Segue storie di relazioni agrodolci in un ambiente contemporaneo, esplorando diversi aspetti, sfumature e stati d'animo dell'amore.Segue storie di relazioni agrodolci in un ambiente contemporaneo, esplorando diversi aspetti, sfumature e stati d'animo dell'amore.Segue storie di relazioni agrodolci in un ambiente contemporaneo, esplorando diversi aspetti, sfumature e stati d'animo dell'amore.
- Regia
- Sceneggiatura
- Star
Aditya Roy Kapoor
- Parth
- (as Aditya Roy Kapur)
Deepak Qazir
- Parimal - Shibani's Friend
- (as Deepak Qazir Kejriwal)
Recensioni in evidenza
Truly relatable and insightful look into diverse married lives. The film skillfully presents various relationship scenarios, making its content highly resonant.
The music was outstanding, featuring beautifully crafted songs with exceptionally good lyrics. While some dialogues transitioned into songs (reminiscent of Jagga Jasoos), the overall musical brilliance significantly enhanced the experience. The movie effectively covers a broad spectrum of marital themes, punctuated by well-placed sprinkles of humor.
Performances were generally strong: Ali Fazal's character was deeply affecting as a broken man, and Fatima Sana Shaikh compellingly portrayed her fight for career, love, and child. Pankaj Tripathi was, as always, phenomenal, alongside Anupam Kher's stressed character and Neena Gupta's perfect portrayal. Konkona's role felt a bit stretched, and Sara Ali Khan was average, while Aditya Roy Kapur's character leaned a bit too "filmy."
Despite minor issues, this segment of "Metro In Dino" is a great movie and definitely warrants a one-time watch for its heart and relatability.
The music was outstanding, featuring beautifully crafted songs with exceptionally good lyrics. While some dialogues transitioned into songs (reminiscent of Jagga Jasoos), the overall musical brilliance significantly enhanced the experience. The movie effectively covers a broad spectrum of marital themes, punctuated by well-placed sprinkles of humor.
Performances were generally strong: Ali Fazal's character was deeply affecting as a broken man, and Fatima Sana Shaikh compellingly portrayed her fight for career, love, and child. Pankaj Tripathi was, as always, phenomenal, alongside Anupam Kher's stressed character and Neena Gupta's perfect portrayal. Konkona's role felt a bit stretched, and Sara Ali Khan was average, while Aditya Roy Kapur's character leaned a bit too "filmy."
Despite minor issues, this segment of "Metro In Dino" is a great movie and definitely warrants a one-time watch for its heart and relatability.
A modern take that tries to recapture the charm of Life in a... Metro, but falls just short.
Anurag Basu, known for his heartfelt, layered storytelling in films like Life in a... Metro, Gangster, Barfi!, and Ludo, returns with Metro... In Dino - a film that attempts to revisit the emotional and interconnected lives of people in a bustling city like Mumbai. While it brings some strong moments and thoughtful themes, it doesn't quite achieve the narrative tightness or emotional resonance of its 2007 predecessor.
Plot Summary (No Major Spoilers): The film follows four parallel stories, each centered around love, loss, and rediscovery:
Akash & Shruti - A married couple on the brink of parenthood, struggling with financial issues and career setbacks. The stress convinces them to consider abortion, raising deep moral and emotional questions.
Parth & Chumki - Chumki, a corporate employee engaged to someone she's unsure about, meets Parth. Their relationship blooms amidst complications, offering a glimpse into modern love and hesitation.
Kajol & Monty - A married couple with a teenage daughter, facing emotional decay as Monty turns to dating apps in search of excitement. Kajol's quiet hurt is among the more affecting aspects of the film.
Shibani & Parimal - Shibani, the mother of Chumki and Kajol, is an older woman who finds companionship in Parimal after years of dealing with her husband's betrayal. Their story offers the most gentle and emotionally honest moments in the film.
Each story unfolds in its own arc but eventually intersects, mirroring the structure of Life in a... Metro, though without the same emotional impact.
