La sala professori

I've always said being a teacher would be the worst job on Earth. I'm not sure if it was the point of 'The Teachers' Lounge' to prove my theory right, but it certainly did that. This was nightmare fuel and we see it all from the point of view of the teacher. I lost count of how many times I said out loud, "just quit and move to the other side of the country and become a farmer" (or something to that effect).

This film had no business being as captivating as it was. I was hooked on every word and needed to know what direction it was going to go in next. It's again proof that if you have good dialogue and an interesting story, action sequences of any kind are completely unnecessary for a film to be interesting.

I haven't watched many German films, but if this is an indication of their quality then I would happily watch more. 9/10.

Being German, i actually really dislike most of my nation's dramas, mostly for their bleak depiction of nearly everything. An unrewarding depression mood, intertwined with bursts of out-of-place screams and violence. But this movie hit different - in the most frustatingly positive ways possible.

The central character is the overambitious teacher Carla Novak who began to teach at a German highschool, being silently confronted and appalled by the zero tolerance politics of the institution. The plot revolves around the dark grey areas of such a strict set of rules, as a series of thefts begin to disturb the carefully constructed but fragile peace. Racial profiling. Anauthorized searches. Between all of this stands our protagonist. And then she seemingly finds the culprit... with even more consequences she herself could not have imagined.

First of all - nearly every character can be seen as unlikeable in a certain way at the end of the movie, even Carla. Students. Teachers. Parents. Everyone hits different. Everybody get's the chance to shine in a negative light. And different ideals and opinions clash. That's a strange achievement. And it's strangely a good one.

The actors are playing their parts so well and natural. Especially the dynamic between lead Leonie Benesch's character and Leonards Stettnisch's Oskar is a stand-out. At some points there are not even words needed - just some uncomfortable staring contests.

The movie sticks close to the people but is cold trough its use of muted blue-white colors and beautifully captured through a claustrophobic 4:3 lens. The music is simple and effective with a minimalistic silence, a dissonance for an overly stressful confrontation and pompous score for the outro.

Ambition, failings and social dynamics are going hand in hand. They substitute the topic of theft quite fast through the mid point of the movie. Who does support the other one's believes and who is there to challenge them? Is everything well-meant actually good?

And we get an open end. Maybe to open. No big scale thriumph over the other. No real culprit and no real solution. Just an empty school. An empty microcosm that was inhabited by themes of communicational misteps, distrust, mobbing, fake personalities, moral ambiguity, ... you name it.

You may be leaving the cinema with different opinions and ideas. And that's the best thing a movie can achieve. Even if it isn't going to satisfy all movie goers

Prepare for school. Watch it. Be frustrated.

A great film about an important topic. The film hardly leaves any time to breathe, the atmosphere is so cramped. The 4:3 format is so close to the action that you can literally feel the captivity of the leading actress Leonie Benesch, who plays brilliantly. We follow a teacher in her first job as she tries to do the right thing but can no longer uphold her own moral standards. How she gets further and further into a whirlpool.

A psychogram of a teacher who is under pressure and there seems to be no way out. Teachers don't have it easy and the film impressively shows a reflection of this incredible profession through acting, film and music.

I am a high school teacher, and this movie made me reflect on the educator's place in school. The film takes me to Plato's Republic, where it presents the dilemma "it is better to be than to appear virtuous." The protagonist leads us to moments of anguish with her quest for justice, honesty, and virtue in an environment governed by conflicting and often cruel moral issues. Actress Leonie Benesch's performance is confident, brilliantly conveying the emotions experienced by the character. For now, I consider "Das Lehrerzimmer" a real contender to win the award for Best Foreign Film in 2024; it's my choice.

It was never easy to be a good teacher, but it's even harder today with virtually everyone having a political agenda. A young teacher has a series of thefts in her class. She reports it to the administration, but they only make things worse. She discreetly tries to get to the bottom of it herself, only to make things still worse. Lots of fingers are pointed in a lot of different directions. Anyone who has ever been falsely accused will find this a very disturbing movie. It is so well acted that it seems like a documentary, rather than fiction. This film and AMERICAN FICTION both show what horrible little prigs today's young people have been turned into. They are basically good and want to do the right thing, but they know in their heart of hearts that they are morally superior. This movie made me glad that I am not a teacher today. This is a rivetingly suspenseful movie that is quite harrowing at times. It asks some disturbing questions and doesn't provide easy answers. This is easily one of the year's best films in a year of strong contenders. This is a German film in the German language, but it could just as easily take place anywhere in the Western world. This is a movie that thinking people can appreciate.