Gli adulti

'The Adults' is about as flat as films come. Very rarely does a scene have a pay off in this movie. Characters just interact in a fairly unusual and dis-interesting way and then the scene ends and we move on to the next interaction. Repeat for 90 minutes.

I'm always interested in how poker scenes are handled in movies. They are rarely handled well, but for the most part they were especially sloppy in 'The Adults'. We are often not shown the cards in the hand and yet we have to listen to the characters talk about them as if we have seen them. They are also done in a very bizarre manner where people say things during the hand that make no sense whatsoever and don't fit their motivations.

The movie finished and I realised I hadn't felt a single thing during the movie. I wasn't interested in the relationships, I never found it funny, I never found it sad. I simply felt nothing. This one was a miss. 4/10.

Did Michael Cera lose a bet? My new least favourite movie. So odd, so so bad. A steaming pile of art that missed the canvass. Soulless and irritating. After the first 20 minutes I kept watching out of pure morbid curiosity for how it could possible end. It says the runtime was one hour and thirty one minutes, but the second and third acts just barrelled on for what felt like weeks. I aged watching this film. I need two hundred more characters for this review, so I'll finish by listing things I'd rather watch: paint dry, puppies cry, YouTube videos of 1990s commercials, promotional videos for timeshare condos, the Montreal Canadians.

I made it halfway through. Not only is it a very slow slice-of-life film, the main character (Michael Cera's Eric) is so repellent, I just didn't want to spend any more time with him. He is inconsiderate, self-absorbed, cold, oblivious, and shallow. He blows off all these people who made plans to spend time with him in his rare visit, with barely a 'sorry.' Both of his sisters are obviously suffering, and he doesn't even seem to notice, let alone care. He even scolds the one who adores him. At one point, he shows what really matters to him (and it's not anyone else), and asks her why the other sister 'hates him.' The short answer is that he is just a JERK. The real question is why there is anyone in his life who actually tolerates him.

I like(d) Michael Cera (the leading actor) comical charisma before in many other movies, one being in Barbie recently. Michael Cera was even producer of this movie himself so he must have had a lot of cloud to mold this movie, but it unfortunately fell flat.

The bad: it isnst a comedy, not even a quirky one. It isnt a drama for sure either. It is some sort of slowburning and BLAND portrait of 3 siblings (1 brother, 2 sisters) who get together again after a long time no see.

No surprising storyline. No original direction. No impressive technical details (sound, photography). No actor's chemistry.

I guess they wanted to create a quirky, comical personal portrait, but they failed big time...

I love Michael Cera's work and really rate him as an actor and his taste in projects. He is always interesting.

This film, although a long way from what we usually expect from him was still a good effort. This film is straight up family drama, not a comedy. It shows the quirks and reality of a trio of siblings left without their matriarch and patriarch to find their own path in the world, as they develop their own quirks and flaws as individuals apart from each other. The family house is still there, and the remnants of the siblings routines and mannerisms they developed as they grew up together, now apart.

Cera's character has developed an obsessive card game addiction, and we see this through him fobbing off friends and family in order to get his gaming fix, Sophia Lillis's character had drifted along with her frail quirky character and Hannah Gross's character had pulled back into her shell, still damaged by the loss of their mother and trying to find her path.

The movie was well made and acted and I appreciated the non hollywood approach to the film-making as they made a very real, honest, recognisable portrayal of family dynamics and human failings.

If you were looking for some light relief with good Cera style humour this isn't it, but you can admire and acknowledge the good small movie this team have created. Cera wears the same clothes throughout, the house is realistically spartan, the family show love and failings believably, and the messages are subtle.