Un ex agente dell'intelligenze statunitense è stato condannato alla pena più lunga per il rilascio non autorizzato di informazioni governative ai media sull'interferenza russa nelle elezioni... Leggi tuttoUn ex agente dell'intelligenze statunitense è stato condannato alla pena più lunga per il rilascio non autorizzato di informazioni governative ai media sull'interferenza russa nelle elezioni statunitensi del 2016.Un ex agente dell'intelligenze statunitense è stato condannato alla pena più lunga per il rilascio non autorizzato di informazioni governative ai media sull'interferenza russa nelle elezioni statunitensi del 2016.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 11 candidature totali
Kristoffe Brodeur
- FBI Agent
- (non citato nei titoli originali)
Allan Anthony Smith
- FBI Agent
- (non citato nei titoli originali)
Recensioni in evidenza
This can only boost the career of Sydney Sweeney in what feels like a showcase of her acting, if ever you need a showreel to propel, this would be it. Far from just another talentless blonde, Sydney really excels in a very natural performance worthy of cementing herself as the future and one to watch.
Based on the true story of Reality Leigh Winner, an NSA contractor who released information proving of Russian interference in the 2016 US Presidential Election. This film might be a slow burner for many and definitely not everyone's cup of tea. It's mainly a low budget dialogue based script using actual FBI interrogation transcript loosely from recordings I'd imagine. The issue is many parts have to be bleeped out due to opening up a much bigger can of worms. Seems somewhat ironic as the released information is what brought us to the dance in the first place. There is a lot of repetition within the script, simple stuff that just fills gaps to extend what could be a short film. Agent Garrick (Josh Hamilton) and Agent Taylor (Marchant Davis) really do appear to be overly inquisitive at times, and asking simple questions multiple times that appear just time fillers. It feels like something that could be performed on stage better than in film mainly due to the fact it isn't overly entertaining to watch. What is intriguing and just enough to keep the audience engaged is the acting of Sydney Sweeney. The film also keep you involved as you want to know where it is all leading. Me not knowing much of the real story was of great benefit here. However if you knew of it you'd probably find it all too tiresome to continue.
The cinematography is basic and the direction isn't overly impressive as the entire piece revolves around acting, which is refreshing as I hear so many saying Sweeney is only famous for two things and they barely feature in this. Tina Satter makes a bold leap with her first film as a director, writer and producer so you can't fault the effort here. Overall it's not bad a one time watch film and definitely a step in the right direction for Sydney Sweeney.
Based on the true story of Reality Leigh Winner, an NSA contractor who released information proving of Russian interference in the 2016 US Presidential Election. This film might be a slow burner for many and definitely not everyone's cup of tea. It's mainly a low budget dialogue based script using actual FBI interrogation transcript loosely from recordings I'd imagine. The issue is many parts have to be bleeped out due to opening up a much bigger can of worms. Seems somewhat ironic as the released information is what brought us to the dance in the first place. There is a lot of repetition within the script, simple stuff that just fills gaps to extend what could be a short film. Agent Garrick (Josh Hamilton) and Agent Taylor (Marchant Davis) really do appear to be overly inquisitive at times, and asking simple questions multiple times that appear just time fillers. It feels like something that could be performed on stage better than in film mainly due to the fact it isn't overly entertaining to watch. What is intriguing and just enough to keep the audience engaged is the acting of Sydney Sweeney. The film also keep you involved as you want to know where it is all leading. Me not knowing much of the real story was of great benefit here. However if you knew of it you'd probably find it all too tiresome to continue.
The cinematography is basic and the direction isn't overly impressive as the entire piece revolves around acting, which is refreshing as I hear so many saying Sweeney is only famous for two things and they barely feature in this. Tina Satter makes a bold leap with her first film as a director, writer and producer so you can't fault the effort here. Overall it's not bad a one time watch film and definitely a step in the right direction for Sydney Sweeney.
Having access to secret things that should be known, presenting opportunities, when you're alone, to print out, stuff down your clothes, specifically, your pantyhose, then send it off to those, who get your cover blown; it all leads to a tense visit from the boys, who at school must have resented those with toys, as all they love is the pursuit, of those they want to prosecute, probing, intimidate, is how they get their joys; so the service you've performed to wake, enlighten, ends up with a noose that's subtly gets tightened, then your cast into a cell, it's quite a long time (by some distance) that you dwell, but those with a sense of right, will surely fight on.
Sydney Sweeny is outstanding, absolutely brilliant, as the persecuted Reality Winner who did the right thing.
Sydney Sweeny is outstanding, absolutely brilliant, as the persecuted Reality Winner who did the right thing.
Sydney Sweeney delivers a powerful, mature performance in "Reality," a film based on the true story of NSA whistleblower Reality Winner. Sweeney's portrayal is undeniably captivating, and the film's reliance on dialogue creates a unique and initially engaging atmosphere.