What Works: Performances: The cast delivers solid, believable performances, especially the more experienced actors like Neena Gupta (as Shibani) and Anupam Kher (as Parimal). Sara Ali Khan somehow made a very decent comeback as Chumki, and Ali Fazal & Fatima Sana deliver a very nuanced performance.
Pankaj Tripathi performs immaculately, but Konkona & Aditya were very flat in their performance and didn't create much impact in the story.
Music: Pritam manages to maintain the live band sequence this time with Papon & Raghav Chaitanya, similar to Life in a Metro, and delivers a few emotionally resonant tracks that complement the tone. Zamaana Lage and Dil Ka Kya were the main highlights. But too many songs and the balance between scenes & music ratio was off compared to Life in a Metro.
Themes: The film captures relevant emotional and relational issues - urban isolation, generational gaps, infidelity, and the search for meaningful connection, but the 2nd half becomes extremely far-fetched and loses momentum later on, making the end very less tight and out of context.
Overall, this is a one-time watch. While it starts off with a good narrative, the second half becomes too stretched with too many songs, and the editing is less crisp. Maybe a tighter ending, this would've been my two cents of advice to Anurag Basu.
Anurag Basu, known for his heartfelt, layered storytelling in films like Life in a... Metro, Gangster, Barfi!, and Ludo, returns with Metro... In Dino - a film that attempts to revisit the emotional and interconnected lives of people in a bustling city like Mumbai. While it brings some strong moments and thoughtful themes, it doesn't quite achieve the narrative tightness or emotional resonance of its 2007 predecessor.
Plot Summary (No Major Spoilers): The film follows four parallel stories, each centered around love, loss, and rediscovery:
Akash & Shruti - A married couple on the brink of parenthood, struggling with financial issues and career setbacks. The stress convinces them to consider abortion, raising deep moral and emotional questions.
Parth & Chumki - Chumki, a corporate employee engaged to someone she's unsure about, meets Parth. Their relationship blooms amidst complications, offering a glimpse into modern love and hesitation.
Kajol & Monty - A married couple with a teenage daughter, facing emotional decay as Monty turns to dating apps in search of excitement. Kajol's quiet hurt is among the more affecting aspects of the film.
Shibani & Parimal - Shibani, the mother of Chumki and Kajol, is an older woman who finds companionship in Parimal after years of dealing with her husband's betrayal. Their story offers the most gentle and emotionally honest moments in the film.
Each story unfolds in its own arc but eventually intersects, mirroring the structure of Life in a... Metro, though without the same emotional impact.
What Works: Performances: The cast delivers solid, believable performances, especially the more experienced actors like Neena Gupta (as Shibani) and Anupam Kher (as Parimal). Sara Ali Khan somehow made a very decent comeback as Chumki, and Ali Fazal & Fatima Sana deliver a very nuanced performance.
Pankaj Tripathi performs immaculately, but Konkona & Aditya were very flat in their performance and didn't create much impact in the story.
Music: Pritam manages to maintain the live band sequence this time with Papon & Raghav Chaitanya, similar to Life in a Metro, and delivers a few emotionally resonant tracks that complement the tone. Zamaana Lage and Dil Ka Kya were the main highlights. But too many songs and the balance between scenes & music ratio was off compared to Life in a Metro.
Themes: The film captures relevant emotional and relational issues - urban isolation, generational gaps, infidelity, and the search for meaningful connection, but the 2nd half becomes extremely far-fetched and loses momentum later on, making the end very less tight and out of context.
Overall, this is a one-time watch. While it starts off with a good narrative, the second half becomes too stretched with too many songs, and the editing is less crisp. Maybe a tighter ending, this would've been my two cents of advice to Anurag Basu.
This is one of those 7/10 romance movies that deserves an extra point just for its music. The songs are placed perfectly, never feeling too many or too few, and they truly elevate the experience.
