Guruvayoor Ambalanadayil
- 2024
- 2h 12min
VALUTAZIONE IMDb
6,6/10
5385
LA TUA VALUTAZIONE
Un giovane uomo vede i suoi piani di matrimonio andare male quando una serie di disavventure lo porta a sposare inavvertitamente una donna che lo odia, costringendolo a subire la sua ira imp... Leggi tuttoUn giovane uomo vede i suoi piani di matrimonio andare male quando una serie di disavventure lo porta a sposare inavvertitamente una donna che lo odia, costringendolo a subire la sua ira implacabile.Un giovane uomo vede i suoi piani di matrimonio andare male quando una serie di disavventure lo porta a sposare inavvertitamente una donna che lo odia, costringendolo a subire la sua ira implacabile.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Nivin Mirror
- Vinus cousin
- (as Nivin Nair)
Recensioni in evidenza
Movie focused on entertainment and comedy - but is not perfect or even close to perfect interms of logical consistency, profound story. Message or even screenplay - but was enjoyable nonetheless!
The movie is focused pretty much on the hot and cold bromance and relationship between Prithviraj and Basil - at the cost of the side characters. In a comedy, this could be forgiven - though felt many stellar actors are wasted due to this - mainly Nikila (who apart for a brief window towards to end) was a mute spectator, similarly Jagadeesh, Baiju etc.
The cameo by Yogibabu though was funny - but for those familiar with his Tamil movies would find it pretty flat and un-original - there are 10s if not 100s of films were he has done the same (expression, dialogues, actions all pretty much the same)
The main problem I had was the below average music - none of the songs made any lasting impressions. After watching movie I could not even recollect a single song from the movie !
The movie is focused pretty much on the hot and cold bromance and relationship between Prithviraj and Basil - at the cost of the side characters. In a comedy, this could be forgiven - though felt many stellar actors are wasted due to this - mainly Nikila (who apart for a brief window towards to end) was a mute spectator, similarly Jagadeesh, Baiju etc.
The cameo by Yogibabu though was funny - but for those familiar with his Tamil movies would find it pretty flat and un-original - there are 10s if not 100s of films were he has done the same (expression, dialogues, actions all pretty much the same)
The main problem I had was the below average music - none of the songs made any lasting impressions. After watching movie I could not even recollect a single song from the movie !
Watched the movie yesterday,the movie is ok.l don't know why people are giving soo much of hype for these movies nowadays. First half of movie,is more entertaining than the second half. There are many funny moments in the film initially with Basil and Prithviraj combo. But as the story progresses,there was some ....lag or logic missing in the movie. The character played by prithviraj could have been more entertaining if it was played by actors like Nivin pauly or soubin, who could handle comedy easily. People expect heroic roles from actor like Prithviraj. The is nothing special about the role played by Yogibabu. Compared to other Basil movies like Janagana mana and falimy,this movie is little bit ...low. The movie is just ' A one time watch'.
Although some of the humor in the movie is slapstick or references to viral reels and class movies, the movie mostly evokes genuine comedy. It starts off quite well with a captivating plot and good writing but gets predictable once the plot points fall in place. Prithviraj and Basil are at their comedic bests. Basil excels in such roles where he comes across as a realistic character we meet in our daily lives. He may be naive at heart but is no way overtly pure or innocent. Prithviraj as Anandan feels like a character we have seen him play before and pulls it of with ease. Anaswara and Nikhila play their roles well if you exclude some of over and under acting respectively. Nikhila in particular has very few lines and comes across as stoic despite having a major role in the movies plot. This is not her fault as the character development is lacking for all characters.
Despite some subpar writing and forgettable songs,"Guruvayoor Ambalanadayil" is a good family watch for the weekend.
Despite some subpar writing and forgettable songs,"Guruvayoor Ambalanadayil" is a good family watch for the weekend.
Guruvayoor Ambalanadayil" is a well-blended comedy-drama that delivers a hearty mix of situational humor, family sentiments, and unexpected twists, wrapped in a marriage-themed narrative rooted in Kerala's culture.
Vipin Das (known for Jaya Jaya Jaya Jaya Hey) keeps the tone light but meaningful. The screenplay by Deepu Pradeep is tight, with witty dialogues and engaging sequences.
Humor: The film doesn't rely on slapstick but rather thrives on situational comedy and clever writing. The family drama adds layers to the humor without going overboard.
Music & Visuals: The background score complements the story well, and the temple-town visuals of Guruvayoor add authenticity and charm.
