Il villaggio di Natale

Whew! Would have never guessed that was Marlo Thomas. Why are women afraid of wrinkles, she looked very freakish and it looked painful. It was distracting for me to watch the movie. Her character was just absurd, rude, disrespectful. I saw a loving daughter wanting to help her mother, obviously her mom needed help. The whole "you just gotta believe" nonsense. Tell the bill collectors that and see what they say. Alison was of course, wonderful to watch. I'm so glad she didn't jump ship to the other channel like Candace and Danica did. And Luke, I just can't get his role as Scotty on Brothers and Sisters out of my head. Loved him on that show, he's good on Hallmark too. The more the movie went on, the more I disliked that mom. I would have ran away from home as a teenager. Haha.

The story strongly implies that the family's Christmas village set has magical powers that intervene in the lives of the story's main characters. One thread of the story is the developing romance between Allison Sweeney's Summer and Luke MacFarland's character. Another thread is the family struggles that center around Marlo Thomas' Vivian.

I am more than happy to imagine how Chloe can use the village's magic to find romance for her mother whom everyone says over and over is controlling. As controlling characters go, I found Summer to be not nearly as bad as many in this type of movie. I resent that the movie implies that there is something wrong with a woman who is financially responsible and works hard to accomplish the tasks before her through her organizational skills. Summer has rules for Chloe and holds to them, but in a reasonable way balancing carrot and stick in her parenting.

Vivian seems to think that overdue bills will be taken care of by the Universe in its own good time. Even Summer's sister recognizes her mother's challenges. She and Summer have a running joke about whether a discussion about mom is a "five alarm" discussion. Yet she seems to take mom's side when these differences create conflict within the family. This entire premise in the movie turned me off to what could have been fun.

Sweeney and MacFarland have chemistry. The dialogue in the movie is good, although not as sparkling as some movies. The acting is good.

We always watch Alison Sweeney movies because she is such a real, natural actress. We figured the icing on the cake would be to see Marlo Thomas act again after not seeing her since a St. Jude commercial a couple of years back.

Well, Marlo's opening scene in the beginning of the movie was sort of shocking. She obviously saw the Jackson Family cosmetologist for her nose and Goldie Hawn's botox physician - to the point that her appearance distracted big time from what was going on. To Hallmark's credit, though, they gave Marlo a lot to do in this movie.

This wasn't just a couple of scenes for namesake value - she plays a fully developed character with many interactions with the rest of the cast. And, once you get used to her appearance, you realize that Marlo is really quite good. Let's face it and give her credit, this month she turns 85 and she can still give an honest, natural, and interesting performance, which ultimately becomes rather endearing.

As a matter of fact, she has a "show down" scene with Sweeney that is quite excellent and her second meeting with Macfarlane at a market is moving and sweet. Throughout, her scenes with Maesa Nicholson, playing her granddaughter are very well done and, at times, nicely humorous. Nicholson is an impressive young actress.

As far as the story goes, it really kept our interest - an elderly person going broke is not all that uncommon nowadays and the relationship between Sweeney and Macfarlane's characters is nicely developed. As usual, they give really fine performances, particularly Sweeney whose character she seems to be relaxed and comfortable with - so much so that her performance is more multi-faceted and complex than in other Hallmark roles she has been given.

It's not the best new Hallmark this season, but it's still enjoyable and worth a watch.

When I saw Marlo Thomas attached to this movie, I was eager to see it. I'm an original Marlo Thomas fan since That Girl back in the 60s. However, her role in this movie didn't work for me, and I believe that was a failure by the writers.

They went for kind of a zany hippy but wise character who was irresponsible but several times promoted the idea that "the universe will make things right". The dialogue simply sounded contrived and delusional.

I also found it painful to watch her. Marlo has done a lot of great things, including continuing to support and promote her father's effort with St. Jude's hospital, but she's also now a cautionary tale for any older woman considering plastic surgery. It doesn't look good on her ... at all. But with the face lift and died hair, they had her playing a role probably 25 years younger than her actual age, and that didn't work well, either.

More on just the movie. Despite us liking the actors in the romantic lead roles, I wasn't sold there. Again, just writers going through the motions rather than selling the characters and the relationships with something deeper than a magical fake pond causing him to suggest ice skating or some very thin dialogue about architecture.

This movie won't be on our rewatch list.

Agree with the other reviewer. Marlo Thomas's freakish looks were distracting and I found it hard to watch her. She has had more than one too many face lifts. Also agree her character was rude and disrespectful and the whole " just believe was " was very annoying. I found myself wanting to yell at the tv every time Marlo was on screen. Also I have always found her voice annoying.

She was in no way a sympathetic or likeable character. It was impossible to find any redeeming qualities in her character as a mother. Alison Sweeney as always did a marvellous job. It was easy to feel sympathy for her character.