However, while Sydney Sweeney's acting elevates the material, the film itself struggles to maintain its initial momentum. The heavy focus on a single, extended conversation creates a sense of stagnancy. The story, while important, doesn't translate into the consistently thrilling experience one might hope for.
Overall, "Reality" is worth watching for Sydney Sweeney's impressive work alone. Those interested in the subject matter may find it fascinating, but for viewers primarily seeking edge-of-your-seat tension, this film might leave something to be desired.
However, while Sydney Sweeney's acting elevates the material, the film itself struggles to maintain its initial momentum. The heavy focus on a single, extended conversation creates a sense of stagnancy. The story, while important, doesn't translate into the consistently thrilling experience one might hope for.
Overall, "Reality" is worth watching for Sydney Sweeney's impressive work alone. Those interested in the subject matter may find it fascinating, but for viewers primarily seeking edge-of-your-seat tension, this film might leave something to be desired.
This movie is an almost verbatim re-enactment of an FBI transcript.
These reviews seem to fall into two camps. People who accept moral ambiguity and those who want a clear cinematic delineation between good and evil.. Reality (her real name) is neither a crusading whistleblower nor a traitor, but a woman who'd serve honorably in the U. S. Air Force and becomes increasingly tormented by conscience,. The FBI agents are neither shining knights or cruel thugs but highly trained actors playing FBI agents (well -trained actors themselves) trying to tease out the truth.
In any case, all the characters are real human beings, not movie heros or villains.
The tension IS a slow build, but relentless.
People who want a slam bang action film with clearly obvious good guys versus bad guys, whether Reality OR FBI agents, and virtue triumphing over evil, are going to be sorely disappointed (as shown by the reviews) .
People who want a binary film experience should avoid this brilliant film at all costs.
Those fascinated by the fuzziness of profound moral dilemmas should rush out to see this film as soon as possible.
These reviews seem to fall into two camps. People who accept moral ambiguity and those who want a clear cinematic delineation between good and evil.. Reality (her real name) is neither a crusading whistleblower nor a traitor, but a woman who'd serve honorably in the U. S. Air Force and becomes increasingly tormented by conscience,. The FBI agents are neither shining knights or cruel thugs but highly trained actors playing FBI agents (well -trained actors themselves) trying to tease out the truth.
In any case, all the characters are real human beings, not movie heros or villains.
The tension IS a slow build, but relentless.
People who want a slam bang action film with clearly obvious good guys versus bad guys, whether Reality OR FBI agents, and virtue triumphing over evil, are going to be sorely disappointed (as shown by the reviews) .
People who want a binary film experience should avoid this brilliant film at all costs.
Those fascinated by the fuzziness of profound moral dilemmas should rush out to see this film as soon as possible.
"Reality" immerses viewers in a gripping tale, a reflection of the moment when the FBI descends upon Reality Winner, a former Air Force translator, with a search warrant in hand. While the general knowledge of Winner's deeds is widely known, I shall refrain from divulging the film's revelatory essence to preserve the enigma. "Reality" abstains from taking a definitive stance on Winner's actions, leaving room for subjective interpretation (although many may find themselves sympathetic to her motives, if not her methods). The fate of the actual Reality Winner remains shrouded until the film's unveiling. This introspective drama hinges entirely on the power of dialogue and the nuances of human reactions, demanding exceptional performances. Sydney Sweeney, in what could be deemed a career-defining portrayal, masterfully embodies Reality. Embracing a role devoid of glamour, Sweeney effortlessly exudes a profound vulnerability, an often-underappreciated skill in actors. As Reality's understanding of her situation deepens, her transformation becomes increasingly believable. "Reality" refrains from passing judgment, instead meticulously presenting the events and their unfolding. The stellar performances of the two central leads elevate the narrative, infusing it with exceptional authenticity. The weight of tension grips you from the outset, immersing you in a palpable atmosphere. Patience is a virtue required, for those seeking swift gratification may find themselves unfulfilled. Sydney and Josh deserve commendation for their captivating portrayals, leaving an indelible impression. Ultimately, the veil lifts, offering an insight into the FBI's interrogation techniques. A peculiar yet effective approach unfolds, as they seek not a straightforward confession but rather a manipulative dance of intimidation. The film unveils the inner workings of such interrogations, leaving you with a disconcerting awareness. Among the finest performances of the year, "Reality" presents a riveting and gripping experience. Personally, I found myself captivated, fascinated by its enigmatic allure. If you yearn for adrenaline-pumping action and violence, this may not satisfy your desires. However, I truly recommend it because it deserves a deep endorsement.
Lo sapevi?
- QuizThe film was shot in chronological order over 16 days.
- BlooperWhile 'Unknown Male' stands watch outside the door of the backroom, his digital wristwatch shows 12:50 while the real time shown in the overlay is 16:56.
- ConnessioniFeatures Real Time with Bill Maher (2003)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 1.417.622 USD
- Tempo di esecuzione
- 1h 23min(83 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.00 : 1
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