VALUTAZIONE IMDb
6,1/10
1363
LA TUA VALUTAZIONE
Segue la vita di Summer mentre sua madre Vivian e sua figlia Chloe si trasferiscono da lei.Segue la vita di Summer mentre sua madre Vivian e sua figlia Chloe si trasferiscono da lei.Segue la vita di Summer mentre sua madre Vivian e sua figlia Chloe si trasferiscono da lei.
Recensioni in evidenza
The story strongly implies that the family's Christmas village set has magical powers that intervene in the lives of the story's main characters. One thread of the story is the developing romance between Allison Sweeney's Summer and Luke MacFarland's character. Another thread is the family struggles that center around Marlo Thomas' Vivian.
I am more than happy to imagine how Chloe can use the village's magic to find romance for her mother whom everyone says over and over is controlling. As controlling characters go, I found Summer to be not nearly as bad as many in this type of movie. I resent that the movie implies that there is something wrong with a woman who is financially responsible and works hard to accomplish the tasks before her through her organizational skills. Summer has rules for Chloe and holds to them, but in a reasonable way balancing carrot and stick in her parenting.
Vivian seems to think that overdue bills will be taken care of by the Universe in its own good time. Even Summer's sister recognizes her mother's challenges. She and Summer have a running joke about whether a discussion about mom is a "five alarm" discussion. Yet she seems to take mom's side when these differences create conflict within the family. This entire premise in the movie turned me off to what could have been fun.
Sweeney and MacFarland have chemistry. The dialogue in the movie is good, although not as sparkling as some movies. The acting is good.
I am more than happy to imagine how Chloe can use the village's magic to find romance for her mother whom everyone says over and over is controlling. As controlling characters go, I found Summer to be not nearly as bad as many in this type of movie. I resent that the movie implies that there is something wrong with a woman who is financially responsible and works hard to accomplish the tasks before her through her organizational skills. Summer has rules for Chloe and holds to them, but in a reasonable way balancing carrot and stick in her parenting.
Vivian seems to think that overdue bills will be taken care of by the Universe in its own good time. Even Summer's sister recognizes her mother's challenges. She and Summer have a running joke about whether a discussion about mom is a "five alarm" discussion. Yet she seems to take mom's side when these differences create conflict within the family. This entire premise in the movie turned me off to what could have been fun.
Sweeney and MacFarland have chemistry. The dialogue in the movie is good, although not as sparkling as some movies. The acting is good.
This was not one of Hallmark's better efforts. One issue is the complete lack of chemistry between Alison Sweeney and Luke Macfarlane. First time I have seen Macfarlane not connect with his leading lady. As someone who has always admired Marlo Thomas and enjoyed her performances over the year, I was disappointed that her role was so quirky and off center. I do not know what is happening over at Hallmark, but the quality of the Countdown to Christmas movies this year have been a disappointment. This film was so slowly paced and at no time did I feel the main characters were a match. I just kept hoping the story would develop, but it never did.
Agree with the other reviewer. Marlo Thomas's freakish looks were distracting and I found it hard to watch her. She has had more than one too many face lifts. Also agree her character was rude and disrespectful and the whole " just believe was " was very annoying. I found myself wanting to yell at the tv every time Marlo was on screen. Also I have always found her voice annoying.
She was in no way a sympathetic or likeable character. It was impossible to find any redeeming qualities in her character as a mother. Alison Sweeney as always did a marvellous job. It was easy to feel sympathy for her character.
She was in no way a sympathetic or likeable character. It was impossible to find any redeeming qualities in her character as a mother. Alison Sweeney as always did a marvellous job. It was easy to feel sympathy for her character.
Whew! Would have never guessed that was Marlo Thomas. Why are women afraid of wrinkles, she looked very freakish and it looked painful. It was distracting for me to watch the movie. Her character was just absurd, rude, disrespectful. I saw a loving daughter wanting to help her mother, obviously her mom needed help. The whole "you just gotta believe" nonsense. Tell the bill collectors that and see what they say. Alison was of course, wonderful to watch. I'm so glad she didn't jump ship to the other channel like Candace and Danica did. And Luke, I just can't get his role as Scotty on Brothers and Sisters out of my head. Loved him on that show, he's good on Hallmark too. The more the movie went on, the more I disliked that mom. I would have ran away from home as a teenager. Haha.
Allison Sweeney and Luke Macfarlane are better than this forced and fairly empty mess. Too easy to solve issues, too sappy and sugary and disgustingly sweet. Hallmark took an outline and filled it in with fluff and nonsense, but no heart. Why does the network feel it necessary to churn out mediocre junk in great numbers rather than make fewer but much better movies? The magic Christmas village was a wasted element that was tossed into the story to provide Christmas Magic? It didn't. I found Marlo Thomas's dated hippy philosophy and preachy tendencies distracting and annoying. (As was her plastic surgery face, especially as I am old enough to remember That Girl). I couldn't wait for the movie to end. It won't be on many Do Not Miss lists next year.
Lo sapevi?
- Blooper"Breakable" Christmas bulb removed from tree disappears from top of ladder, when the two characters are talking on the ground, next to the tree.
- ConnessioniReferences La vita è meravigliosa (1946)
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