The movie follows the love lives of couples across different age groups, which becomes interesting by the end as all the couples are linked to a single family. The 2hr 45min runtime initially felt too long for a romance film, but after watching, the film actually feels rushed. It doesn't let emotions settle in before quickly switching to the next scene, which is the film's biggest flaw. Some couples get plenty of time, while the teenage couple's story feels undercooked.
Pankaj Tripathi is fabulous in his role and shines among the cast. His chemistry with Konkona Sen Sharma is chaotic and fun to watch.
Overall, a good, worth-my-time watch that I might rewatch in the future.
The movie follows the love lives of couples across different age groups, which becomes interesting by the end as all the couples are linked to a single family. The 2hr 45min runtime initially felt too long for a romance film, but after watching, the film actually feels rushed. It doesn't let emotions settle in before quickly switching to the next scene, which is the film's biggest flaw. Some couples get plenty of time, while the teenage couple's story feels undercooked.
Pankaj Tripathi is fabulous in his role and shines among the cast. His chemistry with Konkona Sen Sharma is chaotic and fun to watch.
Overall, a good, worth-my-time watch that I might rewatch in the future.
Did not expect to be hit in the feels like this. Metro... In Dino is that rare film that looks chill on the outside but lowkey punches you in the gut when you're least ready. A mature, layered, emotionally chaotic ride through what love, regret, and timing really mean in today's world.
Anurag Basu is in full control here. The way he juggles multiple stories, characters, moods-it's effortless. The man just gets human complexity. No melodrama, no preachy nonsense-just real people, real pain, and beautifully messy connections.
Konkona Sen Sharma & Pankaj Tripathi are just masterclasses on screen. Quiet brilliance. The rest of the cast also do a brilliant job except for Sara. She for the life of her just cannot act.
Pritam's music is soul touching, haunting, and so well placed that it hurts. It might be one of his most important works. Every note blends effortlessly with the screenplay.
This film isn't trying to impress. It's just honest-and that's what makes it hit. Relationships are messy, people are flawed, and life doesn't always come with closure.
Anurag Basu is in full control here. The way he juggles multiple stories, characters, moods-it's effortless. The man just gets human complexity. No melodrama, no preachy nonsense-just real people, real pain, and beautifully messy connections.
Konkona Sen Sharma & Pankaj Tripathi are just masterclasses on screen. Quiet brilliance. The rest of the cast also do a brilliant job except for Sara. She for the life of her just cannot act.
Pritam's music is soul touching, haunting, and so well placed that it hurts. It might be one of his most important works. Every note blends effortlessly with the screenplay.
This film isn't trying to impress. It's just honest-and that's what makes it hit. Relationships are messy, people are flawed, and life doesn't always come with closure.
I personally feel this should have never been a correlation of life in a metro. That movie meant so much as it was a new rendition of what small intertwined relationships were fading into a full bloom rose. The songs the actors the story line.... Man!!!! It was the perfect flim that year.
Now they remove contrasting to that flim.
No qualms no regret but the vibe is not vibing, I guess a flim of that power calibre should just be left as it is.... Untouched.
Irfan Sir thank you for that fantastic experience in that movie...and may you rest in peace. The movie metro in dino is a good movie but it's nothing great to what I experienced the first movie ( k.k menon's ) gave me.
Now they remove contrasting to that flim.
No qualms no regret but the vibe is not vibing, I guess a flim of that power calibre should just be left as it is.... Untouched.
Irfan Sir thank you for that fantastic experience in that movie...and may you rest in peace. The movie metro in dino is a good movie but it's nothing great to what I experienced the first movie ( k.k menon's ) gave me.
Lo sapevi?
- QuizIn a scene when Ali Fazal dashes against car of Pankaj Tripathi he calls him Guddu This is in reference to their web series Mirzapur.In which Ali Fazal character is named Guddu.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Metro.... In Dino
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 600.925 USD
- Tempo di esecuzione2 ore 42 minuti
- Colore
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