VALUTAZIONE IMDb
5,6/10
5706
LA TUA VALUTAZIONE
Un ragazzo e la sua matrigna temono per la loro sicurezza dopo che una inquietante creatura somigliante al padre recentemente deceduto del ragazzo fa loro visita.Un ragazzo e la sua matrigna temono per la loro sicurezza dopo che una inquietante creatura somigliante al padre recentemente deceduto del ragazzo fa loro visita.Un ragazzo e la sua matrigna temono per la loro sicurezza dopo che una inquietante creatura somigliante al padre recentemente deceduto del ragazzo fa loro visita.
Stevie Abrahms
- Saanvi
- (as Deepica Stephen)
Isaac Rouse
- Older Isaac
- (voce)
Recensioni in evidenza
Monster seemed cool, if you could see it. Acting not bad not great. Just a series of events with no story - the usual "deep" rubbish. I'm sure there's some grand overture about grief and relationships and etc etc. I can read a book written by professionals for deeper meanings of grief. If you can't translate those meanings into motion then you'd better have a good story - or apparently not a story at all as seems be the case with many films these days. AMBIGUITY IS NOT A STORY - A FILM IS NOT A MOVIE WITHOUT A STORY. It's just collections of thoughts. Everyone has thoughts big deal - tell a story! What a disappointing horror movie season. First Beezle now this. Lame lame lame.
At first, I was a bit skeptical about this movie because the first 25 minutes were not particularly entertaining. It didn't give me much to work with, and the characters were not very interesting. The drama also didn't hit as hard, as we've seen movies with tragic deaths of loved ones a million times before. However, after the first encounter with the threat that Isaac-and especially Laura-have to deal with throughout the movie, I was hooked. Every time this entity appeared on screen, I was mesmerized by its design and movement. It felt like something new, not the typical evil you see in every third horror movie nowadays.
As the relationship between Laura and Isaac escalated, the drama worked more for me. Imagining the grief and pain that come after the death of a loved one under these circumstances was harrowing. The movie also has some really interesting visuals that look unique and engaging. The acting was decent, though nothing extraordinary, but Rupert Turnbull definitely succeeded in making me very annoyed with his portrayal of a grieving Isaac.
In the end, I had a rather good time watching this, and even though it's not spectacular, I would recommend giving it a try. [6.1/10]
As the relationship between Laura and Isaac escalated, the drama worked more for me. Imagining the grief and pain that come after the death of a loved one under these circumstances was harrowing. The movie also has some really interesting visuals that look unique and engaging. The acting was decent, though nothing extraordinary, but Rupert Turnbull definitely succeeded in making me very annoyed with his portrayal of a grieving Isaac.
In the end, I had a rather good time watching this, and even though it's not spectacular, I would recommend giving it a try. [6.1/10]
What can I say about this film? It is truly unique in its depiction of grief as a creature that uses the face of others . Bending those affected at will to do whatever this creature summons.
The actors are all well grounded in their role in this film particularly Julia brown who had some difficult moments to perform in this film . She effortlessly convinces you to sympathise with her character's situation.
There are plenty of dark moments in this film but it is specifically horrific in its basis , imagine a loved one not talking to u from an ouija board or a ghostly form wailing. But clear as day face to face and yet you can feel something is not quite real about them .
This form being in fact a viscous malicious predator.
A physical manifestation of your grief and desire to see them once more now inescapable and hunting you .
Quite frankly I feel this movie will go on to have a small but cult following, it reminded me of heredity significantly in its development gradually becoming more disturbing psychologically rather than with silly quick jump scares like most films .
Put in short .
It's dark , disturbing and gripping and definitely deserves more attention.
The actors are all well grounded in their role in this film particularly Julia brown who had some difficult moments to perform in this film . She effortlessly convinces you to sympathise with her character's situation.
There are plenty of dark moments in this film but it is specifically horrific in its basis , imagine a loved one not talking to u from an ouija board or a ghostly form wailing. But clear as day face to face and yet you can feel something is not quite real about them .
This form being in fact a viscous malicious predator.
A physical manifestation of your grief and desire to see them once more now inescapable and hunting you .
