Il Clown di Kettle Springs

This flick was based off on recent horror related young adult fiction by Adam Cesare and was just average. It offers some good practical and cgi gore effects, full of tongue-in-cheek humor.

It offers an inclusive grouping of characters probably that the current administration wouldn't approve of. One of the characters kinda looks like Elon Musk!

The only that original is the intergenerational jokes between older and younger characters. Things like a rotary dial phone, etc. Comes off pretty funny. The clowns were not a creepy as many reviewers have claimed.

The acting chops were not above average, but not horrible. The film is most likely coming at a time where producers are responding to clown with extreme violence like the recent success of Damian Leone's "Terrifier" franchise.

This film has probably got popularity of a new generation of filmgoers trying to feel the 80s/90s straight to gore films. In the way, their new interest is probably to chase folk horror and more subtle horror like "Midsummer" and "The Witch" away

I guess this film by Eli Craig should be indebt to "Terrifier"-crowd funders and independent horror supporters. It's need to be said that Craig is also a trendsetter with horror comedy like "Tucker and Dale vs Evil" (obviously inspired by "Evil Dead" franchise).

Rating - 7.2: Overall, a pretty good slasher movie that infuses comedy to make the film genre-bending and unique; while there are many moments that are stereotypical of other low-budget slasher movies, "Clown in a Cornfield" does a pretty good job subverting expectations or calling out and making fun of its stereotypes in a meta way to make the experience entertaining and fun.

Direction - Pretty Good: The direction on a macroscale is pretty good as they do a good job blending slasher with comedy, making this an entertaining experience; the direction on a microscale feels very similar to other low-budget teenage horror to start with, but the movie really starts to get into its groove towards the 30-minute mark as it begins to subvert stereotypes and blend humor with horror; the storytelling is decent as it uses the stereotypical teenage slasher movie to lay the groundwork for the plot, then either subverts these expectations or calls out and makes fun of its stereotypes in a meta way; they build tension decently well, but it is a bit formulaic at times as it builds up to horror moments

Story - Decent to Pretty Good: The concept is your typical clown slasher movie, but mixed with comedic elements to make the movie bend what genre it is; the plot structure is pretty standard for a slasher movie; character writing is surprisingly pretty good, as while the movie does have its fair share of stereotypical tropes that it calls out, these characters grow in ways that surprise the audience

Screenplay - Pretty Good: The dialogue is filled with corny dialogue you would expect from low-budget, teen slasher movies; but the dialogue definitely gets better as the movie goes on; the humor is an integral part of this movie as it helps prevent the movie from being a straight slasher movie, being meta at times and making the movie feel pretty unique; the symbolism is present and somewhat profound; the foreshadowing is present and helps lay crumbs for how the story will transpire

Acting - Decent to Pretty Good: Katie Douglas - Pretty Good (Even though she starts the movie off with many stereotypical teen horror scream-queen mannerisms, she grows into her own and has good stage presence by the end of the movie; she has decent chemistry with the rest of the cast, especially Abrams), Aaron Abrams - Decent to Pretty Good (Plays the fatherly figure pretty well, despite his corny moments; he has pretty good chemistry with Douglas), Carson MacCormac - Decent (He plays his role decently well, especially as more weight is lifted off his shoulders as the movie goes on; he has decent chemistry with the rest of the cast), Kevin Durand - Decent to Pretty Good (Has a presence on screen that is felt; has decent chemistry with the rest of the cast), Will Sasso - Pretty Good (Uses his comedic presence to make his character both funny yet Machiavellian), Rest of the cast - Decent (While the movie is filled with stereotypical teenage slasher performances, they do a decent job with what they are given and definitely get better as the movie goes on; they help support building tension and the main cast decently well)

Score - Decent: Feels a little similar to other horror movies; very over-the-top in how it builds suspense for the horror moments

