Mary & George
- Mini serie TV
- 2024
- 1h
Seguite la vita della contessa di Buckingham che plasmò suo figlio per sedurre il re Giacomo I e diventare il suo amante onnipotente, attraverso intrighi, diventando più ricca, titolata e in... Leggi tuttoSeguite la vita della contessa di Buckingham che plasmò suo figlio per sedurre il re Giacomo I e diventare il suo amante onnipotente, attraverso intrighi, diventando più ricca, titolata e influente di quanto l'Inghilterra abbia mai visto.Seguite la vita della contessa di Buckingham che plasmò suo figlio per sedurre il re Giacomo I e diventare il suo amante onnipotente, attraverso intrighi, diventando più ricca, titolata e influente di quanto l'Inghilterra abbia mai visto.
- Candidato a 1 Primetime Emmy
- 9 candidature totali
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Recensioni in evidenza
Given what the producers of this show have chosen to highlight -- the passionate love affair between King James and the Duke of Buckingham, along with countless other dalliances, treachery, lust, and basically every sin you can think of-- the show is strangely cold and distant. It's a character drama without the characters: all the participants are drawn as though from fifty feet away. We never really get into the heads of anyone, we never have a sense of their internal dialogs, we never quite get to know them outside the obvious lust for power, or sex, with which each character is aflame.
There is also the matter of historical rewriting: the show rather pretends to be based on facts, but it's really not; many of the most interesting plot developments are fictional, and much of what could have been actual, factual plot turns are left out (poor Francis Bacon comes off the worst: instead of portraying him as the fascinating and spectacular intellectual he was, here he is only a weak, ineffectual loser).
All in all, there's much to like here if you want scenery, costumes, and sets, along with some remarkable acting (especially from Samuel Blenkin and Tony Curran), but the show leaves a slightly bitter taste, as though you were expecting champagne and instead got ale.
There is also the matter of historical rewriting: the show rather pretends to be based on facts, but it's really not; many of the most interesting plot developments are fictional, and much of what could have been actual, factual plot turns are left out (poor Francis Bacon comes off the worst: instead of portraying him as the fascinating and spectacular intellectual he was, here he is only a weak, ineffectual loser).
All in all, there's much to like here if you want scenery, costumes, and sets, along with some remarkable acting (especially from Samuel Blenkin and Tony Curran), but the show leaves a slightly bitter taste, as though you were expecting champagne and instead got ale.
Julianne Moore is wickedly delicious as Mary Villiers, a somewhat noble mother of four who had her sights set on rising above the ranks of nobility with the help of her son, George (cheeky performance from Nicholas Galitzine, who at last sinks his teeth into a real role).
Together, mother and son plot and weave their way through the depraved King Charles' court (Tony Curran effective as the king). What unveils before ones very eyes will fascinate those who seek not to judge, but watch in a perverse sense of wonderment how this all took place in the 17th century.
Creator and writer, D. C. Moore, has crafted a telling tale of what could have occurred behind the King's golden secret doors, delivering treachery of the highest order and other wild shenanigans one has to endure in order to climb that royal social ladder.
Together, mother and son plot and weave their way through the depraved King Charles' court (Tony Curran effective as the king). What unveils before ones very eyes will fascinate those who seek not to judge, but watch in a perverse sense of wonderment how this all took place in the 17th century.
Creator and writer, D. C. Moore, has crafted a telling tale of what could have occurred behind the King's golden secret doors, delivering treachery of the highest order and other wild shenanigans one has to endure in order to climb that royal social ladder.
Just finished ep7. An unrelenting rush to destruction. Not even the winners could be envied. This play is about animals rutting in a political trough.
Nicholas Galitzine plays the ingenu no longer. Within the ensemble, he's a beautiful, weak, psychopathic puppet, who fails because he thinks he's cleverer than the puppet master, his mother. This is his 14th film/tv role and his grittiest. He has the range, the charisma, the acting chops to climb to the top perch. I hope he soon gets the role that will push him from 'wow' to 'superstar'.
Julianne Moore plays a woman who doesn't need to quibble about pronouns to rule. Rule? She rocks.
Tony Curran gives a sly performance, allowing a brilliant humanity to peep though cracks in the orgy.
All of the cast deserve mention, it was a flawless ensemble.
