VALUTAZIONE IMDb
5,7/10
2855
LA TUA VALUTAZIONE
Il piano per tornare a casa il più breve possibile inizia a sgretolarsi mentre Eric trova un equilibrio tra il difficile rapporto con le sue due sorelle e la sua dipendenza dal poker locale.Il piano per tornare a casa il più breve possibile inizia a sgretolarsi mentre Eric trova un equilibrio tra il difficile rapporto con le sue due sorelle e la sua dipendenza dal poker locale.Il piano per tornare a casa il più breve possibile inizia a sgretolarsi mentre Eric trova un equilibrio tra il difficile rapporto con le sue due sorelle e la sua dipendenza dal poker locale.
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- 3 candidature totali
Recensioni in evidenza
Really interesting to see the mixed opinions on this. I really enjoyed it. It's a beautiful portrayal of sibling relationships, and so much in the movie is in what's unsaid. This can sometimes be frustrating in movies like this but there's so much depth in the characters and performances from the three leads that you can feel their complexities and pain, but also the unique connection they have. Reminiscent of the also great Skeleton Twins. I think it's currently really underrated on here and I'm glad I decided to watch it, based purely on a clip of Michael Cera's (excellent) Tony Soprano impression.
I never had a secret cartoon voice with my brothers growing up. But I was fascinated by the quirky relationship between the three siblings in "The Adults". I took a gamble on the movie, because Sophia Lillis was in it, and I remembered Michael Cera from Juno and Scott Pilgrim vs. The World. Seeing Michael Cera as an adult was sad. His sister Rachel was nicknamed Mopey Mopey, but Michael's character Eric was the one who moped around the whole time. He looked beaten down and barely squeaked out an emotion. This was juxtaposed to Sophia Lillis' character Maggie who had no problem showing her emotions. Since Michael's depressing character, Eric, was the protagonist, I had trouble getting through a number of his scenes, including most of his scenes when he was gambling in the shady backroom poker games. It was hard for me to see the man he had become after both of his parents died. From personal experience, after my mother passed away, it was hard to get the brothers back over for family dinners very often. Life got busy, and mom wasn't there to bring everyone together anymore. I see this with the three siblings in the movie.
The best parts of this movie were watching the three siblings reconnect through their cartoon language and their musical theater routines. Those elements felt real to me. My guess is that the writer based these on actual experiences. The longer Eric stayed with his sisters and fell back into his childhood world, I think the better adult he became. His sisters seemed to improve their disposition the longer he stayed with them also. It was interesting watching Rachel try out her cartoon voice with a co-worker who didn't get it. She was becoming more of herself, and perhaps eventually others will start appreciating her creativity. My older brother is the practical joker. He's also a very creative person as a writer. As a grandfather, he is teaching his 3-year-old granddaughter all kinds of annoying habits that he was laughing about, such as telling her that her dad went bald because a squirrel came and ate his hair. Perhaps he said a skunk came. I often block out what my brother says! Then, he gets a call from his daughter asking what he's been telling his granddaughter. She was asking her dad about the squirrel who came to eat dad's hair and if it was coming back to eat her hair! My brother thought this was hilarious. My brother is 72 years old and still not what you would call an adult. Perhaps we never grow up or if we grow up too much, it doesn't hurt to remember what we were like as kids.
This was by no means a perfect movie, but if you enjoy watching strong acting performances, I recommend it. It was another great role for Sophia Lillis. And I'll give an honorable mention to Mopey Mopey, Hannah Gross. I believed her, and by the end, I felt for her character. I wouldn't mind visiting with the siblings again one day to see their newest song and dance routine!
The best parts of this movie were watching the three siblings reconnect through their cartoon language and their musical theater routines. Those elements felt real to me. My guess is that the writer based these on actual experiences. The longer Eric stayed with his sisters and fell back into his childhood world, I think the better adult he became. His sisters seemed to improve their disposition the longer he stayed with them also. It was interesting watching Rachel try out her cartoon voice with a co-worker who didn't get it. She was becoming more of herself, and perhaps eventually others will start appreciating her creativity. My older brother is the practical joker. He's also a very creative person as a writer. As a grandfather, he is teaching his 3-year-old granddaughter all kinds of annoying habits that he was laughing about, such as telling her that her dad went bald because a squirrel came and ate his hair. Perhaps he said a skunk came. I often block out what my brother says! Then, he gets a call from his daughter asking what he's been telling his granddaughter. She was asking her dad about the squirrel who came to eat dad's hair and if it was coming back to eat her hair! My brother thought this was hilarious. My brother is 72 years old and still not what you would call an adult. Perhaps we never grow up or if we grow up too much, it doesn't hurt to remember what we were like as kids.
This was by no means a perfect movie, but if you enjoy watching strong acting performances, I recommend it. It was another great role for Sophia Lillis. And I'll give an honorable mention to Mopey Mopey, Hannah Gross. I believed her, and by the end, I felt for her character. I wouldn't mind visiting with the siblings again one day to see their newest song and dance routine!
In dreary 'real life' hipster drama "The Adults" Michael Cera revisits his cold, drab NY state hometown where he'd rather play poker with strangers than reconnect with sisters Hannah Gross (between he & whom there are issues since their mum passed 5yrs back) & Sophie Lillis (who's apparently always idolised him (tho who knows why)). Over its 1hr 31mins (that seems longer) the siblings awkwardly communicate in in-jokes, silly voices and (most cringe-worthily) self-written song & dance routines that they used to do at Christmas etc. It may mean something to writer / director Dustin Guy Defa, but to most anyone else it'll be an excrutiating bore. Flush.
Did Michael Cera lose a bet? My new least favourite movie. So odd, so so bad. A steaming pile of art that missed the canvass. Soulless and irritating. After the first 20 minutes I kept watching out of pure morbid curiosity for how it could possible end. It says the runtime was one hour and thirty one minutes, but the second and third acts just barrelled on for what felt like weeks. I aged watching this film. I need two hundred more characters for this review, so I'll finish by listing things I'd rather watch: paint dry, puppies cry, YouTube videos of 1990s commercials, promotional videos for timeshare condos, the Montreal Canadians.
A weird trio of siblings that simply don't know how to communicate or never got the opportunity to grow up and relate to each other in a different, more meaningful way than that when they were little children.
Other than that, the seemingly endless stream of drama that comes from these people's trauma and unresolved issues just occupy the screen almost 100% of the time.
There is no history to be told here, no character development, no proper light and shade, no dynamic that makes watching this even remotely tolerable.
I would recommend avoiding it, as there are so many better alternatives to do with your time out there - better movies and activities alike.
Other than that, the seemingly endless stream of drama that comes from these people's trauma and unresolved issues just occupy the screen almost 100% of the time.
There is no history to be told here, no character development, no proper light and shade, no dynamic that makes watching this even remotely tolerable.
I would recommend avoiding it, as there are so many better alternatives to do with your time out there - better movies and activities alike.
Lo sapevi?
- QuizMichael Cera wrote the childhood songs the siblings perform.
- Colonne sonoreL-Train
Written by Jordan Pilz, Daniel Alvarez de Toledo
Performed by TOLEDO
Courtesy of Grand Jury Music
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Dettagli
- Tempo di esecuzione
- 1h 31min(91 min)
- Colore
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