Gulaab Gang

The combo of 2 of the Bollywood Top Divas is out in cinemas with a high frequency slogan "Women Empowerment". The film is full of undulating situations, emotions, action and drama. The acting skills of Madhuri Dixit and Juhi Chawla are well suited to the overall plot. The supporting actors and actresses are well balanced. The talent of Juhi Chawla has been proved finally and she has been on the stronger side of her personality signature. Madhuri Dixit was too inspirational but the action sequence filmed on her gave a bit clumsy and super hero touch that looked a bit out of reality. The film should have been advertised and promoted more.The respect and dedication extended towards Madhuri in the film is sketchy and should have been elaborated a little. The storyline developed well in the first half but it looses its tempo and effect considerably in the second half. The situations and cinematography should have been more convincing. The dialogs were effective, fresh and innovative but were out of synchronization with the situation during 2nd half. The music remained out of soul, touch and melody. An item song at an appropriate situation could have paid rich dividends towards the commercial aspect. Overall the film did a good job and can make the audience stick to their seats. Bollywood is rapidly advancing towards women excellence in films and female actors are merely a show piece now. The film is dedicated to women empowerment and nothing could have been a better gift for women on this "Women Day" than "Gulaab Gang". An intense, vocal, bold and a must watch drama packed with impressive acting skills and dialogs.

This is one of those 'exception to the rule' films, which still gets rated as an essential watch despite being just average and having many major glitches in its execution to put it honestly. So getting over with its weaker points first, the film's basic plot is now widely known to all after the recent controversy over its title and the court case filed by the original Gulaabi Gang's leader Smt. Sampat Pal. A well made documentary on the amazing social work by this famous women group was released just a few days back. And though the film is not entirely based on the real life facts, still it is quite evident from where the idea has been borrowed for its basic theme.

Directed by Soumik Sen, GULAAB GANG is a sheer commercial adaptation of a serious mission wherein the women power is shown in full force with some well directed confrontation and action sequences along with many punchy dialogues. But since the director also had the knowledge of music, so to display it loudly he goes on adding numerous average as well as not-required songs in his narration right from the first few minutes to the last. Also including a clearly forced HOLI song in the final moments, in which Madhuri starts singing and dancing right after a pretty serious sequence in an utterly silly manner. So mainly due to this worst feature of the film (i.e. the songs), GULAAB GANG fails to make that desired impact which could have easily been achieved with just a theme song being played repeatedly.

The film begins at a very lazy pace coming to the point after a long introduction and the entertaining tension actually commences, once Juhi Chawla enters the scene with her cunning smile. Later it keeps moving as a bumpy ride with some worth applauding high points coming after regular intervals. However many routine seen before sequences hamper its overall pace post the intermission and then the all hurried up, illogical climax ruins the entire build up quite badly.

So then why I am still interested in recommending the film for all the Hindi cinema lovers willing to see something great? The reason is that yes GULAAB GANG turns out to be a clear masala interpretation of a relevant theme as expected, yet it gives you something unique and entertaining in few of its well conceived sequences focusing on the powerful clashes between the two veterans i.e. Juhi Chawla and Madhuri Dixit, executed like never before. Its indeed a treat to watch the stunning Madhuri walking with her solid attitude in slow motion along with the pumping music playing at the back. Plus the pleasantly shocking Juhi replying to Madhuri's every move with just a playful, teasing smile like a typical shrewd politician.

In fact here I would like to admit that though the project was widely promoted as a Madhuri Dixit film in its entire promotional campaign and print advertisements. But in reality its Juhi Chawla who makes a more killer impact in her first ever role of a vamp unarguably. Hence as an exciting surprise, here we have the beautiful Juhi in a completely new negative avatar played real well, offering a lot more than the viewer's expectations from the talented actress. In other words, where Madhuri's decent attempt struggles to make an instant connect due to her mixed language (accent) or all meaningless songs (dances), there Juhi takes the full advantage of this unintentional flaw and emerges as a clear winner in this on screen contest evidently.

Now if truth be told then the only person responsible for this visible imbalance in the two key portrayals is the music composer residing inside the body of the director only, who forced him to put so many songs & dance numbers into the film, which actually weakened the entire aura around Madhuri's strong character of a revolting lady ultimately. In other words, if only this film was made with just a theme song and stressing more upon the balanced depiction of both the clashing characters thoughtfully, it would have surely become a gem of a trendsetter in all possibilities, as it seems.

Technically speaking, GG has a splendid camera-work complementing the enjoyable actions sequences of the film superbly and one really keeps waiting for all the tension filled scenes of Madhuri-Juhi together, eagerly. The novelty of a woman standing against another evil woman, moving away from the routine stuff keeps the interest alive and its truly a treat to watch only for these specific scenes alone as mentioned before. In the supporting acts, Divya Jagdale performs a bit over the top in a forceful mode but both Priyanka Bose and Tannishtha Chatterjee are wonderfully natural. All the men featuring in their various negative roles are fine, especially the one playing the local politician forced to face the cruel humiliation.

