Weapons

"Weapons" focuses on a Pennsylvania town where a large group of children-coincidentally (or perhaps not) from the same home classroom-flee their homes one night and disappear. Suspicion naturally falls on their teacher, but an intricate web of events unfolds, showcasing a dark, if not unbelievable, turn of events.

While writer-director Zach Cregger's "Barbarian" attracted a significant following among genre fans, I was not particularly a fan of that film; while I thought it had its share of strong elements and could see why some people loved it, the tone and genre-bending grotesque humor did not appeal to my taste. Because of this, I had tempered expectations for this film, but on the whole was pleasantly surprised. There is certainly dark humor here, but it is played in a more human way.

The screenplay utilizes segmented vignettes that interlock, forming a larger portrait of the strange, almost Stephen King-esque events unfolding in the small community. Tensions abound, as the missing kids' schoolteacher, Justine Gandy (Julia Garner) receives her scarlet letter, with grief-stricken parents such as Archer (Josh Brolin) blaming her for their children's disappearances. Further characters are thrown into the mix and each have their own narrative strands in the chain of events, including a struggling cop (Alden Ehrenreich), a young drug addict and petty thief (Austin Abrams), and the school principal Andrew (Benedict Wong).

While this narrative mode can often be hit-or-miss, it is played to great effect here and is clever without being too gimmicky or pretentious for its own good. On a purely technical level, the film is solid-the cinematography and locations are atmospheric, the sparse use of music and silence is pointed, and the performances are uniformly good from everyone involved. That being said, Amy Madigan, playing the aunt of the sole child in his class who didn't vanish into the night, steals the thunder from everyone , giving a performance that is of "What Ever Happened to Baby Jane?" proportions.

Many have noted that the less you know about the film going into it, the better, and while I think that adage stands true for most moviegoing experiences, it is especially true here. The interlocking character vignettes are compelling in their own right, and the plot strands playfully connect by degrees, keeping the audience firmly planted on their toes. The truth eludes you until the outrageous final act, which is where I think the film could lose some people; however, by that point, I think even most hardened horror fans will remain invested due to the high level of intrigue that has brewed over the previous hour and a half. "Where could this possibly go?" was a recurring thought as I watched this, and even when it stretched credulity as the answers came, I remained firmly in the crosshairs, just as each of the children in Ms. Gandy's ill-fated homeroom. 8/10.

I must say, this movie truly has it all - mystery, horror, and excellent storytelling.

Normally, it takes a while for a film to draw me in and build up the suspense, but this one grabs your attention from the very first scene and keeps you hooked all the way through.

The pacing is tight, the atmosphere is intense, and the story unfolds in a way that keeps you constantly curious. I also really appreciated the performances - the acting felt authentic and added depth to the overall experience.

The ending was satisfying, though I gave it 8 stars because a few elements of the mystery remained unresolved - or perhaps intentionally left open to interpretation.

Still, a fantastic film and a must-watch for fans of smart, original horror!

1) I love horror movies.

2) I avoided all trailers, marketing and reviews, so I am not a victim of overhyping.

3) I felt like this would be another example of a movie that will be unanimously praised and lauded as the best/scariest horror movie of the year. That seems to be the case.

4) Six stars is a positive score, but this review will be mostly negative as I try to explain why I didn't like this more.

5) The mystery is built masterfully. But once we find out who or what is behind the horror, all I could think is, "That's it?" I hoped there was more to the story or somewhere interesting the plot could go from there. But there really isn't.

6) They keep telling us more about the flawed characters, and have them involved in drama, which I enjoyed as it happened. But it doesn't come into play even a tiny bit, not with the story or any character arcs.

7) There are some really good horror elements and jaw-dropping moments. But I ask myself if I would watch this again, and the answer is... probably not.

8) It's a good movie, but I can't help but feel underwhelmed.

(1 viewing, opening Thursday EMX 8/7/2025)

A Pennsylvania teacher's nightmares begin when her entire classroom vanishes, leaving only one disturbed boy.

The trailer caught my attention, and I went in expecting a decent movie; I wasn't expecting to be as entertained as I was. Weapons absolutely delivered on all levels.

The storytelling was amazing; it was like an onion being peeled back, layer after layer. It was so clever. There were so many creepy moments, and the scenes inside the house were at times chilling and really unsettling.

Great characters; Gladys was an absolute riot and deserves to return in whatever format. Amy Madigan was fantastic, and credit goes to the makeup team as well. This is the most different and creatively imaginative film I've seen in ages. I loved it.

Out of interest, this is a challenging movie for snacks at the cinema, there are multiple silent scenes, you'll hear every slurp of coke and every crunch of popcorn. I'll never take pringles again.

8/10.

Exceeding all my expectations, "Weapons" is an incredibly powerful film where Zach Cregger masterfully blends tension and dark humor to a new level of sharpness.

The mystery of a mass disappearance and its impact on a small town unfolds in a mesmerizing, layered way, giving each character a chance to shine. The story is divided into several nerve-wracking chapters, ending with a gripping finale.

Special credit goes to Josh Brolin and Alden Ehrenreich, though the entire cast delivers strong, harmonious performances that brilliantly maintain the balance Cregger has created.