VALUTAZIONE IMDb
6,7/10
1545
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAfter losing her employment, Emily accepts a proposal that will give her a secure future. But she soon finds trapped in her new family's deception.After losing her employment, Emily accepts a proposal that will give her a secure future. But she soon finds trapped in her new family's deception.After losing her employment, Emily accepts a proposal that will give her a secure future. But she soon finds trapped in her new family's deception.
- Regia
- Sceneggiatura
- Star
William Atkinson
- Man at Arms
- (non citato nei titoli originali)
Tom Raven
- The Bestman
- (non citato nei titoli originali)
Patricia Winker
- Anabelle's Mother
- (non citato nei titoli originali)
Recensioni in evidenza
Brilliantly cast, beautifully acted, and intriguingly suspenseful. Linus Roache is criminally underrated, and Lydia Wilson's performance is impeccable. This film deserves far more credit than it's given, and has more rewatch value than your typical Masterpiece options.
I guess a lot of people didn't like this movie. It's a standard Victorian story and follows along those lines.
It's 1901. Emily (Lydia Seton) is a young woman with the position of temporary secretary to Lady Maria Byrne (Joanna Lumley). At the urging of her nephew, Lord James Walderhurst (Linus Roache), Emily changes place cards at a dinner, which is held to introduce suitable women to him.
He doesn't like any of them and can't stand the thought of sitting next to one of them. Because of this, Emily is not hired for the permanent secretarial position she wanted.
Lord Walderhurst walks her home and proposes a marriage of convenience. He is a widower and he has to produce an heir, or the family fortune goes to a ne'er do well cousin, Alec (James D'Arcy).
Emily agrees to marry him, and she invites her former roommate Jane (Sarah Ridgeway) to live there as her maid. James has always cared for Emily; now Emily develops feelings for him.
When he has to join his regiment in India for a while, Alec and his part-Indian wife (Hasina Haque) bring Emily a letter in which James has asked them to take care of her. They move in.
There are some stupid things here. The first one is that Emily knows that James can't stand this guy, even if Emily thinks they're a nice couple. And she does realize soon enough that he didn't write that letter, but she doesn't throw them out. They are in debt and people are chasing them, they explain.
The second thing Emily does is tell Alec that she can't swim. Bad.
Then Emily becomes pregnant. At first she hides it, but after nearly fainting, she tells them that she is. Now we're talking death knell for Alec inheriting.
When Alec becomes ill (maybe, maybe not) his wife brings in an Indian nurse, Ameerah, who starts giving Emily tonics. Like anyone would drink those things. When Alec gets well, he seduces Jane. Great, now Emily is all alone, and now -- NOW she realizes she's in danger.
I still liked this because it had an element of suspense, the woman in danger thing one has in these stories. I also agree that she couldn't be more stupid. As the article "The Making of a Lady is Preposterous and Proud of It" says, everyone does these things with a straight face.
I never realized Linus Roache was British until this. I think he's a good actor, showing us that this is a gentle, good man, who wants his wife to be happy. James D'Arcy is both sweet and menacing when he needs to be. Lydia Seton is very low key and quite good, keeping the style of the period.
Beautifully photographed, this can be a laughfest with its absurd situations and racist views toward Indians, but it does have an element of interest, in part due to the fine acting.
It's 1901. Emily (Lydia Seton) is a young woman with the position of temporary secretary to Lady Maria Byrne (Joanna Lumley). At the urging of her nephew, Lord James Walderhurst (Linus Roache), Emily changes place cards at a dinner, which is held to introduce suitable women to him.
He doesn't like any of them and can't stand the thought of sitting next to one of them. Because of this, Emily is not hired for the permanent secretarial position she wanted.
Lord Walderhurst walks her home and proposes a marriage of convenience. He is a widower and he has to produce an heir, or the family fortune goes to a ne'er do well cousin, Alec (James D'Arcy).
Emily agrees to marry him, and she invites her former roommate Jane (Sarah Ridgeway) to live there as her maid. James has always cared for Emily; now Emily develops feelings for him.
When he has to join his regiment in India for a while, Alec and his part-Indian wife (Hasina Haque) bring Emily a letter in which James has asked them to take care of her. They move in.
There are some stupid things here. The first one is that Emily knows that James can't stand this guy, even if Emily thinks they're a nice couple. And she does realize soon enough that he didn't write that letter, but she doesn't throw them out. They are in debt and people are chasing them, they explain.
