Aavesham

As they were promised they did re introduce Fahad.

No one has ever seen FaFa like this. No one in the whole movie couldn't match with his energy and vibrant performance.

It was definitely an all and out Fahad movie.

Next thing should be mentioned is sushin shyam . He is now a brand, audience are gonna wait for sushin's music. People surely choose his movies not without taking another opinion.

Jithu madhavan is now on the list of most promising Malayalam Directors. His works gonna blow up in the future.

He can perfectly balance each emotion on its correct meter. No scenes were too emotional or cringey everything were perfectly balanced.

This movie is on par with romancham, jithu madhavan is proving to be one of the best directors out there. There's mass, there's comedy, FaFa show through out!!! Amazing movie and a good treat for vishu! Sushin shyam as he mentioned, scene maatti crazy bgm crazy fight scenes. All the characters have performed really well in the movie, being from bangalore i could totally relate to the college life here, one of the best visualisations of a bangalore rowdy this movie is perfect for families and college goers alike. Cinematography was good as well. There was a small lag until fafa enters, but after that its just EDA MWONEEEE.

Aavesham is a Malayalam action-comedy that effectively leverages the star power of Fahadh Faasil. The film, directed by Jithu Madhavan, presents a simple plotline of three engineering students who seek the help of a local gangster to avenge their bullying.

The Good :-

Fahadh Faasil's Performance: The undisputed highlight of the film is Fahadh's energetic and unhinged portrayal of the gangster. He effortlessly switches between comedy and action, making his character both hilarious and intimidating.

Mass Appeal: The film is packed with commercial elements like catchy songs, stylish action sequences, and ample humor, catering to the mass audience.

First Half: The first half is a laugh riot, with the comedic timing of the characters and Fahadh's over-the-top antics keeping the audience entertained.

The Not-So-Good :-

Thin Plot: The plot is fairly straightforward and predictable, lacking depth and originality.

Second Half: While the first half is engaging, the second half loses some momentum and could have been tighter.

Character Development: The supporting characters, especially the three college students, could have been developed better to add more depth to the story.

Overall, Aavesham is a quintessential mass entertainer that delivers on its promise of providing mindless fun. While the plot might be simplistic, Fahadh Faasil's charismatic performance and the film's energetic pace make it a worthwhile watch for those looking for a commercial dose of entertainment.

Aavesham has a great 1st half and not that great 2nd half. It's a good mix of mass and comedy. It's mostly a FaFa show all through with some catchy comedic moments from Sajin. 1st half is a laughter riot and the whole theatre vibes was crazy. Sushin' music is so hip that it really ups the game in the mass scenes and as bgm. The new comer kids have done a really good job and they doesn't feel like freshers in acting. They also have plenty of comedic presence and felt fresh alltogether. Eventhough the second half lags a bit giving the feeling of trying to find the right pace and place, overall it's a good entertainer.

I don't wish to write a detailed, eloquent review for a film that only tries to present itself as a pure, no-holds-barred entertainer with just the right doses of everything (save for a romance). The character sketch of Ranga, along with an insane range of unpredictable emotions, is safe in the hands of FAFAA. He embodies the adorable, fun-loving thug with a penchant for violence (although he's under oath not to inflict any himself) like no other performer can, at least in Malayalam cinema. We've seen him play solemn, serious protagonists with consummate ease, but Aavesham gifts him the opportunity to fully embrace his zany side. If his foray into Tamil and Telugu cinema eventually led to him signing up for such an unhinged role in Malayalam, then I'm all in for those decisions.

The plot can be summed up in two or three lines, but director Jithu Madhavan is adept at keeping the proceedings tremendously enjoyable. As a result, we get a well-cooked mix of terrific action blocks, plenty of laugh-out-loud moments (major credit to Sajin Gopu), and even a little unexpected emotional depth to the protagonist. Sushin Shyam's songs and score are every bit an essential ingredient, without which, the mass moments would lack the necessary knock-out punch. The three guys who tag along with FaFaa also manage to hold up their end of the bargain, and their exchanges especially in the latter half, left me in splits. There are occasional signs of the screenplay running out of storytelling steam, but the fun factor never takes a dip. Once in a while, Malayalam cinema needs an injection of packaged entertainers like Aavesham where you slip into your most comfortable sitting position, clapping and hooting at the antics of an electrifying FaFaa.