Il Conte di Montecristo

Not once was I bored. Not once did I find inconsistencies. Sceneries and sets were to notch. The acting never pulled me out of the story, it keeps you there from start to finish.

French cinema produces a lot of forgettable movies (in my opinion), a lot of fun ones, some greats and here and there a movie that actually makes me love cinema and the theater. Le comte de Monte-Cristo is of the latter.

Rarely do I find a movie that depicts love, friendship, treason, courage, solitude, caring, vengeance, and much more, in at least a decent manner. Nothing felt rush to me. The three hours were deserved and it felt like less than two.

I encourage you to watch this movie, it has many qualities and it won't be a waste of time.

Now if you are a Dumas enthusiast, you opinion will certainly differ.

I read the books and saw two other versions of it as a film.

I asked myself what was the idea to make another version even though 18 exist already.

I watched it in French and realized that it is pretty far off the original storyline. Some characters are missing and others adapted. Apart from the great costumes and the brilliant locations, it seemed to me that only the beautiful, 'rich' sides were shown. The prison seemed too romanticised to me, as did the society. The Count could hardly stand out from the others due to his wealth and mystique, because this didn't always come to the surface.

Nevertheless, the film is entertaining and I was never bored. It managed to tell the whole story, although in a different way. Unfortunately, I couldn't answer the question of why this film was made, because it's just another version.

Watch the film if you don't know the story yet and like a romanticised story. Otherwise, I recommend the book by Alexandre Dumas and the film 'The Count of Monte Cristo 2002'.

I will not deny it, I think the film is really beautiful : production design, costumes, props... and of course lighting (congrats M. Bolduc) and many other details helped make it a wonderful experience for the eyes, in my opinion.

Now with a plot so huge as with Dumas', so many characters, theads, sub-stories and such, the authors had to cut things, adapt, re-write... betray, as is often necessary or critical with any adaptation!

That's a given.

But why dishonor the original author's choices (Dumas')?

Why betray the lessons he wanted to impart : Monte Cristo's moral dilemma, his good nature overall, his help to so many, and unrivaled loyalty to anyone who had been good to him or deserved it in any way ?

Why change Haydée's love for him for a silly romance?

Even Mercedes' understanding of Monte Cristo's actions and why she can't be saved, and why Albert has to follow her are admirable, in the book...

And what are we left with, here?

Pure show?

I can assure you it's not what remains, when you read it.

The first question I'd love to ask directors adapting novels to movies is: if that book inspired you so much that you wanted to make a movie out of it, why then alter its story?

The Count of Montecristo is another of those cases: those who read the book will be astounded by how the ending was completely distorted; and for no evident reason I'd submit, as the book's ending was dramatic enough.

So, again, if you didn't like it, why make a movie about it? If you want to ride your own ideas by all means do that, use your fantasy and in that case the sky will be the limit.

OK, end of runt...If I had to disconnect my literary memory and judge the movie for its sheer cinematographic merits, The Count of Montecristo is a honest cloak and dagger movie, with good performances by all the key actors, good photography and decent pace.

But then again, my literary memory kicks in again and a bittersweet aftertaste lingers in my mouth...

So I have actually read the book, the real book(s), and not the watered down version you find in the book store. That story is compelling, charcter driven, intricate and the details tell how it all comes together. This while a totally ok movie has nothing of that besides the outlines of the main plotlines. There isnt the good besides the bad, there isnt the ambivalent ending and there isnt the base of it all, the relationship between the Abbé and Edmond who basically becomes a son. Also missing is the back story from the escape to Edmonds arrival in Paris that makes the whole revenge plot believable in the first place. I also cant help but miss the old Mr Villefort whose story while peripher is so central to who Edmond really is as a person. So want to see a french drama during the 19th century that is pretty ok with some good actors, go ahead. Want to immerse yourself in the real story of the Count of Monte Christo? Find and Antiquarian because that is the only place you find this masterpiece.