Quite frankly I feel this movie will go on to have a small but cult following, it reminded me of heredity significantly in its development gradually becoming more disturbing psychologically rather than with silly quick jump scares like most films .
Put in short .
It's dark , disturbing and gripping and definitely deserves more attention.
I recently watched the UK film 🇬🇧 Daddy's Head (2024) on Shudder. The story follows a young man living with his stepmother after the tragic death of his father. As they both struggle to cope with their loss, a strange figure emerges from the woods, claiming to be the boy's father. But what is buried in the woods, and is this really his father?
The film is written and directed by Benjamin Barfoot (Double Date) and stars Julia Brown (Shetland), Rupert Turnbull (Scrooge: A Christmas Carol), Nila Aalia (The Commuter), and Charles Aitken (Happy Death Day).
This film had a lot of potential. The casting and performances were spot on, and the settings, cinematography, and props effectively created a moody, atmospheric backdrop. The psychological struggles of the main characters felt authentic, making their vulnerability palpable. However, despite the buildup, the villain or supernatural presence never fully takes over the film as you'd expect. The best horror elements come from the eerie sound effects of the creature, but even that isn't enough to carry the tension. The ending is especially disappointing, as it leaves you waiting for a climactic moment that never happens.
In conclusion, Daddy's Head has all the ingredients to be a great horror film, but it never quite delivers. I'd rate it a 5/10 and recommend giving it a pass.
The film is written and directed by Benjamin Barfoot (Double Date) and stars Julia Brown (Shetland), Rupert Turnbull (Scrooge: A Christmas Carol), Nila Aalia (The Commuter), and Charles Aitken (Happy Death Day).
This film had a lot of potential. The casting and performances were spot on, and the settings, cinematography, and props effectively created a moody, atmospheric backdrop. The psychological struggles of the main characters felt authentic, making their vulnerability palpable. However, despite the buildup, the villain or supernatural presence never fully takes over the film as you'd expect. The best horror elements come from the eerie sound effects of the creature, but even that isn't enough to carry the tension. The ending is especially disappointing, as it leaves you waiting for a climactic moment that never happens.
In conclusion, Daddy's Head has all the ingredients to be a great horror film, but it never quite delivers. I'd rate it a 5/10 and recommend giving it a pass.
By the halfway point, this film had done little to captivate. Pushed through hoping for more, but apart from the slightest case of the creeps there was nothing.
Pros: The concept. Creepy monster adopts the face of a recently deceased loved one to lure relatives to its lair. Potential for days.
Creature design (barely). Unfortunately, we're given barely a glimpse of the thing, which is a pity because it's the best thing about this film.
Cons: The acting. From underacted to overacted to downright wooden, none of the performances did anything to hold my attention.
The characters. No redeeming factors, nothing to elicit sympathy. Two dimensional. The predominant feeling is one of dislike. When you don't care if the characters live or die, what's the point of watching any more?
The monster. What is it? Where does it come from? What does it want? In the end, I was only holding on for answers to these questions, and I got nothing.
The pacing. Paint dries quicker.
I get the sense they were trying for some grand metaphor, but overall it fell pretty short. After everything, the ending feels pointless.
Disappointing.
Pros: The concept. Creepy monster adopts the face of a recently deceased loved one to lure relatives to its lair. Potential for days.
Creature design (barely). Unfortunately, we're given barely a glimpse of the thing, which is a pity because it's the best thing about this film.
Cons: The acting. From underacted to overacted to downright wooden, none of the performances did anything to hold my attention.
The characters. No redeeming factors, nothing to elicit sympathy. Two dimensional. The predominant feeling is one of dislike. When you don't care if the characters live or die, what's the point of watching any more?
The monster. What is it? Where does it come from? What does it want? In the end, I was only holding on for answers to these questions, and I got nothing.
The pacing. Paint dries quicker.
I get the sense they were trying for some grand metaphor, but overall it fell pretty short. After everything, the ending feels pointless.
Disappointing.
Lo sapevi?
- QuizThe original scripted title was "Daddy's Home." Producers altered it to avoid confusion with the Will Ferrel family comedy of the same name. Coincidently, both movies deal with alternate family dynamics.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 288.387 USD
- Tempo di esecuzione
- 1h 32min(92 min)
- Colore
- Proporzioni
- 2.39:1
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