In short, do give GULAAB GANG a chance, especially for the two veterans clashing with each other like never before and I am sure you would not regret the decision made, celebrating this year's Women's Day with Madhuri and Juhi together.

Madhuri Dixit and Juhi Chawla, two big stars of the late 1980-90s, vied for top slots in an industry which has a common habit of pitting one star against the other. But they actually were so different. The former is a huge megastar, quite a cultural icon, charismatic and sincere in her screen portrayals, a stupendous dancer and amazingly beautiful. The latter is quirky, very beautiful and attractive, a natural performer known for her bubbly personality, and above all a gifted comedienne who later upgraded her talent with phenomenal performances in offbeat films. While later decades saw rivals of sorts often act together in films (see the famous Preity Zinta-Rani Mukerji pairing in many films where most of the time the former somehow got better parts), Dixit and Chawla never worked together.

And you would expect that when the time came to cast them together in a film, these two formidable ladies would be given something at least as good as much of the stuff coming out today in Hindi cinema. But sadly, the filmmakers took these two stars and, in a weird sort of choice, decided to keep the film in the 1990s in terms of both style and narrative as well as stereotypes that come with it. Gulaab Gang is supposedly based on the real-life vigilante female group Gulabi Gang. Now, I know that many consider this group of women quite heroic, but I wouldn't think of turning them into wild action stars on film. While the film has some great colour and cinematographic work, it is amazingly regressive in terms of filmmaking and the ladies can't help it enough. Or maybe they can? Well, partly.

So, Dixit's charisma is undoubted, and she sure is an actress who knows her stuff. She is very good here but then she is clearly not very good at picking her films. In an age when contemporaries have been able to enjoy the benefits of the changing face of Indian cinema and experiment with better roles, she picks a part which is supposedly based on a real-life figure but eventually is just a recap of countless roles played by Hindi film heroines in the 1980s and early 1990s. The action sequences are really ridiculous in their absurdity. It almost feels like Hindi cinema went a few decades back in a weird tribute to the horrendous films made back then. Worse even is the quality of the dance numbers, which do not exhibit the real dancing skills of the great dancing queen that is Madhuri Dixit.

Juhi Chawla, on the other hand, is tremendous. It's amazing how brilliantly she manages to maintain her famous, lovably vivacious persona while playing a monstrous woman so immoral and drunk with power, and make it feel so real. Her every expression is a sight to behold, and the hidden intentions in her smiles are quite chilling. It's a feat that only a natural performer like Chawla can achieve, of being both enjoyable and quite intimidating in this otherwise stereotypical part, and she is doubtlessly the film's ultimate star whose absence from the screen makes the show almost worthless. Between the fake action sequences and the clichéd proceedings, she becomes Gulaab Gang's sole redeeming quality. You almost love to hate her. Watch this film for her ceaselessly entertaining villainous turn.

Too many jumps doesn't let the story flow in a linear manner. I understand that there are a lot of by stories that need to be established but the jumps are way too many and the first foray in watching the film is that of disjointedness.

And why the delay in embracing the protagonist? And when finally she emerges from behind the veil, the entry lacks voltage.

And then comes in the antagonist and she doesn't fail. And the face off well that doesn't fail either. Both stand their ground and it's electrifying.

It's not a question of who had the meatier or glamorous role but JC over shone MD. JC was the character and vice versa. I was seeing Sumitra in each frame through all her mannerisms whether it was biting her lower lip or having that clove (atleast that's what I think it was).

Considering that the film is all about the leader of the GG, the magic, passion and the rawness just don't emerge. She excels in what she's the most graceful at but otherwise she just sparked intermittently.

There was more than a kernel of a story and considering its the directorial debut of SS, a good effort. Much will be expected in the second outing though. The reason why I couldn't add in a better adjective is because of a number of reasons. The number of songs and their reasoning for them to be? And what's with the shoddy editing? Storytelling is an art - why butcher it?

All in all it was a valiant effort and as I mentioned earlier given the sheer talent of SS, one expects a whole lot more.

More than half the film went in just introducing Rajjo's Gulaab Gang and their ferocity. Overall it looked like a series of loosely-connected events (and random songs in between) and not much focus or time was given on the main conflict between Rajjo and politician Sumitra Devi. Closer to the end you could tell that the film was just trying to rush through some dramatic scenes.

Rajjo and Sumitra Devi were interesting characters. The acting by Madhuri Dixit and JuhI Chawla was good but not exceptional. Many of the supporting characters (Gulaab Gang members) also had very powerful roles.

Based on how the film was developed, it would have made more sense to make the film 1 hour longer to develop the conflict, or to keep it the same length but cut out the irrelevant scenes and use that time to develop the conflict. It would be even better as a short high-budget TV series.