Vipin Das (known for Jaya Jaya Jaya Jaya Hey) keeps the tone light but meaningful. The screenplay by Deepu Pradeep is tight, with witty dialogues and engaging sequences.
Humor: The film doesn't rely on slapstick but rather thrives on situational comedy and clever writing. The family drama adds layers to the humor without going overboard.
Music & Visuals: The background score complements the story well, and the temple-town visuals of Guruvayoor add authenticity and charm.
I've never been bowled over by Deepu Pradeep's scripts - Kunjiramayanam was saved by a 10-minute Biju Menon intervention, Padmini was certainly an odd one, and The Priest was meh. I understand his and director Vipin Das' intention to create a colorful wedding entertainer like in the '90s, but with a premise this interesting and such a talented cast, one simply expects the output to be FAR, FAR BETTER. The music, for starters, is mostly a disappointment. And that's coming from someone who enjoyed Ankit Menon's work in Jaya Jaya Jaya Hey. The writing lets us in on an early twist (which is fairly nonsensical, to begin with) and then proceeds to stretch this one idea into a 2h 10m conflict with flat developments and a flat finish. I didn't find the use of Azhagiya Laila or the Drishyam dialogues to be that funny; maybe, it managed to generate mild chuckles.
I often wonder why the Priyadarshan entertainers of the '80s, '90s, and early 2000s work the way they do, even on an Nth rewatch. Yes, they often came from the smart brains of either a peak Sreenivasan, VR Gopalakrishnan, or Priyadarshan himself. They were beautifully packaged to suit our Malayali sensibilities, with fantastic songs, dance numbers, and a consistent supply of rollicking humor. A film like Guruvayoor Ambalanadayil aspires for the same, and it does seem like it has its share of happy takers. That said, I don't think anything or anyone in the film particularly stood out - including Basil Joseph (who's usually fun in his relatable, relaxed avatar but not quite the case here), Prithviraj (who still struggles in situational comedies), Nikhila Vimal (what a waste; she could've been the real difference-maker here if the writing was better), and Anaswara Rajan (who makes for an absolutely dashing bride, but the character sketch is so puerile). The Guruvayoor temple set design, however, was well done (+1 pt for the obvious Nandanam reference.
Even though the film boasts some reliable names in the supporting cast (like Jagadeesh, Baiju, Siju Sunny, Saafboi, Yogi Babu, and more), none of them get any memorable LOL scenes. It all boils down to bland writing that fails to extract the full potential of an organically funny premise. Vipin Das better get back to his own drawing board, as even from a directorial perspective, I couldn't find many creative decisions worth raving about. I wish folks didn't start branding this the new gold standard for humor featuring a large ensemble. Go and re-watch Vettam for the 78,463rd time, please.
P. S. I'm very clearly in the minority here, and that's OKAY!
I often wonder why the Priyadarshan entertainers of the '80s, '90s, and early 2000s work the way they do, even on an Nth rewatch. Yes, they often came from the smart brains of either a peak Sreenivasan, VR Gopalakrishnan, or Priyadarshan himself. They were beautifully packaged to suit our Malayali sensibilities, with fantastic songs, dance numbers, and a consistent supply of rollicking humor. A film like Guruvayoor Ambalanadayil aspires for the same, and it does seem like it has its share of happy takers. That said, I don't think anything or anyone in the film particularly stood out - including Basil Joseph (who's usually fun in his relatable, relaxed avatar but not quite the case here), Prithviraj (who still struggles in situational comedies), Nikhila Vimal (what a waste; she could've been the real difference-maker here if the writing was better), and Anaswara Rajan (who makes for an absolutely dashing bride, but the character sketch is so puerile). The Guruvayoor temple set design, however, was well done (+1 pt for the obvious Nandanam reference.
Even though the film boasts some reliable names in the supporting cast (like Jagadeesh, Baiju, Siju Sunny, Saafboi, Yogi Babu, and more), none of them get any memorable LOL scenes. It all boils down to bland writing that fails to extract the full potential of an organically funny premise. Vipin Das better get back to his own drawing board, as even from a directorial perspective, I couldn't find many creative decisions worth raving about. I wish folks didn't start branding this the new gold standard for humor featuring a large ensemble. Go and re-watch Vettam for the 78,463rd time, please.
P. S. I'm very clearly in the minority here, and that's OKAY!
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 2.128.793 USD
- Tempo di esecuzione
- 2h 12min(132 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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