Un'epopea horror interrelata e a più piani sulla scomparsa di studenti delle scuole superiori in una piccola città.Un'epopea horror interrelata e a più piani sulla scomparsa di studenti delle scuole superiori in una piccola città.Un'epopea horror interrelata e a più piani sulla scomparsa di studenti delle scuole superiori in una piccola città.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Scarlett Sher
- Narrator
- (voce)
Recensioni in evidenza
Weapons is without a doubt one of the most intense and fascinating horror movies I've ever seen. I rarely give good reviews to any horror film but this one went above and beyond my expectations. The premise is quite simple, a classroom of kids goes missing. It sounds normal, but something about the plot is so eerie and terrifying it keeps you on the edge of your seat throughout. The film does a good job of balancing the horror with some comedy to alleviate the underlying tension that is there. Weapons has so many twists and turns that will keep you guessing throughout. Josh Brolin and Julia Garner carry this film. I highly recommend seeing this movie in theaters with an audience, it really makes the experience a whole lot better.
1) I love horror movies.
2) I avoided all trailers, marketing and reviews, so I am not a victim of overhyping.
3) I felt like this would be another example of a movie that will be unanimously praised and lauded as the best/scariest horror movie of the year. That seems to be the case.
4) Six stars is a positive score, but this review will be mostly negative as I try to explain why I didn't like this more.
5) The mystery is built masterfully. But once we find out who or what is behind the horror, all I could think is, "That's it?" I hoped there was more to the story or somewhere interesting the plot could go from there. But there really isn't.
6) They keep telling us more about the flawed characters, and have them involved in drama, which I enjoyed as it happened. But it doesn't come into play even a tiny bit, not with the story or any character arcs.
7) There are some really good horror elements and jaw-dropping moments. But I ask myself if I would watch this again, and the answer is... probably not.
8) It's a good movie, but I can't help but feel underwhelmed.
(1 viewing, opening Thursday EMX 8/7/2025)
2) I avoided all trailers, marketing and reviews, so I am not a victim of overhyping.
3) I felt like this would be another example of a movie that will be unanimously praised and lauded as the best/scariest horror movie of the year. That seems to be the case.
4) Six stars is a positive score, but this review will be mostly negative as I try to explain why I didn't like this more.
5) The mystery is built masterfully. But once we find out who or what is behind the horror, all I could think is, "That's it?" I hoped there was more to the story or somewhere interesting the plot could go from there. But there really isn't.
6) They keep telling us more about the flawed characters, and have them involved in drama, which I enjoyed as it happened. But it doesn't come into play even a tiny bit, not with the story or any character arcs.
7) There are some really good horror elements and jaw-dropping moments. But I ask myself if I would watch this again, and the answer is... probably not.
8) It's a good movie, but I can't help but feel underwhelmed.
(1 viewing, opening Thursday EMX 8/7/2025)
"Weapons" focuses on a Pennsylvania town where a large group of children-coincidentally (or perhaps not) from the same home classroom-flee their homes one night and disappear. Suspicion naturally falls on their teacher, but an intricate web of events unfolds, showcasing a dark, if not unbelievable, turn of events.
While writer-director Zach Cregger's "Barbarian" attracted a significant following among genre fans, I was not particularly a fan of that film; while I thought it had its share of strong elements and could see why some people loved it, the tone and genre-bending grotesque humor did not appeal to my taste. Because of this, I had tempered expectations for this film, but on the whole was pleasantly surprised. There is certainly dark humor here, but it is played in a more human way.
The screenplay utilizes segmented vignettes that interlock, forming a larger portrait of the strange, almost Stephen King-esque events unfolding in the small community. Tensions abound, as the missing kids' schoolteacher, Justine Gandy (Julia Garner) receives her scarlet letter, with grief-stricken parents such as Archer (Josh Brolin) blaming her for their children's disappearances. Further characters are thrown into the mix and each have their own narrative strands in the chain of events, including a struggling cop (Alden Ehrenreich), a young drug addict and petty thief (Austin Abrams), and the school principal Andrew (Benedict Wong).
While this narrative mode can often be hit-or-miss, it is played to great effect here and is clever without being too gimmicky or pretentious for its own good. On a purely technical level, the film is solid-the cinematography and locations are atmospheric, the sparse use of music and silence is pointed, and the performances are uniformly good from everyone involved. That being said, Amy Madigan, playing the aunt of the sole child in his class who didn't vanish into the night, steals the thunder from everyone , giving a performance that is of "What Ever Happened to Baby Jane?" proportions.
Many have noted that the less you know about the film going into it, the better, and while I think that adage stands true for most moviegoing experiences, it is especially true here. The interlocking character vignettes are compelling in their own right, and the plot strands playfully connect by degrees, keeping the audience firmly planted on their toes. The truth eludes you until the outrageous final act, which is where I think the film could lose some people; however, by that point, I think even most hardened horror fans will remain invested due to the high level of intrigue that has brewed over the previous hour and a half. "Where could this possibly go?" was a recurring thought as I watched this, and even when it stretched credulity as the answers came, I remained firmly in the crosshairs, just as each of the children in Ms. Gandy's ill-fated homeroom. 8/10.
While writer-director Zach Cregger's "Barbarian" attracted a significant following among genre fans, I was not particularly a fan of that film; while I thought it had its share of strong elements and could see why some people loved it, the tone and genre-bending grotesque humor did not appeal to my taste. Because of this, I had tempered expectations for this film, but on the whole was pleasantly surprised. There is certainly dark humor here, but it is played in a more human way.
