Un'epopea horror interrelata e a più piani sulla scomparsa di studenti della scuola di una piccola città.Un'epopea horror interrelata e a più piani sulla scomparsa di studenti della scuola di una piccola città.Un'epopea horror interrelata e a più piani sulla scomparsa di studenti della scuola di una piccola città.
- Regia
- Sceneggiatura
- Star
- Premi
- 10 candidature totali
Scarlett Sher
- Narrator
- (voce)
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Riepilogo
Reviewers say 'Weapons' blends mystery, horror, and dark humor through an innovative narrative with multiple perspectives and non-linear storytelling. The suspenseful atmosphere, jump scares, and supernatural elements are commonly praised. Lead actors' performances are noted for their depth and authenticity. However, some criticize the film's pacing, plot inconsistencies, and horror effectiveness. Cinematography and sound design contribute significantly to the unsettling mood. Despite mixed opinions on the ending, many appreciate its unique approach within the horror genre.
Recensioni in evidenza
Watch for the mystery; stay for Amy Madigan
"Weapons" focuses on a Pennsylvania town where a large group of children-coincidentally (or perhaps not) from the same home classroom-flee their homes one night and disappear. Suspicion naturally falls on their teacher, but an intricate web of events unfolds, showcasing a dark, if not unbelievable, turn of events.
While writer-director Zach Cregger's "Barbarian" attracted a significant following among genre fans, I was not particularly a fan of that film; while I thought it had its share of strong elements and could see why some people loved it, the tone and genre-bending grotesque humor did not appeal to my taste. Because of this, I had tempered expectations for this film, but on the whole was pleasantly surprised. There is certainly dark humor here, but it is played in a more human way.
The screenplay utilizes segmented vignettes that interlock, forming a larger portrait of the strange, almost Stephen King-esque events unfolding in the small community. Tensions abound, as the missing kids' schoolteacher, Justine Gandy (Julia Garner) receives her scarlet letter, with grief-stricken parents such as Archer (Josh Brolin) blaming her for their children's disappearances. Further characters are thrown into the mix and each have their own narrative strands in the chain of events, including a struggling cop (Alden Ehrenreich), a young drug addict and petty thief (Austin Abrams), and the school principal Andrew (Benedict Wong).
While this narrative mode can often be hit-or-miss, it is played to great effect here and is clever without being too gimmicky or pretentious for its own good. On a purely technical level, the film is solid-the cinematography and locations are atmospheric, the sparse use of music and silence is pointed, and the performances are uniformly good from everyone involved. That being said, Amy Madigan, playing the aunt of the sole child in his class who didn't vanish into the night, steals the thunder from everyone , giving a performance that is of "What Ever Happened to Baby Jane?" proportions.
Many have noted that the less you know about the film going into it, the better, and while I think that adage stands true for most moviegoing experiences, it is especially true here. The interlocking character vignettes are compelling in their own right, and the plot strands playfully connect by degrees, keeping the audience firmly planted on their toes. The truth eludes you until the outrageous final act, which is where I think the film could lose some people; however, by that point, I think even most hardened horror fans will remain invested due to the high level of intrigue that has brewed over the previous hour and a half. "Where could this possibly go?" was a recurring thought as I watched this, and even when it stretched credulity as the answers came, I remained firmly in the crosshairs, just as each of the children in Ms. Gandy's ill-fated homeroom. 8/10.
While writer-director Zach Cregger's "Barbarian" attracted a significant following among genre fans, I was not particularly a fan of that film; while I thought it had its share of strong elements and could see why some people loved it, the tone and genre-bending grotesque humor did not appeal to my taste. Because of this, I had tempered expectations for this film, but on the whole was pleasantly surprised. There is certainly dark humor here, but it is played in a more human way.
The screenplay utilizes segmented vignettes that interlock, forming a larger portrait of the strange, almost Stephen King-esque events unfolding in the small community. Tensions abound, as the missing kids' schoolteacher, Justine Gandy (Julia Garner) receives her scarlet letter, with grief-stricken parents such as Archer (Josh Brolin) blaming her for their children's disappearances. Further characters are thrown into the mix and each have their own narrative strands in the chain of events, including a struggling cop (Alden Ehrenreich), a young drug addict and petty thief (Austin Abrams), and the school principal Andrew (Benedict Wong).
While this narrative mode can often be hit-or-miss, it is played to great effect here and is clever without being too gimmicky or pretentious for its own good. On a purely technical level, the film is solid-the cinematography and locations are atmospheric, the sparse use of music and silence is pointed, and the performances are uniformly good from everyone involved. That being said, Amy Madigan, playing the aunt of the sole child in his class who didn't vanish into the night, steals the thunder from everyone , giving a performance that is of "What Ever Happened to Baby Jane?" proportions.
Many have noted that the less you know about the film going into it, the better, and while I think that adage stands true for most moviegoing experiences, it is especially true here. The interlocking character vignettes are compelling in their own right, and the plot strands playfully connect by degrees, keeping the audience firmly planted on their toes. The truth eludes you until the outrageous final act, which is where I think the film could lose some people; however, by that point, I think even most hardened horror fans will remain invested due to the high level of intrigue that has brewed over the previous hour and a half. "Where could this possibly go?" was a recurring thought as I watched this, and even when it stretched credulity as the answers came, I remained firmly in the crosshairs, just as each of the children in Ms. Gandy's ill-fated homeroom. 8/10.
