing cartons of cigarettes. The younger actor playing Adolph Zukor was never without a cigarette in any shot or scene. EVER. It went beyond a chain-smoking vice or character trait into completely distracting and amateurish, like a bad joke or exaggerated nervous tick.
I appreciate the effort, and it's a story worth telling, so I'm glad this series exists. Many fascinating people, tales, and details are presented, but with some huge, glaring errors (mentioned above), it makes me doubt and question the truth in all of it.
United Artists was founded by four movie icons, not three. In addition to Mary Pickford, Douglas Fairbanks, and Charlie Chaplin, all shown in the series, they entirely left out D. W. Griffith. His career, impact, and legacy are completely gone. No "Birth of a Nation" or "Intolerance." None of his legendary work with Lillian Gish (who is also conspicuously absent). But to spend a good amount of time on the forming of United Artists and not even mention Griffith's name isn't just an error, it's revisionist history. It's just plain wrong.
The budget is low, except apparently for purchasing cartons of cigarettes. The younger actor playing Adolph Zukor was never without a cigarette in any shot or scene. EVER. It went beyond a chain-smoking vice or character trait into completely distracting and amateurish, like a bad joke or exaggerated nervous tick.
I appreciate the effort, and it's a story worth telling, so I'm glad this series exists. Many fascinating people, tales, and details are presented, but with some huge, glaring errors (mentioned above), it makes me doubt and question the truth in all of it.
As far too many reviewers have noted, the acting is mediocre at best. No one is going to win an Oscar or Emmy for their acting here (although I don't think it's nearly as terrible as many seem to think).
But, if you're focussed on how good (or bad...) the acting is, you're going to miss out on what this series really is: History.
As a historical account of Hollywood and the major studios and stars, it's excellent.
Ignore the acting quality, focus on the history, and you'll appreciate this series more.
But, if you're focussed on how good (or bad...) the acting is, you're going to miss out on what this series really is: History.
As a historical account of Hollywood and the major studios and stars, it's excellent.
Ignore the acting quality, focus on the history, and you'll appreciate this series more.
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- Hollywood - Aufstieg der Titanen
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