Ballerina

It's late 19th century. Felicie (Elle Fanning) and Victor (Dane DeHaan) are best friends at an orphanage. She dreams of dancing and he helps her escape to Paris. She finds her way to the National Academy of Music and is taken in by crippled caretaker Odette (Carly Rae Jepsen). Cruel Regine runs the ballet school and Camille (Maddie Ziegler) is a snooty aggressive little girl trying to be a ballerina. Felicie steals Camille's invitation to Mérante's class who is picking the new Clara in The Nutcracker. Victor tells her that he's working for Eiffel who is busy building his tower and the Statue of Liberty.

The animation is functional. This Canadian-French production is equivalent to Illumination Entertainment level. It's fine but not anything ground breaking. The characters are fine. There are the plucky kids against great odds and villains and other archetypes. The story is also fine but a few changes would have helped. Felicie stealing the letter is probably the main mistake. It puts her on the wrong side and lets Camille off the hook. Camille should be bullying the other girls to force them out. Felicie can still learn from Odette and Mérante can simply invite her into the class after the tavern dance. The plot can arrive at the same place without compromising Felicie. It's also off when she sleeps through her audition putting her at fault once again. The dance off is actually quite exhilarating but the climaxing gets a second unnecessary trip around. A Hollywood studio would make everybody an animal and this would probably sell a lot better. Sing is not much better and it made over $600 million. Non-Hollywood doesn't have the formula yet. They don't know how to market and make a modern family-oriented animated movie.

Im a huge fan for animation, I heard about this movie and didn't really know what to expect. What I got was a beautiful movie with the positive messages of chasing your dreams and never giving up on them no matter how hard things may seem.

I do kinda wish the subplot of victor could have tied in more with the main focus of Felicie but it is what it is, I ain't complaining.

Finally, It was hilarious and very charming too. Perfect for families. Enjoy the movie!

Something tells me there's more to the film than just a wannabe ballerina setting out to achieve her dreams. I could be very wrong but I believe his to be a personal accomplishment for French director/screenplay writer Eric Summer who comes from Brittany himself, where this story starts at an orphanage in 1879.

Enlisting the talent of French animator who was partly responsible for one of my favourite animated movies, Belleville Rendez-vous, Éric Warin sits alongside Summer in the director's chair and what they give us is a delightful underdog story.

The focus of the story is on Félicie, voiced by Elle Fanning, an ambitious yet rebellious orphan girl who dreams of becoming a dancer, constantly attempting to flee the orphanage to Paris, in pursuit of her ambition.

She's not alone in either dream-chasing or escaping the orphanage. Victor, voiced by Dane DeHaan, an obvious admirer of hers also wishes to leave to become a famous inventor, so the two of them embark on an adventure finally reaching Paris and with various strokes of good fortunate, end up where they both want to be.

The voices don't necessarily match their characters, DeHaan being far to old (apologies, 30 isn't old, but...) to voice a teenage orphan. Pop singer Carly Rae Jepsen does a fine job of voicing broken ballerina, Odette, but I'm most impressed with Sia's music video dancing star, Maddie Ziegler, voicing the spoilt, stuck-up Camille.

It has all the ingredients of a simple yet pleasing underdog story with some impressive and enticing animation. The dances themselves are superbly gracefully and the details are brilliant. There's troublesome emotions, difficult choices and quite a few triumphs with a clear message of never giving up and what ever you do, do it with heart.

It's predictable but that's forgivable being a children's film. It's loaded with touching gestures and typical twists that make the film memorable but is equally loaded with unnecessary silliness and feels a little rushed in places, possibly to keep children's attention.

It's not a musical but the soundtrack that accompanies the film really stands out with some great tracks from Magical Thinker, Chantal Kreviazuk and Camila Mora. Klaus Badelt does a graceful and enchanting score that does well to stand alone from Tchaikovsky's ballet greats of Swan Lake and the Nutcracker.

It's good sign not hearing any disturbances for the young audience and my God-Daughter seemed to enjoy it giving a little dance at the end. It's far from perfect but there's some great scenes and you can see the effort was put in. It's good light-hearted entertainment for the whole family.

Running Time: 8 The Cast: 6 Performance: 7 Direction: 7 Story: 8 Script: 7 Creativity: 8 Soundtrack: 9 Job Description: 9 The Extra Bonus Points: 0

69% 7/10

To preface my review let me say that I'm a 71 year old man who does not usually enjoy animated movies any longer. But I took my 7-year-old son to see Leap today and I really enjoyed it.

The story is light, surely to be appreciated by young girls. My son was restless through the second half, only rejoining the action when the little boy character was on screen.

What I enjoyed most was the graphics that were very good. The scenes were great. I lived in Paris for 3 years so anything in that city brings back fond memories. Both the body language and facial expressions of the characters were spot on. I chuckled many times through the movie as I saw how wonderful a job the animators did.

I enjoyed the story too. Who wouldn't enjoy a story with a positive outcome. It was certainly unrealistic but still fun.

Being a lifelong fan of animation and ballet, 'Ballerina' seemed very appealing to me. Plus who doesn't love an underdog/person who wants to succeed at something they love against adversity story.

While not up there with my favourite animated films, or one of my favourite films of 2016, 'Ballerina' is nonetheless charming with a lot of delights. It will delight the younger crowd, but fellow ballet fans will also be charmed and there should be enough for adults to find value. 'Ballerina' is much more than a film for "little girls" or "just for kids" and does a good job telling a type of story that would be relatable to anybody.

Coming from somebody who overcame disabilities and bullying and wanted to sing professionally and get training and experience, it took a long time but I got there and have not looked back, 'Ballerina' clicked with me.

Of course 'Ballerina' isn't immune to flaws. The story is very familiar and does get predictable, while the characters are very likable but slightly skim-surface archetypes. However, this may seem very nit-picky and can easily be ignored by people and only problems for the toughest of critics.

Aside from these, there were also reservations with some of the soundtrack and one voice cast member. The music is often beautiful and infectious, with some genuine enchantment, but could have done with more classical music choices and less pop. A good deal of the pop tunes are very catchy, but more Tchaikovsky would have suited the film better and been more dynamic and a few others grate. Dane DeHaan doesn't sound right as Victor and doesn't fit, sounding too mature for a character clearly intended to be much younger, either he should have tried to sound younger and more boyish or the character should have been voiced by somebody in his late-teens.

However, the animation is very good, often excellent, especially in the beautifully studied and meticulous background details and the intricate and graceful choreography that synchronises with the music very well and shows animators that have clearly done their homework. As said, the soundtrack does mostly work, while the script makes a real attempt to appeal to both children and adults (being a family film) and, with a nice mix of humour, pathos and life values and never being over-complicated or childish, it does succeed.

The story, even with the familiarity and predictability, goes at a neat pace and as well as having a lot of charm and heart the messaging never comes over as preachy and very much valuable. It is also easy to see why anybody would find it inspiring and easy to relate to, as a young adult both were very easy for me. Even though archetypal, the characters are still likable, the title character has her flaws but it is easy to quickly warm to her. The voice acting, DeHaan aside, is strong, with Elle Fanning and Carly Rae Jensen bringing emotion and spirit to their characters and Maddie Ziegler stealing the show.

In summary, a familiar film but a very charming one and one to be seen without prejudice. 7/10 Bethany Cox