Quando uno dei suoi studenti viene sospettato di furto, l'insegnante Carla Nowak decide di andare a fondo della questione. Stretta tra i suoi ideali e il sistema scolastico, le conseguenze d... Leggi tuttoQuando uno dei suoi studenti viene sospettato di furto, l'insegnante Carla Nowak decide di andare a fondo della questione. Stretta tra i suoi ideali e il sistema scolastico, le conseguenze delle sue azioni minacciano di distruggerla.Quando uno dei suoi studenti viene sospettato di furto, l'insegnante Carla Nowak decide di andare a fondo della questione. Stretta tra i suoi ideali e il sistema scolastico, le conseguenze delle sue azioni minacciano di distruggerla.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 13 vittorie e 25 candidature totali
Oskar Zickur
- Lukas
- (as Oscar Mats Zickur)
Recensioni in evidenza
I am teacher. I saw this admirable film only from this perspective, admiring its high realism, recognizing ordinary, almost every day crisis, understanding the power , bigger and bigger , decade by decade, of students , their cruelty - not different by the characters of William Golding in The Lord of Flies.
I real loved the performance of Leonie Benesch. I appreciated the fair crafted tension. And the end , I believe, is pure great.
The story - chains of a clash. A terrible one because it is between values, truths, the victim being the honesty, noble intentions, the spirit of dedication and justice of a young teacher, devouted, maybe in too high measure, to her job.
The young actors are just fantastic.
At the end, the hope than the Oscar for Best International Feature Film goes to Das Lehrerzimmer.
I real loved the performance of Leonie Benesch. I appreciated the fair crafted tension. And the end , I believe, is pure great.
The story - chains of a clash. A terrible one because it is between values, truths, the victim being the honesty, noble intentions, the spirit of dedication and justice of a young teacher, devouted, maybe in too high measure, to her job.
The young actors are just fantastic.
At the end, the hope than the Oscar for Best International Feature Film goes to Das Lehrerzimmer.
A great film about an important topic. The film hardly leaves any time to breathe, the atmosphere is so cramped. The 4:3 format is so close to the action that you can literally feel the captivity of the leading actress Leonie Benesch, who plays brilliantly. We follow a teacher in her first job as she tries to do the right thing but can no longer uphold her own moral standards. How she gets further and further into a whirlpool.
A psychogram of a teacher who is under pressure and there seems to be no way out. Teachers don't have it easy and the film impressively shows a reflection of this incredible profession through acting, film and music.
A psychogram of a teacher who is under pressure and there seems to be no way out. Teachers don't have it easy and the film impressively shows a reflection of this incredible profession through acting, film and music.
Being German, i actually really dislike most of my nation's dramas, mostly for their bleak depiction of nearly everything. An unrewarding depression mood, intertwined with bursts of out-of-place screams and violence. But this movie hit different - in the most frustatingly positive ways possible.
The central character is the overambitious teacher Carla Novak who began to teach at a German highschool, being silently confronted and appalled by the zero tolerance politics of the institution. The plot revolves around the dark grey areas of such a strict set of rules, as a series of thefts begin to disturb the carefully constructed but fragile peace. Racial profiling. Anauthorized searches. Between all of this stands our protagonist. And then she seemingly finds the culprit... with even more consequences she herself could not have imagined.
First of all - nearly every character can be seen as unlikeable in a certain way at the end of the movie, even Carla. Students. Teachers. Parents. Everyone hits different. Everybody get's the chance to shine in a negative light. And different ideals and opinions clash. That's a strange achievement. And it's strangely a good one.
The actors are playing their parts so well and natural. Especially the dynamic between lead Leonie Benesch's character and Leonards Stettnisch's Oskar is a stand-out. At some points there are not even words needed - just some uncomfortable staring contests.
The movie sticks close to the people but is cold trough its use of muted blue-white colors and beautifully captured through a claustrophobic 4:3 lens. The music is simple and effective with a minimalistic silence, a dissonance for an overly stressful confrontation and pompous score for the outro.
Ambition, failings and social dynamics are going hand in hand. They substitute the topic of theft quite fast through the mid point of the movie. Who does support the other one's believes and who is there to challenge them? Is everything well-meant actually good?
And we get an open end. Maybe to open. No big scale thriumph over the other. No real culprit and no real solution. Just an empty school. An empty microcosm that was inhabited by themes of communicational misteps, distrust, mobbing, fake personalities, moral ambiguity, ... you name it.
You may be leaving the cinema with different opinions and ideas. And that's the best thing a movie can achieve. Even if it isn't going to satisfy all movie goers
Prepare for school. Watch it. Be frustrated.
The central character is the overambitious teacher Carla Novak who began to teach at a German highschool, being silently confronted and appalled by the zero tolerance politics of the institution. The plot revolves around the dark grey areas of such a strict set of rules, as a series of thefts begin to disturb the carefully constructed but fragile peace. Racial profiling. Anauthorized searches. Between all of this stands our protagonist. And then she seemingly finds the culprit... with even more consequences she herself could not have imagined.
