Joram

Well made film. I Missed the film at Mumbai film festival but good to see it in theatres.

Good direction acting production and post. Must watch. The film used a good balance between loudness and silence which is rarely done in Bollywood movies.

Films like this should come from India and get international acclaim, hopefully more will come out.

Probably the story lies between fiction and documentary and in half an hour of watching I was immersed into the story and became a part of it. We can't say the things told in the film may have actually happened. Never know.

It must be watched on the big screen.

I went for this movie as I couldn't get the tickets for an another movie (so much for marketing a movie :) But what did we just watch!!!! This must be the best ever Indian movie I have ever seen ever. This is the kind of movie I was waiting for, from Bollywood. Have we come of age? This HAS to be watched in theatres. This is Panchayat meets Kill Bill. Such storyline, I am suddenly proud of Indian Cinema. An extremely sensitive subject of Naxals has been chosen here, and the government's lust for development, leading to rapid decimation of our forests, ecology and all the good things which nature ever gave us. The entire theatre was silent, eerie silent the entire movie, on the edge, goosebumps. This is first ever moment I have seen Indian public just sitting quietly, not moving because we were so moved internally, almost for about 5 minutes after the movie finished. So this is the next movie after GOW & Rang de Basanti, in my my Bollywood hall of fame. Anyways this will not be sent by India for Cannes/ Oscars, but some random garbage from Bhansali or Karan Johar, as usual and embarrassing themselves internationally. Anyways, so this movie has to be seen. Don't go with small kids as there is gore at a few places. Also, what sorcery is this - I see people saying great things about this movie in other reviews but giving less rating? They don't want others to watch this movie? My rating is 20/10. And this is coming from someone who is allergic to Bollywood.

Devashish Makhija's third directorial venture, "Joram," unfolds as a masterfully crafted and refreshingly unconventional thriller. Unlike its counterparts, this film doesn't follow the predictable path of escalating tension; instead, it embraces an agonizing oppressiveness that sets it apart from the mainstream. The movie weaves together sizzling action, a lawless atmosphere, and vibrant locations with undeniable vigor and attention to detail.

In "Joram," Makhija skillfully juggles two narrative focuses - one centered around activism and the other delving into the gripping territories of survival and revenge. While both storylines contribute to the film's overall impact, one stands out as particularly compelling. Manoj Bajpayee's portrayal of Dasru is nothing short of fantastic, effortlessly capturing the character's desperation as a father fighting against the odds to ensure the safety of his child. Bajpayee not only convinces us of a father's vulnerability but also embodies the strength of a determined individual thrust into dire circumstances.

Makhija's storytelling prowess shines through as "Joram" seamlessly navigates between these dual narrative threads. The film's unique blend of elements - from intense action sequences to a lawless atmosphere and lively locations - creates a distinctive cinematic experience that keeps the audience on the edge of their seats.

What truly distinguishes "Joram" is its willingness to explore unconventional themes within the thriller genre, offering a fresh perspective on activism and survival. The film strikes a perfect balance between these themes, delivering a thought-provoking narrative that transcends the typical boundaries of the genre.

In summary, "Joram: A Riveting Descent into Desperation and Retribution" is a testament to Devashish Makhija's directorial brilliance. With Manoj Bajpayee's exceptional performance, the film becomes a powerful exploration of desperation, survival, and the lengths a father will go to protect his child. This isn't just another thriller; it's a compelling journey that leaves an indelible mark on its audience, making "Joram" a must-watch for those seeking a unique cinematic experience.

Devashish Makhija makes movies about people on the margins, compelled to switch on their survival mode in the face of great odds. His fourth feature 'Joram' reunites him with Manoj Bajpayee who was terrific as a retired low-level policeman in 'Bhonsle': here, the latter plays a tribal on the run, keeping at bay inimical forces from within his own people, as well as those who are hunting him from the outside. Is there anyone left on his side?

From the bucolic and tranquil forests of Jharkhand to a cacophonous and bustling urban jungle, the forced transition that Dasru Kerketta (Manoj Bajpayee) and his wife Vaano (Tannishtha Chatterjee in a special appearance) make in Joram, an immersive and disturbing man-on-the-run drama written and directed by Devashish Makhija, is excruciatingly and expectedly painful.

Joram is a gritty tale that will stay with you for a long time. Although it strays from being a survival drama as the socio-political facet overpowers the narrative, it's a must-watch for its intense storytelling and performances. The poignant movie will also make you think about what we are doing to Mother Nature in the name of development and progress. It deserves to be watched on the big screen.

Joram paints a tense picture of Dasru (Manoj Bajpai) on the run with his baby daughter post his wife's murder. Inspector Ratnakar (Mohd Zeeshan Ayub) pursues him relentlessly across Mumbai and Jharkhand.

Smita Tambe's portrayal as Phulo Karma seeking retribution is gripping. The film sheds light on farmers' struggles and the complexities of parenthood amid adversity.

With riveting performances, "Joram" becomes a raw portrayal of societal challenges. It's a rollercoaster ride of action, emotion, and social relevance, leaving a lasting impact.

I would advise people from all generation to watch this masterpiece in Cinema Halls only.