VALUTAZIONE IMDb
5,2/10
3524
LA TUA VALUTAZIONE
Per ordine di uno spietato boss del crimine, un autista in fuga deve lottare contro la propria coscienza e condurre un ignaro membro della banda a un'esecuzione in un'imboscata. La strada da... Leggi tuttoPer ordine di uno spietato boss del crimine, un autista in fuga deve lottare contro la propria coscienza e condurre un ignaro membro della banda a un'esecuzione in un'imboscata. La strada da percorrere è lunga.Per ordine di uno spietato boss del crimine, un autista in fuga deve lottare contro la propria coscienza e condurre un ignaro membro della banda a un'esecuzione in un'imboscata. La strada da percorrere è lunga.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Marcus Johnson
- C. Morales.
- (solo nei titoli)
Recensioni in evidenza
Terrible script. Awful accents. Nice lighting though!
Clearly an Australian-shot film trying to be American, but failing badly. Why do this? Australian crime dramas are perfectly fine, no need to USA-it at all?
So funny to see them drive on the right-hand side of the road, but then to see other cars parked on the left.
Rachel Griffiths' accent was the worst - she'd be embarrassed. Was she from Boston or Queensland? Maybe born in one but raised in the other?
It tried so hard to be moody, but the random insertion of 'deep' dialogue made it comical.
The worst movie I've seen in a long, long time.
Clearly an Australian-shot film trying to be American, but failing badly. Why do this? Australian crime dramas are perfectly fine, no need to USA-it at all?
So funny to see them drive on the right-hand side of the road, but then to see other cars parked on the left.
Rachel Griffiths' accent was the worst - she'd be embarrassed. Was she from Boston or Queensland? Maybe born in one but raised in the other?
It tried so hard to be moody, but the random insertion of 'deep' dialogue made it comical.
The worst movie I've seen in a long, long time.
This movie about criminals, a heist gone a bit awry, money missing, and someone has to pay for that, the motivations, the tempers - has a bit of a timing and editing problem, and the story starts generic enough, then turns into a road movie drawn out, and takes a few unexpected turns down that road.
It is not really deep, but worked to make me care for the two mains. And some of the other characters are fun.
Some cookie-cutter bad guys, some chase scenes, and a successful underlying tension of what will happen when / if they get there.
This film is about seeing it through, but what and why gets twisted.
It was good acting, and it has a nice ending.
It is not really deep, but worked to make me care for the two mains. And some of the other characters are fun.
Some cookie-cutter bad guys, some chase scenes, and a successful underlying tension of what will happen when / if they get there.
This film is about seeing it through, but what and why gets twisted.
It was good acting, and it has a nice ending.
Trailer looked like a lean and mean noir and right up my alley.
I guess the trailer showed me too much or the script was AI generated (I kid?). Let's start with cinematography. It does pay homage to Mann's style but when the scriptwriting is weak, and when you're looking at the cinematography for a redemptive need or want to finish the film, then well, I can see why some would just shut this off and go outside for a walk for the last hour.
It's a formulaic crime "thriller" shrouded in finger pointing with the weight of the red herring in the room (and every scene) as you can feel the familiar twist just waiting to divulge itself. It finally does and it really has lost most of its own steam when it does, as it was more of an "ah" moment versus an enthusiastic "AHA!"
It's not a terrible film, it's just a straight line operation, no one to route for, no single character stands out, the crusty ole veteran criminal, the young prodigy trying to earn a living the wrong way, and a garage full of criminality lead by a strangely accented woman...is that a comedic take on a Boston accent from a film made in Australia?
Yikes.
Boring, derivative, and just suffers a serious case of low energy.
I guess the trailer showed me too much or the script was AI generated (I kid?). Let's start with cinematography. It does pay homage to Mann's style but when the scriptwriting is weak, and when you're looking at the cinematography for a redemptive need or want to finish the film, then well, I can see why some would just shut this off and go outside for a walk for the last hour.
It's a formulaic crime "thriller" shrouded in finger pointing with the weight of the red herring in the room (and every scene) as you can feel the familiar twist just waiting to divulge itself. It finally does and it really has lost most of its own steam when it does, as it was more of an "ah" moment versus an enthusiastic "AHA!"
It's not a terrible film, it's just a straight line operation, no one to route for, no single character stands out, the crusty ole veteran criminal, the young prodigy trying to earn a living the wrong way, and a garage full of criminality lead by a strangely accented woman...is that a comedic take on a Boston accent from a film made in Australia?
Yikes.
Boring, derivative, and just suffers a serious case of low energy.
This movie could have been so much more. But really so much more. With Sam Neill as an actor, I thaught: this will be a nice evening with the family. NOPE !
While the performances, including Sam Neill's, are commendable, they are undermined by thin character development and a lack of emotional depth. The pacing is uneven, with moments of tension interrupted by unnecessary filler that dilutes the impact of critical scenes. The film's attempt to delve into themes of trust and betrayal feels superficial, leaving viewers behind waiting for the action. The real action. Overall, "Bring Him to Me" is a missed opportunity that fails to deliver the gripping narrative it promises.
While the performances, including Sam Neill's, are commendable, they are undermined by thin character development and a lack of emotional depth. The pacing is uneven, with moments of tension interrupted by unnecessary filler that dilutes the impact of critical scenes. The film's attempt to delve into themes of trust and betrayal feels superficial, leaving viewers behind waiting for the action. The real action. Overall, "Bring Him to Me" is a missed opportunity that fails to deliver the gripping narrative it promises.
As in the saying that tells us that if one does not go to the other ... well you have heard of it I assume, so let's skip it, not forgetting to remind you that no pun(s) is intended ... and we (me) are on the safe side after all.
Good actors assemble though I reckon most will especially know Barry Pepper - he really relishes in his role, even when the story (well if you can call it that, there is not much there of course) is really challenging ... and not really giving the viewer a lot of satisfying conclusions ... it does give you some action scenes and there is tension (and thrill(er) moments) of course. A b-movie ... you should be aware what this offers and it does mostly deliver on it ..
Good actors assemble though I reckon most will especially know Barry Pepper - he really relishes in his role, even when the story (well if you can call it that, there is not much there of course) is really challenging ... and not really giving the viewer a lot of satisfying conclusions ... it does give you some action scenes and there is tension (and thrill(er) moments) of course. A b-movie ... you should be aware what this offers and it does mostly deliver on it ..
Lo sapevi?
- QuizTom Evans' screenplay was inspired by the death scene of Nicky Santoro (played by Joe Pesci) in the Martin Scorsese film Casino (1995).
- BlooperAt roughly 12 minutes in, the passenger is complimenting the driver about his car and asks what year it is. the driver says it's a 1970. this is wrong. the Chevy Chevelle in the movie has two round tail lights on each side making it a 1971. the 1970 Chevelle had one square (ish) tail light on each side.
- Colonne sonoreAuburn Skies
written by Kevin Qian
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Onu Bana Getirin
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 2301 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1475 USD
- 25 feb 2024
- Lordo in tutto il mondo
- 65.492 USD
- Tempo di esecuzione
- 1h 36min(96 min)
- Colore
- Proporzioni
- 2.35 : 1
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