First of all - nearly every character can be seen as unlikeable in a certain way at the end of the movie, even Carla. Students. Teachers. Parents. Everyone hits different. Everybody get's the chance to shine in a negative light. And different ideals and opinions clash. That's a strange achievement. And it's strangely a good one.
The actors are playing their parts so well and natural. Especially the dynamic between lead Leonie Benesch's character and Leonards Stettnisch's Oskar is a stand-out. At some points there are not even words needed - just some uncomfortable staring contests.
The movie sticks close to the people but is cold trough its use of muted blue-white colors and beautifully captured through a claustrophobic 4:3 lens. The music is simple and effective with a minimalistic silence, a dissonance for an overly stressful confrontation and pompous score for the outro.
Ambition, failings and social dynamics are going hand in hand. They substitute the topic of theft quite fast through the mid point of the movie. Who does support the other one's believes and who is there to challenge them? Is everything well-meant actually good?
And we get an open end. Maybe to open. No big scale thriumph over the other. No real culprit and no real solution. Just an empty school. An empty microcosm that was inhabited by themes of communicational misteps, distrust, mobbing, fake personalities, moral ambiguity, ... you name it.
You may be leaving the cinema with different opinions and ideas. And that's the best thing a movie can achieve. Even if it isn't going to satisfy all movie goers
Prepare for school. Watch it. Be frustrated.
Modern German cinema haven't been on my radar as while there are a few good German flicks coming around time to time, I haven't been fully wowed by them for some time. I had no idea what to expect going into this movie but this movie was frustrating but in a good way.
It's an interesting character study that explores themes of racial profiling, unauthorized searches, and the school system. Throughout, the camerawork use of 4:3 lens felt purposeful to surround the settings and tone and the direction is pretty strong. The directing, setting, sound designs and pacing help to capture the uncomfortable and intense atmosphere that is being surrounded around the environment and within the characters and the movie does a really good work on capturing the essence.
The characters can be frustrating and unlikeable to an extent but instead of being unbearable, the portrayal of the unlikeable and frustrating characters felt purposeful because of the themes and writing concepts that were explored. Not often where movies are able to have many characters unlikeable, yet, managed to still be emotionally investing and engaging. All of the performances are amazing especially the lead performance from Leonie Benesch as Benesch is absolutely amazing. Even the child actors are great as well.
Many of the social dynamics were well-explored within the simple setting, the pacing is great, and there are some good dialogue moments that genuinely helps to build the intense situations and realism it portrays. There are a few issues I had with the movie which is that I felt certain dialogue moments from the child performances felt a little too fake or staged and there are certain choices I thought could have been approached differently.
Overall, a fascinating and frustrating movie.
It's an interesting character study that explores themes of racial profiling, unauthorized searches, and the school system. Throughout, the camerawork use of 4:3 lens felt purposeful to surround the settings and tone and the direction is pretty strong. The directing, setting, sound designs and pacing help to capture the uncomfortable and intense atmosphere that is being surrounded around the environment and within the characters and the movie does a really good work on capturing the essence.
The characters can be frustrating and unlikeable to an extent but instead of being unbearable, the portrayal of the unlikeable and frustrating characters felt purposeful because of the themes and writing concepts that were explored. Not often where movies are able to have many characters unlikeable, yet, managed to still be emotionally investing and engaging. All of the performances are amazing especially the lead performance from Leonie Benesch as Benesch is absolutely amazing. Even the child actors are great as well.
Many of the social dynamics were well-explored within the simple setting, the pacing is great, and there are some good dialogue moments that genuinely helps to build the intense situations and realism it portrays. There are a few issues I had with the movie which is that I felt certain dialogue moments from the child performances felt a little too fake or staged and there are certain choices I thought could have been approached differently.
Overall, a fascinating and frustrating movie.
It was never easy to be a good teacher, but it's even harder today with virtually everyone having a political agenda. A young teacher has a series of thefts in her class. She reports it to the administration, but they only make things worse. She discreetly tries to get to the bottom of it herself, only to make things still worse. Lots of fingers are pointed in a lot of different directions. Anyone who has ever been falsely accused will find this a very disturbing movie. It is so well acted that it seems like a documentary, rather than fiction. This film and AMERICAN FICTION both show what horrible little prigs today's young people have been turned into. They are basically good and want to do the right thing, but they know in their heart of hearts that they are morally superior. This movie made me glad that I am not a teacher today. This is a rivetingly suspenseful movie that is quite harrowing at times. It asks some disturbing questions and doesn't provide easy answers. This is easily one of the year's best films in a year of strong contenders. This is a German film in the German language, but it could just as easily take place anywhere in the Western world. This is a movie that thinking people can appreciate.
Lo sapevi?
- QuizOfficial submission of Germany for the 'Best International Feature Film' category of the 96th Academy Awards in 2024.
- Colonne sonoreOuvertüre - Ein Sommernachtstraum, op. 21
Composed by Felix Mendelssohn Bartholdy
Performed by Royal Philharmonic Orchestra
Conducted by Sir Thomas Beecham
BMG Production Music
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Botteghino
- Lordo Stati Uniti e Canada
- 628.218 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.611 USD
- 31 dic 2023
- Lordo in tutto il mondo
- 5.707.442 USD
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Proporzioni
- 1.33 : 1
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