L'autore Thelonious "Monk" Ellison è irritato perché la sua ultima opera non ha preso fuoco tra gli editori, mentre un tomo intitolato: We's Lives in Da Ghetto, di Sintara Golden, entra nell... Leggi tuttoL'autore Thelonious "Monk" Ellison è irritato perché la sua ultima opera non ha preso fuoco tra gli editori, mentre un tomo intitolato: We's Lives in Da Ghetto, di Sintara Golden, entra nelle liste dei bestseller, lasciandolo ribollente.L'autore Thelonious "Monk" Ellison è irritato perché la sua ultima opera non ha preso fuoco tra gli editori, mentre un tomo intitolato: We's Lives in Da Ghetto, di Sintara Golden, entra nelle liste dei bestseller, lasciandolo ribollente.
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- Vincitore di 1 Oscar
- 64 vittorie e 174 candidature totali
Recensioni in evidenza
Jeffrey Wright is professor and novelist Thelonious Ellison. His family and close friends call him 'Monk' in honor of the famous jazz musician and composer Thelonious Monk, who died in 1982 at the age of 64.
This Monk takes his writing novels very seriously but is not achieving much success. Meanwhile he encounters another author, a well-educated and well-spoken black woman. However when she reads a portion of her latest popular book, it is all broken English and black slang. He is taken aback, what is going on here?
At some point he decides to spoof the industry, he writes a novel of black characters who use reprehensible language and ghetto slang. He writes it as a joke with a made-up pen name. To his surprise and shock the publishing company loves it, they offer a big sum to publish it, and another company is jockeying for the movie rights.
Reflecting on the story I am a bit loss on how to explain the last half hour of it, but it is overall a very well-made and entertaining movie. Jeffrey Wright is superb in the role.
My wife and I watched it at home, streaming on Prime.
Witty dialogue, intriguing story and clever scenarios elevate everything. The cast all give fantastic performances, especially Jeffrey Wright. But for me personally, by far the best attribute is the comedy. I full-volume laughed throughout. And the humor feels entirely original.
My only dislike is a few subplots, like the love life of his brother or the maid, that don't seem to be related to the main plot. They feel out of place and detract from the main story. Otherwise, I found American Fiction to be highly entertaining.
(1 viewing, opening Thursday 1/4/2024)
Most of the movie is wonderful but the main character's LGBT brother is very likely not needed and was put in there to satisfy an agenda. Ironically... this movie itself is a vehicle for the message while also critiquing it. And at the end of the story it looks like it is going to go with a very Tootsie like ending but they do a few zigs and zags that I wonder if was just to extend the run time.
Overall though, very entertaining.
I think it was the domestic drama part of the film that didn't completely work for me. The movie spends a lot of time on all the ways that Jeffrey Wright feels overwhelmed by his life's responsibilities, and it sags in some of these parts, and makes the movie feel a little bit like a slog. And I don't know that I ever completely believed the character played by Sterling K. Brown, who never seemed convincing as a gay man. But I did like what the film had to say about the burden placed on black people to constantly be representing black people everywhere that white people never have to deal with. And I also liked the choose your own adventure ending that takes the film into meta territory in its final scenes.
So, solid double for me, but not a home run.
Grade: A-
Lo sapevi?
- QuizIn a 2023 interview with Esquire, Cord Jefferson explained his approach to a key scene in the film and how the actors elevated it in unexpected ways: "We've all seen that scene of the writer pounding the keyboard frantically, then taking a big sip of coffee and getting back to it. That's how you depict somebody intensely writing. But I thought, 'We can't have that. It's tropey and silly, and it doesn't get the audience's minds going.' So why not have these characters manifest in front of him? When I wrote that scene, I wrote the language to be very silly. It had to be ridiculous so that everybody could see how stupid this book is and what a sham it is. Then we got Keith David and Okieriete Onaodowan, who are both such tremendous actors. All of the sudden, it wasn't silly anymore. They made it seem like the book might be good. I love what the scene became in their hands: suddenly you're questioning whether or not the book is good, which is evidence that something as ridiculous as this book could become a hit."
- BlooperAt the movie's beginning, Monk walks out of a building while being on the phone and holding a coffee cup with a vertical print of Dunkin Donuts, and with a lid on it. Seconds later, when he gets into a car, the logo on the cup is horizontally printed and it has no lid, while he is still holding the phone to his head with the other hand.
- Citazioni
Sintara Golden: Potential is what people see when they think what's in front of them isn't good enough.
- ConnessioniFeatured in 2024 EE BAFTA Film Awards (2024)
- Colonne sonoreWithout You
Written by Aubrey Johnson
Performed by Ace Spectrum
Published by Ace Spec Music
Courtesy of Mojo Music and Media
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Ficción estadounidense
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 21.098.470 USD
- Fine settimana di apertura Stati Uniti e Canada
- 224.469 USD
- 17 dic 2023
- Lordo in tutto il mondo
- 22.483.370 USD
- Tempo di esecuzione
- 1h 57min(117 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1