Dead Mail

I get that people want to give this flick medium ratings because it is very much a niche indie film that isn't for everyone. But I think objectively as a horror fan Dead Mail deserves props for various elements, ranging from the grainy realistic 1980s atmosphere (and weirdly accurate details like those big buckets of cheap Neapolitan ice cream) to the truly original plot points about sound engineering in the late 20th century and nerdy info on how cool and sleuthlike dead mail was prior to the world wide web.

I also think that the writers/director did their research on serial killers such as Richard Ramirez frequenting a low-income shelter for men during his murder spree, and Jeff Dahmer with his predilection for victimizing poor black males that he justified with his disturbed inability to form healthy gay relationships.

I enjoyed this movie despite the absurdity of the plot. Some people have complained about the acting but I saw nothing wrong with it. The actors playing Trent and Jasper were especially strong. This is one of those plots where seemingly insignificant details come together at the climax, and no loose ends were left dangling. The cinematography and look of the film fit the vibe perfectly, giving it a retro 80's feel. I understand that a lot of people will find this movie slow and boring, but I was interested throughout. Give it a shot, you'll know in the first 20 minutes if you want to consider watching or not.

What a pleasant surprise ! A movie that isn't dumbed down with moronic situations, comic book characters or 20something know-it-alls!

We instead get an interesting, compelling and suspenseful movie that really felt like something from the 70s or 80s. A movie featuring adults! Very cool!

The characters were well drawn and acted and the direction and photography are beyond reproach. Unlike many movies that are set in decades past, this mostly felt like it was from the early 80s. Late 70s if truth be told.

I love the synthesizer storyline. The synth patches they were working on were great and sounded fantastic! The woodwind was gorgeous and all the music on the soundtrack was just perfect.

Al told this was an absorbing little thriller that I quite enjoyed.

Pretty standard indie fare. Acting, cinematography, and dialogue all are hit-and-miss, hitting more than missing. There are some plot holes, but nothing that really degrades the movie. I have no idea why the type of epoxy would affect sound quality. Even from a heat dissipation aspect, there wouldn't be such a thing as "good epoxy", since modeling epoxy would be different from electronics epoxy. Normally only nerds like me would think about this, except that they bring it up like 10 times for whatever reason.

Around half the movie is spent on the actual kidnapping. While the kidnapping part IS actually creative, it's not creative in an interesting way. There's a few points where it seems the movie is going to pull a Saw, but then it just ends the scene. The rest of the movie is the post office stuff, which once again is creative but not all that interesting.

It's FAR from the worst indie movie I've seen, but it lacks the creativity and execution of say, a Benson & Moorhead movie. Overall it just feels like a good idea that suffers from inexperienced writers. DeBoer and McConaghy are probably worth keeping an eye on, but Dead Mail is something you'll watch mildly entertained, and forget the following day.

This 2024 Shudder original called Dead Mail, with a rather interesting-looking poster and a decently intriguing plot synopsis on IMDb, was shot in slightly faded color with grainy visuals, really giving it those 80s retro vibes. Sadly, that's about the only thing this movie does to make itself entertaining or stand out from most other releases nowadays. It's a style choice that can work and mostly does in this film but the narrative needs to be more than a rather dull kidnapping story like the one we get here.

We follow different characters after an ominous help note finds its way into a post office. The movie presents various perspectives; from the victim, the abuser, and other side characters while also incorporating a few time jumps, which are easy enough to follow. And even though the story has some interesting elements and brings a bit of uniqueness to the table, it's overall really dull. It reminded me a bit of 2021's Censor, which had similar problems in my opinion, though it featured stronger pacing and a more engaging narrative.

In this film, I kept finding myself bored and unable to immerse myself in the story or connect with the character arcs. The acting from the main cast is pretty solid, and there's definitely talent involved both in front of and behind the camera. The movie features several scenes that feel unnecessarily drawn out, seemingly only to show off some aesthetically pleasing visuals. That being said, this is definitely a slow burn, and people who don't enjoy that kind of horror should stay away from this one.

If you're a fan of slow-burn horror, this might be worth a watch. However, I personally didn't find anything particularly compelling here and will probably forget about this movie soon. [4.9/10]