Quando uno dei suoi studenti viene sospettato di furto, l'insegnante Carla Nowak decide di andare a fondo della questione. Stretta tra i suoi ideali e il sistema scolastico, le conseguenze d... Leggi tuttoQuando uno dei suoi studenti viene sospettato di furto, l'insegnante Carla Nowak decide di andare a fondo della questione. Stretta tra i suoi ideali e il sistema scolastico, le conseguenze delle sue azioni minacciano di distruggerla.Quando uno dei suoi studenti viene sospettato di furto, l'insegnante Carla Nowak decide di andare a fondo della questione. Stretta tra i suoi ideali e il sistema scolastico, le conseguenze delle sue azioni minacciano di distruggerla.
- Candidato a 1 Oscar
- 12 vittorie e 21 candidature totali
Oskar Zickur
- Lukas
- (as Okar Mats Zickur)
Trama
Lo sapevi?
- QuizOfficial submission of Germany for the 'Best International Feature Film' category of the 96th Academy Awards in 2024.
- Colonne sonoreOuvertüre - Ein Sommernachtstraum, op. 21
Composed by Felix Mendelssohn Bartholdy
Performed by Royal Philharmonic Orchestra
Conducted by Sir Thomas Beecham
BMG Production Music
Recensione in evidenza
Being German, i actually really dislike most of my nation's dramas, mostly for their bleak depiction of nearly everything. An unrewarding depression mood, intertwined with bursts of out-of-place screams and violence. But this movie hit different - in the most frustatingly positive ways possible.
The central character is the overambitious teacher Carla Novak who began to teach at a German highschool, being silently confronted and appalled by the zero tolerance politics of the institution. The plot revolves around the dark grey areas of such a strict set of rules, as a series of thefts begin to disturb the carefully constructed but fragile peace. Racial profiling. Anauthorized searches. Between all of this stands our protagonist. And then she seemingly finds the culprit... with even more consequences she herself could not have imagined.
First of all - nearly every character can be seen as unlikeable in a certain way at the end of the movie, even Carla. Students. Teachers. Parents. Everyone hits different. Everybody get's the chance to shine in a negative light. And different ideals and opinions clash. That's a strange achievement. And it's strangely a good one.
The actors are playing their parts so well and natural. Especially the dynamic between lead Leonie Benesch's character and Leonards Stettnisch's Oskar is a stand-out. At some points there are not even words needed - just some uncomfortable staring contests.
The movie sticks close to the people but is cold trough its use of muted blue-white colors and beautifully captured through a claustrophobic 4:3 lens. The music is simple and effective with a minimalistic silence, a dissonance for an overly stressful confrontation and pompous score for the outro.
Ambition, failings and social dynamics are going hand in hand. They substitute the topic of theft quite fast through the mid point of the movie. Who does support the other one's believes and who is there to challenge them? Is everything well-meant actually good?
And we get an open end. Maybe to open. No big scale thriumph over the other. No real culprit and no real solution. Just an empty school. An empty microcosm that was inhabited by themes of communicational misteps, distrust, mobbing, fake personalities, moral ambiguity, ... you name it.
You may be leaving the cinema with different opinions and ideas. And that's the best thing a movie can achieve. Even if it isn't going to satisfy all movie goers
Prepare for school. Watch it. Be frustrated.
The central character is the overambitious teacher Carla Novak who began to teach at a German highschool, being silently confronted and appalled by the zero tolerance politics of the institution. The plot revolves around the dark grey areas of such a strict set of rules, as a series of thefts begin to disturb the carefully constructed but fragile peace. Racial profiling. Anauthorized searches. Between all of this stands our protagonist. And then she seemingly finds the culprit... with even more consequences she herself could not have imagined.
First of all - nearly every character can be seen as unlikeable in a certain way at the end of the movie, even Carla. Students. Teachers. Parents. Everyone hits different. Everybody get's the chance to shine in a negative light. And different ideals and opinions clash. That's a strange achievement. And it's strangely a good one.
The actors are playing their parts so well and natural. Especially the dynamic between lead Leonie Benesch's character and Leonards Stettnisch's Oskar is a stand-out. At some points there are not even words needed - just some uncomfortable staring contests.
The movie sticks close to the people but is cold trough its use of muted blue-white colors and beautifully captured through a claustrophobic 4:3 lens. The music is simple and effective with a minimalistic silence, a dissonance for an overly stressful confrontation and pompous score for the outro.
Ambition, failings and social dynamics are going hand in hand. They substitute the topic of theft quite fast through the mid point of the movie. Who does support the other one's believes and who is there to challenge them? Is everything well-meant actually good?
And we get an open end. Maybe to open. No big scale thriumph over the other. No real culprit and no real solution. Just an empty school. An empty microcosm that was inhabited by themes of communicational misteps, distrust, mobbing, fake personalities, moral ambiguity, ... you name it.
You may be leaving the cinema with different opinions and ideas. And that's the best thing a movie can achieve. Even if it isn't going to satisfy all movie goers
Prepare for school. Watch it. Be frustrated.
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Botteghino
- Lordo Stati Uniti e Canada
- 628.218 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.611 USD
- 31 dic 2023
- Lordo in tutto il mondo
- 5.705.426 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Proporzioni
- 1.33 : 1
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