Aggiungi una trama nella tua linguaNarrates the story of six pregnant women, who arrive at a prenatal class with beliefs, confusion, and questions regarding pregnancy and childbirth.Narrates the story of six pregnant women, who arrive at a prenatal class with beliefs, confusion, and questions regarding pregnancy and childbirth.Narrates the story of six pregnant women, who arrive at a prenatal class with beliefs, confusion, and questions regarding pregnancy and childbirth.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Recensioni in evidenza
Whether a film works for a person or not depends on various factors. I respect the filmmaker attempting such a topic for a fiction film in Malayalam language. Big time Salute for trying something unusual. Parvathy's solitude scene in cafe is my favourite. The way she behaves, the way she eats - minute details worked beautifully there, what a fabulous actor she is. The road sequence between the maid Grace and husband Kannan was quite good, it was pleasure watching their screen chemistry and the naturality involved. Nadiya Moidu, Nithya Menen, Padmapriya etc - they have all done justice to their roles. The Tamil Husband, Gypsy Guy, Nithya's partner etc - the men in the film. Interestingly they made their presence well too among the women gang.
Of course, Wonder Women is not in the same line in comparison with what Anjali Menon has done earlier. This 'short film' is made exclusively for OTT and this is also a movie made during Covid tough times. The subject is fresh, never seen before as a fictional film. Amazing bunch of actors. It was lovely watching Nadia Moidu on screen after a while. Individual performances helped in pulling off the film. Parvathy, Nithya, Padmapriya, Sayanora, Marathi actor Amrutha Subhash etc are all great. Archana Padmini - I love what she has done. A bunch of unknown actors also made the film fresh like in the case of mother in law.
I watched this movie when i was 6 months pregnant. Loved the movie so so much. I literarily not want the movie to end. I can connect with each character soo easily. I cant hold back my tears. That time i was going through a prenatal depression phase and this movie basically uplifted my whole concept of being pregnant and to be a parent. Thank you for making such a beautiful movie which give a light to my life again.
Now being a parent of a 2 years old boy i give just one advice to my mom to be friends that 'u r not alone' in this journey.
As a movie i am not aware of its commercial value as a pure joy and entertainment. But its a beautiful piece of art.
Thank you.
Now being a parent of a 2 years old boy i give just one advice to my mom to be friends that 'u r not alone' in this journey.
As a movie i am not aware of its commercial value as a pure joy and entertainment. But its a beautiful piece of art.
Thank you.
Anjali Menon hires an incredible ensemble of actors for Wonder Women, a film that attempts to perceive the pregnancy phase a little differently. Some pregnant women from various walks of life have gathered at Sumana, a pregnancy care center run by Nandita (Nadiya Moidu) to address their feelings, anxieties, and struggles. It's a pertinent, poignant theme, of course, and in the able, feel-good hands of Anjali Menon. But at just 75 minutes, the film lacks a definite flow to it. Scenes are simply stitched together without connective tissue, and it's just the warm performances that keep it afloat. Nithya Menen and Padmapriya look dashing and offer some solace in a largely inept and cursory screenplay.
Parvathy Thiruvothu felt wasted in an emotionless role which probably could have been impactful in a longer film. Amruta Subhash puts up a good act, but the predictable writing renders her a mere unifying device in the rushed climax. Nadiya Moidu is lovely, and I wish her character too had better emotional payoffs. The men are conceived more kindly through Menon's eyes, and while that's a breath of fresh air, they end up being mostly inconsequential and forgettable, with generic problems and generic solutions. Noone's questioning the intent of hope yet it's hard to see why a writer like Anjali Menon chose this specific storytelling style for this subject. Govind Vasantha's music and Manesh Madhavan's cinematography also don't do much to elevate the film.
Parvathy Thiruvothu felt wasted in an emotionless role which probably could have been impactful in a longer film. Amruta Subhash puts up a good act, but the predictable writing renders her a mere unifying device in the rushed climax. Nadiya Moidu is lovely, and I wish her character too had better emotional payoffs. The men are conceived more kindly through Menon's eyes, and while that's a breath of fresh air, they end up being mostly inconsequential and forgettable, with generic problems and generic solutions. Noone's questioning the intent of hope yet it's hard to see why a writer like Anjali Menon chose this specific storytelling style for this subject. Govind Vasantha's music and Manesh Madhavan's cinematography also don't do much to elevate the film.
I still don't know why it's called a malayalam movie. The subject is significant but the director has misinterpreted it. I guess only those who speak English can have pregnancy. Utter waste of time. All different characters gathered under a roof. And it is not clear how they are managing to reduce their stress and getting ready to welcome their new guest. Parvati and padmapriya proved once again their talents. Nadia also performed well. But the matter doesn't have the support of a story line. It could have categorized under a documentary. Never watch a movie with much expectations regarding its director or script writer.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Colore
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti