VALUTAZIONE IMDb
5,6/10
546
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFollows Olivia, who lost her boyfriend and job at once and wants to return to her hometown in Nebraska, but in the way she meets George and gets stuck in the road with him, spending time tog... Leggi tuttoFollows Olivia, who lost her boyfriend and job at once and wants to return to her hometown in Nebraska, but in the way she meets George and gets stuck in the road with him, spending time together and realizing love is what truly matters.Follows Olivia, who lost her boyfriend and job at once and wants to return to her hometown in Nebraska, but in the way she meets George and gets stuck in the road with him, spending time together and realizing love is what truly matters.
- Regia
- Sceneggiatura
- Star
Peter James Haworth
- George Kessler, Sr.
- (as Peter Haworth)
Recensioni in evidenza
6.0 stars.
He calls the little boy a "they"? I think I heard that correctly. So I realized at that moment that whatever else they want you to hear, or think, the agenda is for us all to slowly ease our way into woke. Ok, so I guess I'll talk about the film now. I always rate a film primarily on entertainment value, quality of lead actors, chemistry, dialogue, story, cinematography, the usual. "Welcome to Valentine" has zero chemistry between the leads. I'm sorry, the 15 seconds of a "moment", or the last 30 seconds of the film are insufficient to meet the definition. This story is so overdone and boring. The dramatic part about their careers is so understated, it's practically non-existent. Will he measure up to the man his father wants him to be to run the company? Frankly, I don't care. Will she someday attain her dream of being the true artist that everyone knows she can? Actually, no she won't. Her art is pedestrian and amateurish. I've seen teenagers with a flare for that sort of art doing similar paintings with more skill. Waste of time this movie.
He calls the little boy a "they"? I think I heard that correctly. So I realized at that moment that whatever else they want you to hear, or think, the agenda is for us all to slowly ease our way into woke. Ok, so I guess I'll talk about the film now. I always rate a film primarily on entertainment value, quality of lead actors, chemistry, dialogue, story, cinematography, the usual. "Welcome to Valentine" has zero chemistry between the leads. I'm sorry, the 15 seconds of a "moment", or the last 30 seconds of the film are insufficient to meet the definition. This story is so overdone and boring. The dramatic part about their careers is so understated, it's practically non-existent. Will he measure up to the man his father wants him to be to run the company? Frankly, I don't care. Will she someday attain her dream of being the true artist that everyone knows she can? Actually, no she won't. Her art is pedestrian and amateurish. I've seen teenagers with a flare for that sort of art doing similar paintings with more skill. Waste of time this movie.
This was flat and dull. Not funny, not romantic, not dramatic...there was nothing to the story line.
Acting was listless and we bailed out on it. As reviews come in, the rating will drop. The father-son interaction was forced. Giving up the CEO position was cliché and not realistic. They only had one "Frankenstein-face" (bad plastic surgery) which is at least consistent but they didn't do any facial close ups, mercifully. Opening seen with two women and a boy rolling on top of each other was cringe worthy. The actors are talented but they deserve good writing. They had nothing to work with.
Maybe new writers?
Acting was listless and we bailed out on it. As reviews come in, the rating will drop. The father-son interaction was forced. Giving up the CEO position was cliché and not realistic. They only had one "Frankenstein-face" (bad plastic surgery) which is at least consistent but they didn't do any facial close ups, mercifully. Opening seen with two women and a boy rolling on top of each other was cringe worthy. The actors are talented but they deserve good writing. They had nothing to work with.
Maybe new writers?
I'm halfway through the movie, but the leads are still bickering with each other. I really want Hallmark movie writers to stop making the leads behave in such an antagonistic way. It doesn't add any drama to the plot since we know how these movies all end. It just makes it hard to buy into the couple and makes several scenes unenjoyable to watch.
It was also tough to cheer for Olivia since she was lazy producing any art, incompetent enough at her other job to get fired, mooching off her friend by sleeping on her couch for months, moving into her sister's place for free, and volunteering to work on a parade instead of actually getting (and keeping) a job to pay her own way through life. What a catch!
It was also tough to cheer for Olivia since she was lazy producing any art, incompetent enough at her other job to get fired, mooching off her friend by sleeping on her couch for months, moving into her sister's place for free, and volunteering to work on a parade instead of actually getting (and keeping) a job to pay her own way through life. What a catch!
I'm left with any number of questions.
Why did she fall for him? Even going beyond their early antagonism, which is standard for these movies, I didn't see much to justify her liking him much less love.
Why did his dad think he would make a CEO? His personality was not decisive but it was arrogant. Unlike many movies where the rising star performs many feats that prove their competence, there was nothing in George proving competence in anything besides auto mechanics.
What happened to the float?
What next? But I will say as a positive that this movie didn't feel like it was necessary to have absolutely every little thing turn out HEA.
The acting was fair to terrible. Louise Kerr was the worst, badly overplaying Miss Hackey. I have liked Kathryn Davis in a lot of things, but best I can say about her in this is - fair. And there was no chemistry with Markian Tarasiuk. They barely had any one on one screen time.
The story wandered. It was disjointed.
Why did she fall for him? Even going beyond their early antagonism, which is standard for these movies, I didn't see much to justify her liking him much less love.
Why did his dad think he would make a CEO? His personality was not decisive but it was arrogant. Unlike many movies where the rising star performs many feats that prove their competence, there was nothing in George proving competence in anything besides auto mechanics.
What happened to the float?
What next? But I will say as a positive that this movie didn't feel like it was necessary to have absolutely every little thing turn out HEA.
The acting was fair to terrible. Louise Kerr was the worst, badly overplaying Miss Hackey. I have liked Kathryn Davis in a lot of things, but best I can say about her in this is - fair. And there was no chemistry with Markian Tarasiuk. They barely had any one on one screen time.
The story wandered. It was disjointed.
Terrible acting, terrible writing and zero chemistry between the main leads. He is a jerk, she is clueless and no amount of Hallmark magic is going to save this. I have been a huge Hallmark fan for years, but this past year or two has been a major disappointment. Hallmark is trying new faces, but the casting crew is doing a poor job of finding compatibility. I appreciate the effort, because it was getting tiresome of 40 year old single gal or guy meeting up with their former lover/high school sweetheart 20+ years later, both still single and stuck in bad relationships. Hallmark has needed fresh faces for years. So here's hoping they can find some who can also act.
Lo sapevi?
- QuizAired as the third of four original films in The Hallmark Channel's 2023 "Loveuary" lineup.
- ConnessioniReferences Il mago di Oz (1939)
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