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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWestern frontiers of the USSR, 1942. The region is under German occupation. A man is wrongly accused of collaboration. Desperate to save his dignity, he faces impossible moral choice.Western frontiers of the USSR, 1942. The region is under German occupation. A man is wrongly accused of collaboration. Desperate to save his dignity, he faces impossible moral choice.Western frontiers of the USSR, 1942. The region is under German occupation. A man is wrongly accused of collaboration. Desperate to save his dignity, he faces impossible moral choice.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 5 candidature totali
Dmitriy Bykovskiy-Romashov
- Yaroshevich
- (as Dmitriy Bykovskiy)
Recensioni in evidenza
In Bangladesh 🇧🇩 we don't have much choices to watch foreign language movies except Hollywood. In the Netflix era now we are able to watch few movies making around the world.
I find this in yts site. And I must thank the person who uploaded it.
Excellent story and good acting.
Thanks.
I find this in yts site. And I must thank the person who uploaded it.
Excellent story and good acting.
Thanks.
"In the fog" is a movie with a complicated story about loyalty and betrayal in a Second World War resistance group.
"In the fog" loosely resembles "Rashomon" (1950, Akira Kurosawa), with the emphasis on loosely. In "Rashomon" there are various alternative versions of the truth. The conclusion is that perhaps such a thing as the single ultimate truth does not exist. In "In the fog" there is an ultimate truth, but in reality the way thinks look like is often far more important and influential than the way things really are.
Belarus is not a country with a real film tradition, and I am always interested in films from such "forgotten" (in the sense of film history) areas. Sometimes is is not a single director who attracts attention, but a whole new wave of promising directors. Take for example Romania where in a few years directors such as Cristi Puiu ("The death of Mr Lazarescu", 2005), Corneliu Porumboiu ("12:08 East of Buchares", 2006) and last but not least Cristian Mungiu ("Four month, three weeks and two days", 2007) scored a big hit in the Western art house cinema's. By the way Oleg Mutu, the cinematographer of Cristian Mungiu, also shot "In the fog".
However, director Sergey Loznitsa did not start a Belorussian new wave. He made documentaries before "In the fog", and he continued making documentaries after it. One exception is the movie "Donbass" from 2018. This film is situated in the east of the Ukraine and shows the influence of fake news on society in the post thruth era. In this respect "Donbass" further elaborates on the themes already visible in "In the fog".
"In the fog" loosely resembles "Rashomon" (1950, Akira Kurosawa), with the emphasis on loosely. In "Rashomon" there are various alternative versions of the truth. The conclusion is that perhaps such a thing as the single ultimate truth does not exist. In "In the fog" there is an ultimate truth, but in reality the way thinks look like is often far more important and influential than the way things really are.
Belarus is not a country with a real film tradition, and I am always interested in films from such "forgotten" (in the sense of film history) areas. Sometimes is is not a single director who attracts attention, but a whole new wave of promising directors. Take for example Romania where in a few years directors such as Cristi Puiu ("The death of Mr Lazarescu", 2005), Corneliu Porumboiu ("12:08 East of Buchares", 2006) and last but not least Cristian Mungiu ("Four month, three weeks and two days", 2007) scored a big hit in the Western art house cinema's. By the way Oleg Mutu, the cinematographer of Cristian Mungiu, also shot "In the fog".
However, director Sergey Loznitsa did not start a Belorussian new wave. He made documentaries before "In the fog", and he continued making documentaries after it. One exception is the movie "Donbass" from 2018. This film is situated in the east of the Ukraine and shows the influence of fake news on society in the post thruth era. In this respect "Donbass" further elaborates on the themes already visible in "In the fog".
In the Fog depicts the decisions that people are forced to make during times of conflict where they are no longer masters of their own fate, but victims of circumstances beyond their control.
Suchenya, the main protagonist, is confronted with choices that no one will ever want to make but, along with other characters in the film, is forced to make them. The story is not so much the consequences of those decisions that determine the characters' fate but the unexpected events that unfold as a result of those decisions.
This is an slow moving but thoughtful film about impossible choices some of us are forced to make that profoundly shape our futures.
The scene where Suchenya's interrogator waves to him would have to be one of the cruelest waves ever seen in a movie.
Suchenya, the main protagonist, is confronted with choices that no one will ever want to make but, along with other characters in the film, is forced to make them. The story is not so much the consequences of those decisions that determine the characters' fate but the unexpected events that unfold as a result of those decisions.
This is an slow moving but thoughtful film about impossible choices some of us are forced to make that profoundly shape our futures.
The scene where Suchenya's interrogator waves to him would have to be one of the cruelest waves ever seen in a movie.
10xaggurat
I watched In the Fog this June in Midnight Sun Film Festival in Sodankylä, Finland, with other four films by Sergei Losnitza which were presented there. While I really liked all the films I saw, this is the one which touched me the most.
The director Losnitza has stripped the story from everything that's not essential to show the tension and hopelessness of the situation the main character is in. Vladimir Svirskiy's acting is excellent and perfectly delivers Sushenya's a sort of fatalistic understanding of the gravity of his situation, as he has been made an unwilling pawn in a wartime plot of the occupiers. He has no friends, no place in the world, no direction except to follow his executioners, who then will become his closest confidants.
The director Losnitza has stripped the story from everything that's not essential to show the tension and hopelessness of the situation the main character is in. Vladimir Svirskiy's acting is excellent and perfectly delivers Sushenya's a sort of fatalistic understanding of the gravity of his situation, as he has been made an unwilling pawn in a wartime plot of the occupiers. He has no friends, no place in the world, no direction except to follow his executioners, who then will become his closest confidants.
In The Fog is a film about a Soviet man, who gets released by the Germans instead of hanging him for sabotage, so everybody among the Soviets thinks he's a traitor. But he also can't cope with his guilt, so he's willing to be executed by the Soviet guerrillas.
In The Fog is unlike any other war movie. It's based on a very interesting moral dilemma, and actually has a pretty good story to back that up. The cinematography and the atmosphere are also great. But it's so boring, that it almost hurt. And I don't mean by that, that it's slow, because it's not just that. There are a lot of scenes, where nothing happens. Literally minutes, when the camera is just tracking the characters walking or staring into nothing. I think half of the movie consists of walking through the woods. I feel sorry for this film, because it could have been even an all-time classic, but most of the time I was just bored to death.
In The Fog is unlike any other war movie. It's based on a very interesting moral dilemma, and actually has a pretty good story to back that up. The cinematography and the atmosphere are also great. But it's so boring, that it almost hurt. And I don't mean by that, that it's slow, because it's not just that. There are a lot of scenes, where nothing happens. Literally minutes, when the camera is just tracking the characters walking or staring into nothing. I think half of the movie consists of walking through the woods. I feel sorry for this film, because it could have been even an all-time classic, but most of the time I was just bored to death.
Lo sapevi?
- ConnessioniReferenced in Večernij Urgant: Aleksandr Kerzhakov/Yuliya Peresild/Matt Doran (2012)
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Botteghino
- Lordo Stati Uniti e Canada
- 11.894 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2327 USD
- 16 giu 2013
- Lordo in tutto il mondo
- 194.594 USD
- Tempo di esecuzione2 ore 7 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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