Ambientato negli anni Sessanta dell'Ottocento, la franco-canadese Vivienne Le Coudy, fieramente indipendente, intraprende una relazione con l'immigrato danese Holger Olsen.Ambientato negli anni Sessanta dell'Ottocento, la franco-canadese Vivienne Le Coudy, fieramente indipendente, intraprende una relazione con l'immigrato danese Holger Olsen.Ambientato negli anni Sessanta dell'Ottocento, la franco-canadese Vivienne Le Coudy, fieramente indipendente, intraprende una relazione con l'immigrato danese Holger Olsen.
- Premi
- 1 vittoria e 1 candidatura in totale
Trama
Lo sapevi?
- QuizViggo Mortensen did not intend to act in the film. "Late in the game", the actor who had originally been cast as Holger left to work on a different project. Vicky Krieps suggested he take the role himself.
- BlooperThe character calls the woman by the wrong name calling her Marion instead of Vivienne.
- Citazioni
Little Vivienne Le Coudy: Is it the end of the world?
- ConnessioniReferenced in CTV News at Six Toronto: Episodio datato 8 settembre 2023 (2023)
- Colonne sonoreA chantar m'er de so qu'eu no volria
written by Beatriz de Dia
performed by Vicky Krieps & Eliana Michaud
Recensione in evidenza
The Dead Don't Hurt
Viggo Mortensen wrote and directed the Western, The Dead Don't Hurt, a story set at the onset of the Civil War. A Danish American meets a French (or Canadian, it's not really clear) American in the American frontier, and they fall for each other but choose not to marry.
Olsen's dream location is a barren piece of land that seems unsuitable for his partner, Vivienne. She makes the best of it by getting a job at the local saloon, and plants flowers and vegetables the best way she can. Olsen, however, feels this urge to go fight in the Civil War, leaving her by herself.
Like most stories of the American frontier, there was not a lot of lawful behavior. With Vivienne now alone, shenanigans ensue. In fact, we know most of the outcome during the opening scene, which I haven't decided was the right decision. But there is enough mystery that I stayed interested, though ultimately disappointed.
I had some trouble with the story as a whole. Showing patriotism for the new country that was still being settled is honorable. But abandoning a woman who begrudgingly decided to stay in a harsh environment was very pathetic. His selfishness sets forth a chain reaction that resulted in a very chaotic ending. Passion for what you love is one thing, but it's meaningless when it comes at the expense of who you love.
I'm also a bit tired of the lawlessness old West trope, even if it's an example of accuracy. Our cartoonish villain's (Weston) father is even afraid of him, along with pretty much the entire settlement. Come on, Viggo. The characterization was just sloppy, and Weston really was only there to give the most extreme of outcomes to Olsen's choice.
I disliked the very end, and I'll leave it up to my readers to see if they feel the same.
Viggo Mortensen wrote and directed the Western, The Dead Don't Hurt, a story set at the onset of the Civil War. A Danish American meets a French (or Canadian, it's not really clear) American in the American frontier, and they fall for each other but choose not to marry.
Olsen's dream location is a barren piece of land that seems unsuitable for his partner, Vivienne. She makes the best of it by getting a job at the local saloon, and plants flowers and vegetables the best way she can. Olsen, however, feels this urge to go fight in the Civil War, leaving her by herself.
Like most stories of the American frontier, there was not a lot of lawful behavior. With Vivienne now alone, shenanigans ensue. In fact, we know most of the outcome during the opening scene, which I haven't decided was the right decision. But there is enough mystery that I stayed interested, though ultimately disappointed.
I had some trouble with the story as a whole. Showing patriotism for the new country that was still being settled is honorable. But abandoning a woman who begrudgingly decided to stay in a harsh environment was very pathetic. His selfishness sets forth a chain reaction that resulted in a very chaotic ending. Passion for what you love is one thing, but it's meaningless when it comes at the expense of who you love.
I'm also a bit tired of the lawlessness old West trope, even if it's an example of accuracy. Our cartoonish villain's (Weston) father is even afraid of him, along with pretty much the entire settlement. Come on, Viggo. The characterization was just sloppy, and Weston really was only there to give the most extreme of outcomes to Olsen's choice.
I disliked the very end, and I'll leave it up to my readers to see if they feel the same.
- malmevik77
- 6 giu 2024
- Permalink
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- Hasta el fin del mundo
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Botteghino
- Lordo Stati Uniti e Canada
- 752.964 USD
- Fine settimana di apertura Stati Uniti e Canada
- 384.762 USD
- 2 giu 2024
- Lordo in tutto il mondo
- 1.933.593 USD
- Tempo di esecuzione2 ore 9 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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What is the Canadian French language plot outline for The Dead Don't Hurt: I morti non soffrono (2023)?
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