Doona!

The series itself is good, with interesting characters and a great story line...but the male protagonist's decision making in the last episode killed me. I can't recommend this unless you like unfulfilled hopes and expectations.

I am seriously confused and disheartened by the ending and the male protagonist's choice to become a worker drone. I am giving it a 5/10 because it is interesting and well done, and the female leads (all three of them) do an amazing job.

Another reviewer remarked that the director and writers apparently wrote this for the elites, and not normal folks looking for an escape. I couldn't agree more.

Also, I just couldn't understand all the smoking, what was that all about? It was really overdone and really detracted from some of the scene enjoyment at times. It also seemed kind of pointless and really didn't advance the story.

Give this a shot if you like, but you WILL be left with the could've been, should've beens with this series.

There was a lot of comments when the trailers came out that this was going to be female version of Nevertheless. Well let me tell you that it is not. Not in the slightest.

This series tells you the story about the trauma of a kpop idol who is completely lost and broken, and who finds herself relying on the sweet care and innocent feelings of a young boy living in the same dorm house she is hiding in.

The drama has a straightforward story with well written and complex characters. The more you watch the more about their past you will unearth, and the more of their layers you will uncover. They have an spectacular growth and development and it is truly amazing to watch. How they make mistakes, they regret them, learn from them and heal with the love they give each other.

It was very exciting to me to watch Yang Se Jong after his comeback, he is an amazing actor and he was fantastic in this role, specially in the emotional scenes. He carried the series. I also need to mention that he plays a very shy, inexperienced, crazy in love 20 year old boy, when in reality he is a 30 year old man. Just outstanding.( the difference when we saw him playing My Country: The new Age!!)

Chemistry between him and Bae Suzy was good enough, although I didn't think the skin-ship ( kisses, hugs etc...) in this was as natural and organic as I would have expected from such experienced cast and high quality production, not sure if it was done on purpose for the aesthetics of the drama but it felt staged and a bit fake. But I am used to this already in asian dramas so it might have been because of censorship and all that.

Secondary characters and couples were also fantastic and entertaining . The second female lead had also a very amazing subplot, watching her story with the male lead you were left wanting to know more about them and for a moment you actually rooted for them to become happy forever and ever. Such endearing but bittersweet story.

Overall it was a very enjoyable watch , perfect to binge during a rainy weekend. You won't regret it.

This is an artistic series, not a crowd pleaser. The characters are very well defined, however, the most impressive part is the psychology of the K-pop idol. The series tries to make everyone understand what the difficulties of being a k-pop (or k-drama actor/actress, whatsoever) star in plenty of cases really are. I loved the miniseries to bits. It fits perfectly to my idea of romanticism as well as the idea of realism. To be a star, in all languages and on all meridians doesn't mean necessarily happiness. It may; but it may not. I am from Canada, but I really appreciate k-dramas. However, watching the weddings of some k-stars (Jang Na-Ra, Kang So-Ra, for example) and the fact that the non-celebrity spouse's face is hidden, most of them cannot really have girlfriends/boyfriends while young and working in this business, made me think a lot about the traumatizing life of idols. The movie is nice, but also realistic, doesn't matter what the others say. Plenty of people will complain about the ending :)) There is no other real possible ending! I strongly recommend it! It's beautiful, romantic and realistic.

It's always the jealous antis who are more motivated to give negative review. Doona trended, globally rated in top 5 or above, #1 in many countries including SK and in top #10 in many countries for over a month for a reason. Many will agree, Doona is strangely addictive, mainly because of the intense chemistry between Doona and Won Jun and the not obvious happily ever after ending. Yang Sejong is amazing as ever...showing why he was dubbed Monster Rookie his debut year and winning best actor awards. He really convinces as an innocent boy who has pure love for Doona yet manages to not completely lose himself, which makes him even more attractive to the viewers and Doona (versus being a completely lovesick doormat). Suzy is beautiful and part of the fascination is whether she as Doona really loves Won Jun...one can't help but doubt til the end. Not sure if that's good or not good enough acting on Suzy's part? She's definitely Doona tho.

Doona (Bae Suzy) is the front icon of an idol group, when she has a breakdown and drops out. She moves into a small rental complex where the other tenants are college students. Lee Won-joon (Yang Se-jong) also moves into the house.

Doona is a seeker, an insecure soul, self-destructive, unreliable and driven by impulse. Won-joon is cautious, controlled, and tied down. They are each other's opposites, but coincidences cause them to develop a fragile friendship and a mutual dependence on each other.

The plot is subordinate in this fine-tuned little gem where the actors get to excel in low-key portraits of two people who meet and become each other's lifeblood but also their greatest weakness, who challenge the other's self-image and shake up what they thought they knew about themselves, their life choices and their dreams.

Anyone looking for an easy-to-digest k-drama will be disappointed. It's low key, serious, slow and wistful. It is real and painful. The photography is fantastic, the soundtrack well chosen. The interaction is exquisite between Bae Suzy, who gives her (in my opinion) best performance, and the absolutely magnificent Yang Se-jong, who's performance goes straight to the heart.

This is the best I've seen this year. Possibly it could have benefited from a few more episodes, to deepen the characters' backstories somewhat, but that's just a small note in the margin. The ending is unexpected and can be interpreted in several ways, which is quite unusual in Korean series I've seen.

If you enjoyed My Liberation Notes, Our Blues and Nevertheless, this series is for you. I give it 9.5 out of 10 wistful hearts.