Cinematography - Decent: Typical of other low-budget slasher movies

Editing - Decent: Typical of other low-budget horror movies

Sound - Decent to Pretty Good: Helps build suspense and tension similar to other low-budget slasher movies

Visual Effects - Pretty Good: Good use of practical effects because this is what you want from a slasher movie

Production Design - Decent: Sets the cornfield for "Clown in a Cornfield"

Makeup - Decent to Pretty Good: It helps display the blood and gore for the kills; it helps paint the clowns

Costumes - Pretty Good: Helps dress the clown for "Clown in a Cornfield"

Pacing - Pacing is slow at the beginning and then very fast once the conflict is introduced, so basically, every slasher movie

Climax - The climax is pretty good and brings everything together but is somewhat predictable considering where the movie was heading

Tone - Tone is not your typical low-budget clown slasher movie; the movie sprinkles in comedy throughout to bend the genre and make the movie unique

Final Notes - Saw the world premiere at SXSW.

Sometimes, you just want a good, straightforward slasher, and that's exactly what Clown in a Cornfield delivers. It's gory, tense, and doesn't mess around. The setup is classic: Quinn moves to a small town, only to discover that it's hiding a deadly secret. Enter the killer clown, and suddenly the cornfields aren't just a creepy backdrop-they're a trap.

The film knows what it is and doesn't pretend otherwise. It's violent, fun, and self-aware, with some creative kills and just enough backstory to make you care about who lives and who doesn't. Sure, it leans into some slasher clichés, and there were a few "Why would you do that?!" moments, but honestly, that's half the fun of watching a movie like this.

It's not breaking new ground, but it doesn't need to. It's the kind of movie you watch for the tension, the chase scenes, and the brutal confrontations. If you're a fan of classic slashers with a bit of modern flair, you'll have a blast.

If you love your slashers bloody, self-aware, and just a little bit unhinged, 'Clown in a Cornfield' is an absolute must-watch. It delivers that nostalgic, small-town horror vibe straight out of an '80s nightmare, but with a modern edge that keeps things fresh and fun. Frendo the clown is instantly iconic - equal parts terrifying and absurd - and the kills? Gory, creative, and satisfyingly brutal.

What really surprised me, though, was how funny this film is. It doesn't take itself too seriously, leaning into the ridiculousness of its premise in a way that totally works. The script is sharp, the characters are likable enough to root for (or scream at), and there's a surprising amount of heart buried beneath the bloodshed.

By the time the credits rolled, I was already googling the books. If they're anything like the movie, I'm in for a wild ride. Easily my favorite slasher of 2025 so far.

A name like "Clown in a Cornfield" promises the kind of pulp-like over-the-top violence and self-awareness that made director Eli Craig's Tucker and Dale vs. Evil so much fun. What we got is something tame and forgettable. Something that isn't nearly as smart as it thinks it is. It tries to be a combination of Children of the Corn, IT, Scream, and others but comes away as less than the sum of its parts.

The story plays like a lesser version of Eli Roth's Thanksgiving. Group of kids being picked off by a masked killer for some perceived crime. But the characters aren't nearly as well defined as Roth's were. There's little suspense built up as the Clown just keeps popping up. Plenty of gore, but no particularly memorable kill. Frendo is pretty tame as a slasher killer, doing nothing to stand out. Not helped by the fact that the Terrifier series has so completely cornered the market on creepy clown villains.

There's some playfulness with the main group playing pranks on each other for YouTube, TikTok, etc. But this largely becomes an excuse to dismiss characters not being around after they have been killed.

The acting is okay at best. Will Sasso seems to be hamming it up. Kevin Durand is doing his usual good job. But the kids are unremarkable.

Then there's the ending. The kind of lousy finale all too common with the latter Scream films, with the mask coming off and the villain monologuing about their motives giving the heroes time to escape. Worse, the dialogue is far too on-the-nose like was taken from a Tumblr rant.

It promises lots of fun but ultimately is forgettable once the credits start rolling.