Would you enjoy a sexy romp on the Titanic as it was cracking apart and sliding under? This show was a bit like that, the atmosphere was so fraught it overpowered any loveliness in the frequent coupling.
Nicholas Galitzine plays the ingenu no longer. Within the ensemble, he's a beautiful, weak, psychopathic puppet, who fails because he thinks he's cleverer than the puppet master, his mother. This is his 14th film/tv role and his grittiest. He has the range, the charisma, the acting chops to climb to the top perch. I hope he soon gets the role that will push him from 'wow' to 'superstar'.
Julianne Moore plays a woman who doesn't need to quibble about pronouns to rule. Rule? She rocks.
Tony Curran gives a sly performance, allowing a brilliant humanity to peep though cracks in the orgy.
All of the cast deserve mention, it was a flawless ensemble.
Would you enjoy a sexy romp on the Titanic as it was cracking apart and sliding under? This show was a bit like that, the atmosphere was so fraught it overpowered any loveliness in the frequent coupling.
👑 Ignore ALL those reviewers that claim this 7 hour miniseries isn't excellent.. Because it most definitely IS. Those viewers are just "morality-entertainment police" who allow their moral judgment to paint their views on superb cinematic art. They obviously HATE the Fact that this historical miniseries is based on the King James who we know as the man behind the King James Version of the Bible that most modern Christians use as their most prized edition. Given that King James was historically a well known extreme homosexual who surrounded himself with handsome younger men to fulfill his sexual needs daily. This theatrical quality level 7 hour film shows what we already know, that royalty over the centuries is filled with Betrayal, Corruption, Cruelty, Murder, Ambition, Sex, Manipulations, and Lust For Power at Any Cost. But, what this movie has to offer is Superb Performances by a very professional cast led by Julianne Moore in a very juicy diabolical lead role. Also, a very enigmatic performance by Nicholas Galitzine as her son who is a pawn in his mother's chess game for power and wealth. The production is very detailed and wonderfully written. Locations, Sets, Costumes are historically accurate. You can't go wrong with this handsome production and its not an accident that it's been critically acclaimed around the world at every Film Festival it played in. Don't Miss It (and forget about those morality police)
Juliane Moore is not a serious actress. If Meryl Streep were playing this role she would be speaking as an English woman. She would have taken the time to learn dialect. Lazy American actors speak like Americans in French and British films. Interesting that the British actors do learn how to speak like US people. Just as ridiculous is the fact that this review sight will not publish reviews unless they are around 600 letters in length. What could possibly be the non-sensical reason for that? Looks like I still don't have a mini novel's worth of words to publish this review. I went to the grocery store the other day and bought some kale and carrots and yogurt and two of those dark chocolate salty almond bars which were absolutely delicious.
Lo sapevi?
- QuizEven given the taboos both of the historical period and of the next several centuries of research into and writing about history, there is a fair amount of historical documentation of contemporary rumors and reports that King James I (played in this series by Tony Curran) was gay, or perhaps bisexual, giving a historical basis to this aspect of his depiction in "Mary & George." His close relationships with a series of male courtiers were often remarked-upon in letters and other documents of the day. Two of the men whom many historians agree were likely his lovers are depicted in this series: Robert Carr, 1st Earl of Somerset (Laurie Davidson) and George Villiers, Duke of Buckingham (Nicholas Galitzine); Sir John Oglander, a contemporary politician and diarist, wrote that James "is the chastest prince for women that ever was, for he would often swear that he never kissed any other woman than his own queen. I never yet saw any fond husband make so much or so great dalliance over his beautiful spouse as I have seen King James over his favourites, especially the Duke of Buckingham," and a Royal Navy officer, Edward Peyton, observed James "tumble and kiss [George] as a mistress" in view of the court. James I was the same King James who sponsored the translation of the Bible that is still known today as "the King James Bible," which is another reason that religious interests may have been eager to deny or expunge from history the possibility that James was gay or bisexual.
- BlooperLord and Lady Somerset have Scottish accents when in reality the real life couple and the actors that play them were and are English.
- ConnessioniFeatured in WatchMojo: Top 10 TV Shows of 2024 (So Far) (2024)
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- Lingua
- Celebre anche come
- Мэри и Джордж
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora
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