The second thing Emily does is tell Alec that she can't swim. Bad.
Then Emily becomes pregnant. At first she hides it, but after nearly fainting, she tells them that she is. Now we're talking death knell for Alec inheriting.
When Alec becomes ill (maybe, maybe not) his wife brings in an Indian nurse, Ameerah, who starts giving Emily tonics. Like anyone would drink those things. When Alec gets well, he seduces Jane. Great, now Emily is all alone, and now -- NOW she realizes she's in danger.
I still liked this because it had an element of suspense, the woman in danger thing one has in these stories. I also agree that she couldn't be more stupid. As the article "The Making of a Lady is Preposterous and Proud of It" says, everyone does these things with a straight face.
I never realized Linus Roache was British until this. I think he's a good actor, showing us that this is a gentle, good man, who wants his wife to be happy. James D'Arcy is both sweet and menacing when he needs to be. Lydia Seton is very low key and quite good, keeping the style of the period.
Beautifully photographed, this can be a laughfest with its absurd situations and racist views toward Indians, but it does have an element of interest, in part due to the fine acting.
Before watching this film, I knew nothing of the story. It proved to be about Emily Fox Seton (Lydia Wilson), a young English woman who married for financial security. As it progressed, it became a suspense story, with Lydia Wilson being the best part of the production.
The film includes beautiful scenery and settings. The music adds much to the film's mood. And the costuming is absolutely wonderful.
The narrative might have enchanted Alfred Hitchcock, with its foreboding images and a sense of claustrophobia that surrounds Emily as her circumstances change and she begins to feel helpless within her situation.
If you like beautifully filmed period pieces, I recommend this film to you.
The film includes beautiful scenery and settings. The music adds much to the film's mood. And the costuming is absolutely wonderful.
The narrative might have enchanted Alfred Hitchcock, with its foreboding images and a sense of claustrophobia that surrounds Emily as her circumstances change and she begins to feel helpless within her situation.
If you like beautifully filmed period pieces, I recommend this film to you.
Intrigued by the great cast, I gave this movie a shot. Have not familiarity with the source it is based on or how much material there is to work with.
Movie starts out nicely. Again, great cast. I was immediately intrigued by our lowly and lovely heroine. Yet, overall this movie is way to short and did not give enough service to the blossoming relationship before the movie evolves into a more melodramatic and suspenseful arena. Ultimately, this leaves very little emotional impact to ..well...anything that happens.
Decently acted, but felt that most of the very good cast did not feel all that invested in the effort. I think an expanded version of the first half of the movie before all the melodrama would make an excellent watch.
Regardless, the movie is probably worth of watch if you like period pieces. It is mostly entertaining but otherwise just a trifle.
Movie starts out nicely. Again, great cast. I was immediately intrigued by our lowly and lovely heroine. Yet, overall this movie is way to short and did not give enough service to the blossoming relationship before the movie evolves into a more melodramatic and suspenseful arena. Ultimately, this leaves very little emotional impact to ..well...anything that happens.
Decently acted, but felt that most of the very good cast did not feel all that invested in the effort. I think an expanded version of the first half of the movie before all the melodrama would make an excellent watch.
Regardless, the movie is probably worth of watch if you like period pieces. It is mostly entertaining but otherwise just a trifle.
I agreed to watch this one just for my girlfriend, so we could spend some quality time together, and it turned out to be pretty good. I was expecting a major yawn-fest about ladies in big hats drinking tea, but it actually had a very intriguing plot, full of deceit and attempted murder, etc.; it wasn't really an "edge of your seat" type of thriller, but it had enough to keep me interested throughout. The plot was somewhat original, although not entirely dissimilar from some of the other standard fare from this genre, such as Jane Eyre. It was also very well-acted and had good production values; the sets and locations looked very authentic and the background score was appropriate. In my opinion, it was an entertaining film.
Lo sapevi?
- QuizBased on two works by Frances Hodgson Burnett: "The Making of a Marchioness," a novella that ends with Emily and Lord Walderhurst's engagement, and its sequel "The Methods of Lady Walderhurst." Both works have been subsequently published together, either under name "The Making of a Marchioness" or as "Emily Fox-Seton."
- BlooperWhen Alec's corpse is laid down, his head is placed on the curb. In the next shot he is shown laying about 2 feet away from the curb.
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What was the official certification given to The Making of a Lady (2012) in the United Kingdom?
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