Mary & George
- Mini serie TV
- 2024
- 1h
Seguite la vita della contessa di Buckingham che plasmò suo figlio per sedurre il re Giacomo I e diventare il suo amante onnipotente, attraverso intrighi, diventando più ricca, titolata e in... Leggi tuttoSeguite la vita della contessa di Buckingham che plasmò suo figlio per sedurre il re Giacomo I e diventare il suo amante onnipotente, attraverso intrighi, diventando più ricca, titolata e influente di quanto l'Inghilterra abbia mai visto.Seguite la vita della contessa di Buckingham che plasmò suo figlio per sedurre il re Giacomo I e diventare il suo amante onnipotente, attraverso intrighi, diventando più ricca, titolata e influente di quanto l'Inghilterra abbia mai visto.
- Candidato a 1 Primetime Emmy
- 9 candidature totali
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Recensioni in evidenza
Sky & STARZ are good at making historical dramas, not the great ones, though. Especially when STARZ writes works based on what really happened in history, the storyline is linear and one-dimensional. It never challenges itself to be something great. There are some good sides. Thanks to the effort from STARZ, I actually researched actual historical materials to delve deeper and to know in detail what really happened (The White Princess, Becoming Elizabeth, Gaslit, and etc.). The funny thing is that research and reading books are way much more interesting and exciting than watching the series made by STARZ.
'Mary & George' is the trendiest of all (maybe because it's produced the latest). Editing is straightforward and fashionable. Scenes cut to unexpected but real moments rather than explaining everything in between. My favorite scene is the very first scene of the first episode. Mary, who is still connected to George by umbilical cord says "Before I cut you free, what should I call you?". It gives me chills and sums up the whole seven episodes of the relationship between Mary and George. She never lets him free till everything including George is ruined. Iconic scene.
'Mary & George' is the trendiest of all (maybe because it's produced the latest). Editing is straightforward and fashionable. Scenes cut to unexpected but real moments rather than explaining everything in between. My favorite scene is the very first scene of the first episode. Mary, who is still connected to George by umbilical cord says "Before I cut you free, what should I call you?". It gives me chills and sums up the whole seven episodes of the relationship between Mary and George. She never lets him free till everything including George is ruined. Iconic scene.
Julianne Moore is wickedly delicious as Mary Villiers, a somewhat noble mother of four who had her sights set on rising above the ranks of nobility with the help of her son, George (cheeky performance from Nicholas Galitzine, who at last sinks his teeth into a real role).
Together, mother and son plot and weave their way through the depraved King Charles' court (Tony Curran effective as the king). What unveils before ones very eyes will fascinate those who seek not to judge, but watch in a perverse sense of wonderment how this all took place in the 17th century.
Creator and writer, D. C. Moore, has crafted a telling tale of what could have occurred behind the King's golden secret doors, delivering treachery of the highest order and other wild shenanigans one has to endure in order to climb that royal social ladder.
Together, mother and son plot and weave their way through the depraved King Charles' court (Tony Curran effective as the king). What unveils before ones very eyes will fascinate those who seek not to judge, but watch in a perverse sense of wonderment how this all took place in the 17th century.
Creator and writer, D. C. Moore, has crafted a telling tale of what could have occurred behind the King's golden secret doors, delivering treachery of the highest order and other wild shenanigans one has to endure in order to climb that royal social ladder.
Just finished ep7. An unrelenting rush to destruction. Not even the winners could be envied. This play is about animals rutting in a political trough.
Nicholas Galitzine plays the ingenu no longer. Within the ensemble, he's a beautiful, weak, psychopathic puppet, who fails because he thinks he's cleverer than the puppet master, his mother. This is his 14th film/tv role and his grittiest. He has the range, the charisma, the acting chops to climb to the top perch. I hope he soon gets the role that will push him from 'wow' to 'superstar'.
Julianne Moore plays a woman who doesn't need to quibble about pronouns to rule. Rule? She rocks.
Tony Curran gives a sly performance, allowing a brilliant humanity to peep though cracks in the orgy.