Overhyped. A slow build to meh.
There's a steady hand at work building tension as the movie progresses but unfortunately it all leads to a rather dull climax. You get hints of an explanation, and I'm not the type of person who needs everything spelled out, but it feels as though the film simply ends things "because it's time." I appreciate the different storylines overlapping and converging but it all felt pointless by the time the credits rolled. I'm also not sure what tone the director is going for here. There's certainly a horror element, but I've seen it classified as a dark comedy and I don't know that I would remotely consider it in that category. The acting is fine and the photography is decent but there's nothing here that you haven't seen before in better packaging.
A tense build-up, but a lackluster payoff
I genuinely fail to see the buzz surrounding Weapons. The first half of the film did a commendable job of building tension. The atmosphere was thick with unease, and the slow burn of the narrative had me on the edge of my seat, waiting for the terror to strike. The mystery was compelling, and the gradual reveal of the plot promised a chilling experience. However, once the story began to fully reveal itself, the thrill completely evaporated. The suspense that had been so carefully crafted in the beginning was gone. The narrative shift from psychological tension to a more straightforward plot left me feeling underwhelmed and, frankly, bored. The film's "horror" element was almost non-existent. Ultimately, Weapons is a film that promises a gripping, terrifying experience but delivers something far more ordinary. It's a classic case of style over substance.
Please be serious.
It's not a bad movie but all these reviews saying how original and unique it is are reaching.
You have seen this movie before.
It's interesting, it has occult elements and it has some good performances from the actors. But it is being severely overhyped.
The plot progression hinges on people making stupid decisions. If the characters acted reasonably, it would have been much shorter.
For me, the scariest movies are ones based on a true story. This movie boldly claims it's based on actual events, but it's really not.
It's like saying Scream was based on a true story because some teenagers got stabbed.
It's not one of those cerebral horror movies that demands a second or third watch. It's not really even a horror movie. At the core, it's a movie about a search for kids with some random horror elements mixed in.
Just to be clear, I'm not saying it's a bad movie. But the claims that it's the best horror movie in years is nonsense. It's not even the best horror movie THIS year.
People in the theater laughed through most of it and the ending was pretty ridiculous.
Watch it if you want, come to your own conclusion, but I saw it once and that was more than enough.
Anybody that rated this over a 7 is either lying or has really low standards.
You have seen this movie before.
It's interesting, it has occult elements and it has some good performances from the actors. But it is being severely overhyped.
The plot progression hinges on people making stupid decisions. If the characters acted reasonably, it would have been much shorter.
For me, the scariest movies are ones based on a true story. This movie boldly claims it's based on actual events, but it's really not.
It's like saying Scream was based on a true story because some teenagers got stabbed.
It's not one of those cerebral horror movies that demands a second or third watch. It's not really even a horror movie. At the core, it's a movie about a search for kids with some random horror elements mixed in.
Just to be clear, I'm not saying it's a bad movie. But the claims that it's the best horror movie in years is nonsense. It's not even the best horror movie THIS year.
People in the theater laughed through most of it and the ending was pretty ridiculous.
Watch it if you want, come to your own conclusion, but I saw it once and that was more than enough.
Anybody that rated this over a 7 is either lying or has really low standards.
Overrated
This was the most excited I've been about a movie in a very long time. Rotten Tomatoes and IMDB reviews were looking great. Maybe my expectations were too high but I really thought this movie was not that good. Extremely disappointed. The plot of the movie was kind of lame. It really wasn't that scary or suspenseful. It just didn't deliver like most moves rated high 7's or low 8's. Not sure why it's still rated high 7's.
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Lo sapevi?
- QuizTo further capitalize on the themes of the movie, theaters listed showtimes at 2:17, the same time the children in the film vanish.
- BlooperThe film is set in Pennsylvania where liquor can only be purchased in "State Stores". One can also buy wine in the state stores, but beer is purchased at package goods stores, bars, or some supermarkets. Nowhere in Pennsylvania can one buy liquor and beer at the same place.
- Citazioni
Gas Station Clerk: [as Justine runs from Marcus] Get outta my store!
Justine: Fucking help me!
- Curiosità sui creditiThe New Line Cinema and Domain Entertainment logos have the sounds of children talking in the background.
- ConnessioniFeatured in Tyrone Magnus: Weapons | Official Trailer | Reaction! (2025)
- Colonne sonoreBeware of Darkness
Written and Performed by George Harrison
Courtesy of G. H. Estate Limited
By arrangement of BMG Rights Management (US) LLC
I più visti
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Radical On-Screen Transformations
Radical On-Screen Transformations
Amy Madigan in Weapons and more actors who totally transformed for their roles. How many do you recognize?
- How long is Weapons?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- La hora de la desaparición
- Luoghi delle riprese
- Atlanta, Georgia, Stati Uniti(location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 38.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 151.550.044 USD
- Fine settimana di apertura Stati Uniti e Canada
- 43.501.217 USD
- 10 ago 2025
- Lordo in tutto il mondo
- 268.250.044 USD
- Tempo di esecuzione
- 2h 8min(128 min)
- Colore
- Mix di suoni
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