Bill fatica a mettere insieme la sua psiche in frantumi, in questa nuova trilogia di cortometraggi animati.Bill fatica a mettere insieme la sua psiche in frantumi, in questa nuova trilogia di cortometraggi animati.Bill fatica a mettere insieme la sua psiche in frantumi, in questa nuova trilogia di cortometraggi animati.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
- Doctor
- (voce)
- Narrator
- (voce)
Recensioni in evidenza
The way Hertzfeldt blends classical music, with simple narration and seemingly simple yet complex animation, he manages to tell a great , thought provoking tale of a man looking for something just a little bit more, often thinking to himself, which in turn often gets the viewer thinking, for better or for worse. Everyone can relate to Bill, as I'm sure there is at least one thing that Bill encounters that the viewer has also encountered, which makes it that much more of a personal experience for the viewer.
Surely you will leave this film asking yourself a lot of questions, and some maybe for the better.
It's one of these few films that actually makes you think after the last scene, which was by the way a remarkable one to end the film with.
It speaks to the heart, the mind and the soul in such a simple, beautiful way. I so loved how it's narrated and how the ideas are displayed. It deserves to be recognized and seen not once, but many times.
Despite Bill's erratic state of mind, ostensibly from his family history, he's an incredibly relatable character from his fears, dreams and insecurities. The film is so on point that it's hard to shake a disorientating sense of anxiety from watching it due to its existentialism. The film is a remarkably abrasive experience from its density, firing off small vignettes of Bill's life in just a few seconds at a time, paired with an unnerving use of classical music. But with its absurdist take on life, the grounded sense of humour comes from its irreverent and idiosyncratic observations of trivial social faux pas. However, the only aspect that holds the film back is that it gets too nihilistic at times especially during the family flashbacks without purpose, often forgetting the theme of the title.
What's most powerful about the film is the way it approaches mortality. Among all the morbid cruelty of life, it manages something deeply poignant and profound in its casualness. It suggests death as a dumb, awkward stupid moment and in its irony it finds comfort. The final passage explores the consequence of immortality taking a common fantasy on a grand scale. The unbridled creativity, insight and ambition of Hertzfeldt is unparalleled. Both hilarious and gut-wrenching in equal measure, it's a thoroughly inspirational film as Hertzfeldt probably made this on one desk maybe in his bedroom. I implore everyone to spare an hour of their life to watch this. I'll definitely be watching It's Such a Beautiful Day many, many more times.
9/10
The story that is told in the series of shorts will make you laugh, cry and consider why you are even living. The way that the simple animation style is composited on screen is unique, and also works seeing as it is told from Bill's perspective. The main character, Bill, is a lonely, confused stickman, who suffers from depression and a mental disorder. The things he dreams up or the hallucinations he sees show Hertzfeldt's absurd humour, which will confuse you and also make you laugh. The questions that he asks will stay in your head for a very long time.
The fact that this masterpiece was produced entirely one person with no help from computers makes the film stand out even more.
I don't know whether I'll ever watch a film the same again.
At the surface it's a somewhat comically told story of a stickman, Bill, and his struggles in life. Don Hertzfeldt (the animator) narrates Bill's life through what seems like a series tiny excerpts plucked out from a bigger picture. It mirrors the animation style, which at times also seems to consist of excerpts; tiny portions roughly cut out from bigger scenes. All this is accompanied by classical music.
At the core of this simple exterior though, is an emotional roller-coaster that will make you think about the big questions. It will make you laugh at dark jokes amidst a sea of tears. It will reduce any hard man into a soft mushy pulp. And in the end, Bill the stickman will have a real impact on your life.
Lo sapevi?
- QuizShot on 35mm, all of the visuals for the film were captured in-camera with experimental optical effects and trick photography.
- Citazioni
Narrator: The next thing you know you're looking back instead of forward. And now, at the climax of all those years of worry, sleepless nights, and denials, Bill finally finds himself staring his death in the face, surrounded by people he no longer recognizes and feels no closer attachment to than the thousands of relatives who'd come before. And as the Sun continues to set, he finally comes to realize the dumb irony in how he had been waiting for this moment his entire life, this stupid awkward moment of death that had invaded and distracted so many days with stress and wasted time.
- ConnessioniEdited from Everything Will Be Ok (2006)
- Colonne sonoreVltava (Moldau)
(from Má Vlast)
Composed by Bedrich Smetana
[Bill awkwardly meets someone he half remembers]
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- It s Such a Beautiful Day
- Luoghi delle riprese
- Austin, Texas, Stati Uniti(Everything Will Be OK)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro