Karusell

Large doses of scares, axes, gory scenes and scary costumes are in this terrifying "Slasher" set at a attraction park in the middle of Halloween. The premise of the film is as macabre as it is simple: a foolish group of young people enter an amusement park with monsters... that turn out to be real. Thrilling and creepy terror movie in which a group of teenagers go to a night amusement park resulting in fateful consequences. They won an exclusive private sneak preview of Halloween at Liseberg - a whole night, all alone in the empty park. The group of friends go to amusement park where they will find a lot of surprises. Guided by Fiona, a former member of the group with whom they do not have a good relationship, the teenagers begin a night of continuous fun, with all the attractions for their full enjoyment, but cotton candy, lovely rides and lots of laughter soon turn into something completely different, as they realize they are not alone in the park, then things go wrong. A merciless , brutal killer goes bersek, terrorizing the group of friends. .Something is alive in the funhouse...something that, tonight, will turn the funhouse into a carnival of terror! . The Thrill is the relentless hunt carried put by a heinous and sinister doll-masked murderer against some unfortunate visitors at the amusement park. Fun getting in !. Hell getting out !. Terror never felt so real !. The night of dreams quickly turns into a true nightmare !.

A scary and gory horror flick with a devasting and threatening series killer executing astonishing crimes. The chilling plot is simple and plain, an ordinary screenplay of hundreds of Slashers , as a masked serial murderer turns a terror-themed amusement park into his own personal playground, and the essential twisted issue results to be that the killer on the loose undertakes a criminal spree while the victims flee desperately. A disconcerting opening scene introduces you to this Slasher in which a private Halloween night in an amusement park quickly turns into a real nightmare full of blood, secrets and revenge. A typical criminal spree in which some teenagers begin a night in which fun turns into a nightmare when they realize that they are not alone in the park. Horror Park is structured through the mixture of the chilling events in the amusement park and a series of flashbacks with which the characters' past is revealed. Karusell (2023) follows the style of the recent ¨Hell Fest¨ (2018) by Gregory Plotkin and ¨Haunt¨ (2019) by Scott Beck and Bryan Woods ,of which it seems a simple copy, also dealing with a psycho-killer in masked figure going bersek at an amusement park. Al the same time, all of them bear remarkable resemblance to the classic ¨Tobe Hooper's The Funhouse (1981)¨ about four teenagers spending a night at a carnival funhose, who become next on the list of victims.

It contains dark and sinister cinematography, in fact the camera often assumes a pointedly aggressive stance, as well as screeching and eerie musical score. Filmmaker Simon Sandquist directs professionally but nothing special this disturbing survival story full of horrror, chiller and chases inside a haunted amusement park. Swedish Simon Sandquist is an editor and director, working interchangeably for television or cinema, shooting both in Sweden and the United States ; known for The Invisible (2002), Studenfest (2013), Legend and lies (2015), Lost (2016) , Beach Hunters (2017), Last outpost (2018), and Victor (1998). His greatest hit was The Invisible (2002) of which he made an American adaptation titled Possession (2009) with Sarah Michelle Gellar and Lee Pace. Karusell(2023) Rating: average 5/10. The flick will appeal to horror fans, although we had already seen the plot and the situations portrayed before and better filmed .

I love the Renaissance of Swedish horror, I really do. The problem is that every movie from the past years have been done in a similar way before.

Also, the killer reveals never work. This one could be seen after the first ten minutes of the film. Even the twist they tried to add was easy to foresee.

The actors did an okay job, but the smell of poorly produced tv-drama can never be washed away from Swedish productions.

The setup is good, though: a murderer stalking teenagers in an amusement park, around Halloween, non the less. The movie didn't use all of this potential, though. The haunted house could've been used more effectively.

No pun intended - it's Halloween season! Well if you believe the international title - which is true of course, when it comes to the time this plays. But it is just the setting - it could have been easter too. Of course it is a lot "funnier" to have a revenge movie play out in the scary season.

The past is coming to the present to haunt ... well not us, but the people who did something wrong. That is more than fair to say. We can try to guess who the bad ... person(s) is(are) here - and by bad I mean the killer(s), not the morally questionable "victims" ... again I am trying to say or rather write as little as possible ... though I do think you will be able to figure it out yourself ... decent slasher ... weird ending if you can call it that.

"Karusell" takes on a genre in the Swedish film industry thats risen the last decade. Its a genre that's growing in Sweden and that hasent had many tries before.

This film actually succeeds with being scary and bringing a twisted story. Just as the Netflix film Konferansen (2023).

Its a pretty good story, with a driven and realistic manuscript. It manages to mix the feeling of being trapped and loosing controll, while being followed in a small area by a haunting killer.

The actors is pretty average according to me. They aren't super good, but they arent bad either.

I really recommend it!! A good horrorfilm!

I genuinely loved this film. Discovering "Karusell" has been one of the highlights of my year so far. In Taiwan, the film title was aptly translated "Halloween" (with the last syllable cleverly playing on the word for 'catastrophe' in Mandarin, which is quite intriguing). It's the best horror film I've seen this year. There are no Visual effects, no CGI, and none of those cheap jump scares where some devil suddenly pops on the screen. Instead, it showcases superb makeup artistry!

The film's atmosphere is gripping, with the compelling storyboards keeping me on edge, as well as the escalating music (reminding me of "Resident Evil").

The plot, while not complex, was yet rational. "Empathy" in this movie contributes a layer of the gravity of bullying in schools. It diverges from meaningless killing as in "Final Destination" or the "Scream" series. I don't understand why local Swedish audiences rated this masterpiece so low.

I eagerly hope the filmmakers will make the sequel.