All of the cast deserve mention, it was a flawless ensemble.
Would you enjoy a sexy romp on the Titanic as it was cracking apart and sliding under? This show was a bit like that, the atmosphere was so fraught it overpowered any loveliness in the frequent coupling.
Nicholas Galitzine plays the ingenu no longer. Within the ensemble, he's a beautiful, weak, psychopathic puppet, who fails because he thinks he's cleverer than the puppet master, his mother. This is his 14th film/tv role and his grittiest. He has the range, the charisma, the acting chops to climb to the top perch. I hope he soon gets the role that will push him from 'wow' to 'superstar'.
Julianne Moore plays a woman who doesn't need to quibble about pronouns to rule. Rule? She rocks.
Tony Curran gives a sly performance, allowing a brilliant humanity to peep though cracks in the orgy.
All of the cast deserve mention, it was a flawless ensemble.
Would you enjoy a sexy romp on the Titanic as it was cracking apart and sliding under? This show was a bit like that, the atmosphere was so fraught it overpowered any loveliness in the frequent coupling.
I enjoyed episode 1 and from then on it went rapidly downhill until we eventually abandoned it at episode 3.
The sound on the dialogue was quite hard to make out without subtitles as it was very badly mixed. After straining to hear and then attempt to grasp what the convoluted plot was actually about it wasn't actually worth the effort.
Just another one of these tedious series which descend into a garbled mess after a promising start.
Who is actually approving the script? The costumes and the sets were fantastic so once again it's the writing that insults the viewers intelligence.
A wasted opportunity!
The sound on the dialogue was quite hard to make out without subtitles as it was very badly mixed. After straining to hear and then attempt to grasp what the convoluted plot was actually about it wasn't actually worth the effort.
Just another one of these tedious series which descend into a garbled mess after a promising start.
Who is actually approving the script? The costumes and the sets were fantastic so once again it's the writing that insults the viewers intelligence.
A wasted opportunity!
Juliane Moore is not a serious actress. If Meryl Streep were playing this role she would be speaking as an English woman. She would have taken the time to learn dialect. Lazy American actors speak like Americans in French and British films. Interesting that the British actors do learn how to speak like US people. Just as ridiculous is the fact that this review sight will not publish reviews unless they are around 600 letters in length. What could possibly be the non-sensical reason for that? Looks like I still don't have a mini novel's worth of words to publish this review. I went to the grocery store the other day and bought some kale and carrots and yogurt and two of those dark chocolate salty almond bars which were absolutely delicious.
Lo sapevi?
- QuizEven given the taboos both of the historical period and of the next several centuries of research into and writing about history, there is a fair amount of historical documentation of contemporary rumors and reports that King James I (played in this series by Tony Curran) was gay, or perhaps bisexual, giving a historical basis to this aspect of his depiction in "Mary & George." His close relationships with a series of male courtiers were often remarked-upon in letters and other documents of the day. Two of the men whom many historians agree were likely his lovers are depicted in this series: Robert Carr, 1st Earl of Somerset (Laurie Davidson) and George Villiers, Duke of Buckingham (Nicholas Galitzine); Sir John Oglander, a contemporary politician and diarist, wrote that James "is the chastest prince for women that ever was, for he would often swear that he never kissed any other woman than his own queen. I never yet saw any fond husband make so much or so great dalliance over his beautiful spouse as I have seen King James over his favourites, especially the Duke of Buckingham," and a Royal Navy officer, Edward Peyton, observed James "tumble and kiss [George] as a mistress" in view of the court. James I was the same King James who sponsored the translation of the Bible that is still known today as "the King James Bible," which is another reason that religious interests may have been eager to deny or expunge from history the possibility that James was gay or bisexual.
- BlooperLord and Lady Somerset have Scottish accents when in reality the real life couple and the actors that play them were and are English.
- ConnessioniFeatured in WatchMojo: Top 10 TV Shows of 2024 (So Far) (2024)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Мэри и Джордж
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h(60 min)
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