Bhimaa

Outdated and waste of time and money. Get the director out of TFI and let him continue his cringe worthy, mindless movies in KFI.

When there are many talented directors inTFI, Gopi sir chose the worst of worst.

Scenes are copied from so many movies and predictable. Front benchers were moving out post interval. This story wouldve been a blockbuster in 1995-2000 era, but world and cinema has moved on. Mr. Harsha, please watch GAAMI to know what is new age cinema.

Every sequence just revels in the concept of 'mass elevation' and few dialogues are double meaning showing the mindset of the person who wrote those dialogues.

Disappointment is the lingering sentiment as the credits roll, and one can't help but feel a sense of loss for what might have been-a cinematic gem that instead turned into a broken promise.

The film starts promisingly enough, with a premise that intrigues and characters that seem layered. The cinematography is breathtaking, capturing the essence of the setting with a vivid palette of colors. The score, too, begins as a symphony that promises to carry the audience through a spectrum of emotions.

The performances, while earnest, are hampered by a script that feels both overwrought and underdeveloped. Talented actors struggle to breathe life into dialogue that ranges from the melodramatic to the mundane. Moments meant to be poignant feel forced, leaving the audience disconnected and disengaged.

Highlighting as a cop, and a priest, Gopichand experiments it with Bhimaa. Bhimaa is a duty minded cop saving village from Bhavani and his goons. And in the jeopardy of misdirection, the story makes no sense with the elevation of priest role. This is itself a copy of Adhurs and Ramudu, Bheemudu with a loss of story.

The direction is so amateurish as the story takes stupidity in highlighting many forced characters and songs in the making of this ridiculous movie.

I wonder what the direction even wanted to make from this outdated story?? The cop role was good, but the rest is nonsense. So disappointing.

Oh, what a delight, a film where the plot flirts with the idea of being interesting only to take a nosedive into the sea of cliché and cringe. It's like stepping back into an era where boredom was the norm, with a narrative that's as fresh as last week's leftovers. Dialogues so cheesy, you'd think they were competing in a dairy product fair. Our leading lights in the acting department seem to think they're at a shouting match, turning every scene into a test of patience. Priya might be somewhat tolerable, hovering around the realm of just okay, while Malavika proves that stunning looks don't translate to acting prowess. As for the ensemble, they simply meander along the path of least resistance, presumably following the uninspired direction they were given. The cinematography and production values wave a little flag of decency in this desert of mediocrity, and while the songs might have you reaching for the mute button, the background score mercifully doesn't exacerbate the situation. Recommending this film? I'd say you'd have a more enriching experience watching water boil.

To start with, i really don't understand what going on with Telugu Film Industry. I don't like violent Fights / Mass Songs. Why the need of elevation when Hero gets introduced for the first time. Please learn from Malayalam movies. These are very natural; there is lot of nativity. Kudos to the Directors who make such kind of good movies. We also have, but some movies are real spoilers.

Whenever Fights / Songs comes up, we are ending up in forwarding making the movie reduced to almost 45 minutes to 1 Hour. Most of us really don't like. Common man started appreciating the Malayalam movies, unfortunately these movies even though they are dubbed in Telugu, they don't make much good revenue in Theaters but these are blockbusters in OTT.