The screenplay utilizes segmented vignettes that interlock, forming a larger portrait of the strange, almost Stephen King-esque events unfolding in the small community. Tensions abound, as the missing kids' schoolteacher, Justine Gandy (Julia Garner) receives her scarlet letter, with grief-stricken parents such as Archer (Josh Brolin) blaming her for their children's disappearances. Further characters are thrown into the mix and each have their own narrative strands in the chain of events, including a struggling cop (Alden Ehrenreich), a young drug addict and petty thief (Austin Abrams), and the school principal Andrew (Benedict Wong).
While this narrative mode can often be hit-or-miss, it is played to great effect here and is clever without being too gimmicky or pretentious for its own good. On a purely technical level, the film is solid-the cinematography and locations are atmospheric, the sparse use of music and silence is pointed, and the performances are uniformly good from everyone involved. That being said, Amy Madigan, playing the aunt of the sole child in his class who didn't vanish into the night, steals the thunder from everyone , giving a performance that is of "What Ever Happened to Baby Jane?" proportions.
Many have noted that the less you know about the film going into it, the better, and while I think that adage stands true for most moviegoing experiences, it is especially true here. The interlocking character vignettes are compelling in their own right, and the plot strands playfully connect by degrees, keeping the audience firmly planted on their toes. The truth eludes you until the outrageous final act, which is where I think the film could lose some people; however, by that point, I think even most hardened horror fans will remain invested due to the high level of intrigue that has brewed over the previous hour and a half. "Where could this possibly go?" was a recurring thought as I watched this, and even when it stretched credulity as the answers came, I remained firmly in the crosshairs, just as each of the children in Ms. Gandy's ill-fated homeroom. 8/10.
Weapons is a tense and gripping new horror from Zach Cregger that lives up to much of its immense hype. The story follows a community reeling after all but one child from the same class vanish on the same night at exactly the same time, and from there it unfolds with a sharp mix of mystery, dread, and dark humor. The acting across the board is phenomenal, the suspense is crafted with precision, and the world building for the small town setting feels rich and lived in. Practical effects shine, the score adds weight to the tension, and there are even moments of levity that break up the intensity without ever killing the mood.
What makes Weapons stand out is how confidently it holds your attention. From start to finish, it's a film that refuses to let go, pulling you deeper into its unsettling premise. It's refreshing to see such commitment to originality in mainstream horror, and the movie feels like a love letter to the genre's willingness to take risks. While the final reveal of what truly happened may divide viewers, and for me personally, it didn't entirely stick the landing but the journey there is so compelling that it's hard not to walk away impressed.
What makes Weapons stand out is how confidently it holds your attention. From start to finish, it's a film that refuses to let go, pulling you deeper into its unsettling premise. It's refreshing to see such commitment to originality in mainstream horror, and the movie feels like a love letter to the genre's willingness to take risks. While the final reveal of what truly happened may divide viewers, and for me personally, it didn't entirely stick the landing but the journey there is so compelling that it's hard not to walk away impressed.
I must say, this movie truly has it all - mystery, horror, and excellent storytelling.
Normally, it takes a while for a film to draw me in and build up the suspense, but this one grabs your attention from the very first scene and keeps you hooked all the way through.
The pacing is tight, the atmosphere is intense, and the story unfolds in a way that keeps you constantly curious. I also really appreciated the performances - the acting felt authentic and added depth to the overall experience.
The ending was satisfying, though I gave it 8 stars because a few elements of the mystery remained unresolved - or perhaps intentionally left open to interpretation.
Still, a fantastic film and a must-watch for fans of smart, original horror!
Normally, it takes a while for a film to draw me in and build up the suspense, but this one grabs your attention from the very first scene and keeps you hooked all the way through.
The pacing is tight, the atmosphere is intense, and the story unfolds in a way that keeps you constantly curious. I also really appreciated the performances - the acting felt authentic and added depth to the overall experience.
The ending was satisfying, though I gave it 8 stars because a few elements of the mystery remained unresolved - or perhaps intentionally left open to interpretation.
Still, a fantastic film and a must-watch for fans of smart, original horror!
New Horror Releases in August 2025
New Horror Releases in August 2025
Together is in theaters, "Alien: Earth" is coming to TV, and Weapons is coming soon. Here's everything new in the world of horror this August.
Lo sapevi?
- QuizTo further capitalize on the themes of the movie, theaters listed showtimes at 2:17, the same time the children in the film vanish.
- BlooperNo one at the grocery store found it suspicious that Alex was suddenly buying 17-20 cans of soup regularly by himself? Especially right after his entire class goes missing.
- Citazioni
Captain Ed: Mr. Graff, I can understand your passion and I don't mind having these conversations with you because god forbid if it was my child, I'd be demanding answers too. Those kids walked out of those homes, no one pulled them out. No one forced them. What do you see that I don't?
- ConnessioniFeatured in Tyrone Magnus: Weapons | Official Trailer | Reaction! (2025)
- Colonne sonoreBeware of Darkness
Written and Performed by George Harrison
Courtesy of G. H. Estate Limited
By arrangement of BMG Rights Management (US) LLC
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- La hora de la desaparición
- Luoghi delle riprese
- Atlanta, Georgia, Stati Uniti(location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 38.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 59.969.408 USD
- Fine settimana di apertura Stati Uniti e Canada
- 43.501.217 USD
- 10 ago 2025
- Lordo in tutto il mondo
- 100.669.408 USD
- Tempo di esecuzione
- 2h 8min(128 min)
- Colore
- Proporzioni
- 2.39 : 1
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